Medical Synesthesia, some people perceive individual symbols, characters, numbers

  • Thread starter Thread starter flatmaster
  • Start date Start date
  • Tags Tags
    Numbers Symbols
AI Thread Summary
Synesthesia is a fascinating neurological phenomenon where individuals perceive letters, numbers, and symbols as having distinct colors or sensory attributes. Many artists and creative individuals, including notable figures like Richard Feynman, report experiencing this condition, which can enhance their creative processes. Personal accounts highlight that synesthesia is not necessarily a disability; rather, it can provide unique insights and advantages in perception and memory. The discussion includes references to literature, such as "The Man Who Tasted Shapes" by Richard Cytowic, which explores various forms of synesthesia and their implications. Overall, synesthesia offers a compelling glimpse into the complexities of human perception and cognition.
  • #151


Ice, Zooby,

Can I bat the birdie now ? lol. Like I said previously, do either of you know of an agency/organization US or world based that can provide guidance and definition criteria to be included as a form of synesthesia ?

Rhody...
 
Biology news on Phys.org
  • #152


rhody said:
Ice, Zooby,

Can I bat the birdie now ? lol. Like I said previously, do either of you know of an agency/organization US or world based that can provide guidance and definition criteria to be included as a form of synesthesia ?

Rhody...

Yes, the DSMIV, and EU guidelines, but that would make me "technically" right, but I would be missing Zooby's point about a deeper understanding of neurophysiology and psychology. So, the APA and the WHO have diagnostic criteria that are accepted, but their purpose is not sufficient for the direction this discussion has taken.
 
  • #153


rhody said:
Ice, Zooby,

Can I bat the birdie now ? lol. Like I said previously, do either of you know of an agency/organization US or world based that can provide guidance and definition criteria to be included as a form of synesthesia ?

Rhody...
Not that I know of. Cytowic doesn't cite any authority for number forms having been upgraded to synesthesia. He may have worked that out with Eagleman, and declared it to be so, there being no more recognized authority than him (Cytowic).

Since synesthesia is not considered to be a pathological condition requiring treatment, I suspect there's probably no urgency about consensus on criteria. Also, it's only been seriously researched for a pretty short time so I'd suppose all the researchers want to keep things open ended until more is known.

I don't know if you're familiar with the Diagnostic and Statistical Manual of Mental Disorders. It's the authoritative text used by all psychiatrists for classifying mental illnesses. The thing is, it's in constant flux: important changes in every new edition. If there were ever such a guide created for synesthesia I am sure the same will be true: new research, better logic will keep it constantly changing.

Given the experience of Jim McNamara having been brought to a shrink by his parents to cure his number form, I hope synesthesia gets included in the DSM to alert shrinks it's not a mental illness.
 
  • #154


IcedEcliptic said:
Yes, the DSMIV, and EU guidelines, but that would make me "technically" right, but I would be missing Zooby's point about a deeper understanding of neurophysiology and psychology. So, the APA and the WHO have diagnostic criteria that are accepted, but their purpose is not sufficient for the direction this discussion has taken.

Thanks Ice, FYI Zooby,

I have been looking at the history of this thread and in more than a few instances I have seen data that is not consistent, or contradicts what another source has said. For instance, the contention by the Israeli researcher that synesthesia does not necessarily have a genetic component for example: Post #117, see quote:

Our study shows that hypnosis can induce synesthetic experiences in people, suggesting that extra brain connections are not needed to experience cross-sensory interactions and that it is a change in inhibitory processes - more cross talk within the brain - that causes these experiences
I for one would like to see a summary of consistent knowledge/video's/links that were posted so that folks new to this subject could get "the essense" of synesthesia.

Second, to describe problems with existing knowledge, to flesh out clearly what those differences are. Maybe all this could be summarized in a new thread at some point in the future.

I am not saying debate is bad, it is good, the truth is better served that way. Synesthesia is complex to say the least (what an understatement that is !), and trying to imagine someone sorting fact from fiction who is new to the subject is a daunting task.

Rhody...
 
  • #155


IcedEcliptic said:
Stress can trigger premature birth, but I would not call birthing a psychosomatic process. This is an issue of needing new terminology and not a disagreement with some of your conclusions.

I am sure a distinction would be made between birthing and a premature birth caused by stress. The latter might be termed a psychosomatic reaction, but I don't know.

More clear cut are psychosomatic pregnancies. I can't remember the official term, but I'm sure you know what I'm talking about. The physical manifestations of pregnancy are remarkable and seem to be caused by the woman's desire to be pregnant. But I don't know much more than that. Haven't read much about it.
 
  • #156


Zooby,
I don't know if you're familiar with the Diagnostic and Statistical Manual of Mental Disorders. It's the authoritative text used by all psychiatrists for classifying mental illnesses. The thing is, it's in constant flux: important changes in every new edition. If there were ever such a guide created for synesthesia I am sure the same will be true: new research, better logic will keep it constantly changing.

Funny you mention the DSM IV as it now is called, my daughter who is graduating from college had to write a paper (that I reviewed for syntax/punctuation/grammar errors) on the History of DSM. Even in its current form IMHO, there is much that could be done to make it more consistent/concise, given that it is the "Bible" when it comes to dealing with psychological issues involving real people with HMO's and Insurance providers. Let's just say at the end of the day I was not overly impressed given that the DSM has been around since 1952 making it almost 60 years old. Some treatable psychological conditions fall through the cracks because they don't have an official category and code to go with it, making those who suffer inelligible for insurance benerfits to address it.

Rhody...
 
  • #157


rhody said:
For instance, the contention by the Israeli researcher that synesthesia does not necessarily have a genetic component for example: Post #117, see quote:
Do you mean Cohen Kadosh, at UCL?
http://www.icn.ucl.ac.uk/Research-Groups/Visual-Cognition-Group/group-members/MemberDetails.php?Title=Dr&FirstName=Roi&LastName=Cohen%20Kadosh
 
Last edited by a moderator:
  • #158


rhody said:
Thanks Ice, FYI Zooby,

I have been looking at the history of this thread and in more than a few instances I have seen data that is not consistent, or contradicts what another source has said. For instance, the contention by the Israeli researcher that synesthesia does not necessarily have a genetic component for example: Post #117, see quote:I for one would like to see a summary of consistent knowledge/video's/links that were posted so that folks new to this subject could get "the essense" of synesthesia.

Second, to describe problems with existing knowledge, to flesh out clearly what those differences are. Maybe all this could be summarized in a new thread at some point in the future.

I am not saying debate is bad, it is good, the truth is better served that way. Synesthesia is complex to say the least (what an understatement that is !), and trying to imagine someone sorting fact from fiction who is new to the subject is a daunting task.

Rhody...
Contradictory studies are par for the course. It can take years for a given viewpoint to become standard, and even then it's always open to revision. I don't believe the accepted facts about synesthesia are going to hold still for a long time.
 
  • #159


Well, time will tell, and isn't that a big part of the joys of studying neurology? So much to learn, and a life that is only so long cannot be bored with such a challenge. We must be at least as flexible in our evolving understanding as psychology and neurology merge over the next few decades, as the brain itself is plastic.
 
  • #160


fuzzyfelt said:
rhody said:
For instance, the contention by the Israeli researcher that synesthesia does not necessarily have a genetic component for example: Post #117, see quote:

Do you mean Cohen Kadosh, at UCL?
http://www.icn.ucl.ac.uk/Research-Groups/Visual-Cognition-Group/group-members/MemberDetails.php?Title=Dr&FirstName=Roi&LastName=Cohen%20Kadosh

The research project was funded by a Marie Curie Intra-European Fellowship; the Royal Society; Israel Science Foundation; Junta de Andalucía and the Spanish Ministry of Education and Science, and the Spanish Ministry of Science and Innovation and Fundación Séneca.
Fuzzyfelt,

That may be true, however I believe the interview was conducted in Israel because the subject spoke Hebrew. I naturally assumed the leader of the study was an Israeli, which may in fact not be true. That's not the point, whether an Israeli or a Brit, the study proposed a conflicting view. You can see from the quote above it was a collaborative effort involving more than one country.

Rhody...
 
Last edited by a moderator:
  • #161


rhody said:
Zooby,


Funny you mention the DSM IV as it now is called, my daughter who is graduating from college had to write a paper (that I reviewed for syntax/punctuation/grammar errors) on the History of DSM. Even in its current form IMHO, there is much that could be done to make it more consistent/concise, given that it is the "Bible" when it comes to dealing with psychological issues involving real people with HMO's and Insurance providers. Let's just say at the end of the day I was not overly impressed given that the DSM has been around since 1952 making it almost 60 years old. Some treatable psychological conditions fall through the cracks because they don't have an official category and code to go with it, making those who suffer inelligible for insurance benerfits to address it.

Rhody...
It has certain uses but it's mostly a witch doctors manual of terminology to sound like you know what you're talking about so you can proceed to prescribe medication by trial and error.

"Schizophrenia", for example, doesn't exactly exist. I say that because there is no physiological test for it, no remotely agreed upon cause, and all the symptoms are subject to the qualification: atypical. If I hear someone has a diagnosis of schizophrenia the most specific thing that tells me is there's a 90% chance they are hearing voices. You're schizophrenic if a shrink believes he can plausibly shoehorn you into that diagnosis a bit better than another diagnosis.

I would like to know how many synesthetes there are out there with a diagnosis of "Schizophrenia, atypical."

Anyway, that's cool your daughter happened to write that paper. I'd bet you know more about the history of the DSM than most psychiatrists now.
 
  • #162


IcedEcliptic said:
Well, time will tell, and isn't that a big part of the joys of studying neurology? So much to learn, and a life that is only so long cannot be bored with such a challenge. We must be at least as flexible in our evolving understanding as psychology and neurology merge over the next few decades, as the brain itself is plastic.
I am always amazed at how much is already known. What I find cool about synesthesia is that it makes you aware of the strange fact that our senses are not written in stone: we could have evolved "seeing" by echolocation and "hearing" with our eyes, or recognizing the "feel" of objects by a taste reaction. The only restriction on the specific "qualia" of any sense is that it has to be useful, practical.
 
  • #163


zoobyshoe said:
I am always amazed at how much is already known. What I find cool about synesthesia is that it makes you aware of the strange fact that our senses are not written in stone: we could have evolved "seeing" by echolocation and "hearing" with our eyes, or recognizing the "feel" of objects by a taste reaction. The only restriction on the specific "qualia" of any sense is that it has to be useful, practical.

If echolocation is ever on offer, I want it :biggrin:
 
  • #164


zoobyshoe said:
I am always amazed at how much is already known. What I find cool about synesthesia is that it makes you aware of the strange fact that our senses are not written in stone: we could have evolved "seeing" by echolocation and "hearing" with our eyes, or recognizing the "feel" of objects by a taste reaction. The only restriction on the specific "qualia" of any sense is that it has to be useful, practical.

Zooby,

Yeah, even now it still gives me chills, if you are open to how the brain evolved its amazing capabilities that is. Synesthesia would serve as great background to a Will Smith blockbuster movie, with a plotline similar to the the one used in: "Seven Pounds". A really great movie IMHO.

Rhody...
 
  • #165


IcedEcliptic said:
If echolocation is ever on offer, I want it :biggrin:

Yeah, then we can start calling you Batman instead of Ice Ice baby... hehe

Rhody...

P.S. Is it just me or is this thread just getting a weeee bit off track. :wink:

P. P. S. I promise to self medicate, returning to the subject at hand.
 
Last edited:
  • #166


OK, back to topic, this time: bi-directional synesthesia:

I found this from Fuzzyfelt's post #142 above from:

http://eprints.ucl.ac.uk/2934/1/2934.pdf"

From pages: 1, 2
Moreover, the two ERP studies that did examine synesthesia yielded contradicting results. Sagiv et al. (2003) showed an early negative modulation of the ERP component between 150 and 200 msec (i.e., N170), whereas Schiltz et al. (1999) found a difference in the P300 component, which reflects cognitive processes at a postperceptual stage.

The conflicting results from fMRI and behavioral studies led some researchers to suggest that synesthetes can be divided into at least two distinct groups:

(1) those with perceptually mediated synesthesia expressed in the abnormal activation of visual areas.
(2) those with semantically mediated synesthesia expressed in the abnormal activation of the parietal lobes.

Some termed the former group projectors and the latter group associators (Dixon, Smilek, & Merikle, 2004); or lower synesthetes and higher synesthetes, respectively (Ramachandran
& Hubbard, 2001b).

Are higher (group projectors) and lower (group associators) classifications new to everyone here, or are they part of your understanding ?

Rhody...

P.S. I haven't read/reread this 10 page paper it is very detailed will do so this evening and report more detail later.
 
Last edited by a moderator:
  • #167


rhody said:
OK, back to topic, this time: bi-directional synesthesia:

I found this from Fuzzyfelt's post #142 above from:

http://eprints.ucl.ac.uk/2934/1/2934.pdf"

From pages: 1, 2


Are higher (group projectors) and lower (group associators) classifications new to everyone here, or are they part of your understanding ?

Rhody...

P.S. I haven't read/reread this 10 page paper it is very detailed will do so this evening and report more detail later.

I still have to read that, but it looks good. I am looking forward to chatting about it.
 
Last edited by a moderator:
  • #168


rhody said:
I found this from Fuzzyfelt's post #142 above from...




Are higher (group projectors) and lower (group associators) classifications new to everyone here, or are they part of your understanding ?

I've used the terms before, for example, post number 87, and have been alluding to them as well, assuming a familiarity with the terms here. Ramachandran explains them.

(I linked the paper because it is an example, along with others in post #142, of the weakness of the definition of synaesthesia given.)
 
Last edited:
  • #169
I had also mentioned in post #142 more recent studies discrediting the x-chromosome idea. I've found what I was hoping to link to about that, but am no longer able to edit. As it is, it may be more relevant linked here instead anyway.

"A Whole-Genome Scan and Fine-Mapping Linkage Study
of Auditory-Visual Synesthesia Reveals Evidence
of Linkage to Chromosomes 2q24, 5q33, 6p12, and 12p12"

http://www.autismresearchcentre.com/docs/papers/2009_Asher_etal_Synaesthesia_Linkage_Study_AJHG.pdf
 
  • #170


fuzzyfelt Post #87 said:
Particularly regarding grapheme-colour synaesthesia, and looking at VBM, MEG, fMRI and EEG data, a lot of interest lies in the fusiform gyrus amongst other areas, for example-

V4/V8 is mentioned by Nunn et al., 2002
http://www.psych.ndsu.nodak.edu/mcco...nesthesia).pdf

Weiss and Fink, 2008 mention the fusiform gyrus and parietal cortex.
http://brain.oxfordjournals.org/cgi/.../full/awn304v3


In Hubbard, Arman, Ramachandran & Boynton, 2005 "Neurocognitive Mechanisms of Synesthesia" there is also the prediction that-

In lower synesthetes, we suggest that crossactivation may occur between adjacent regions of the fusiform gyrus involved in letter recognition and color processing, whereas higher synesthesia may arise from crossactivation in the parietal cortex, particularly in the region of the angular gyrus, the ventral intraparietal area, and the lateral intraparietal area (Hubbard et al., 2005b).
http://www.unicog.org/publications/H...onReview05.pdf

Fuzzyfelt,

I reproduced your post #87 and you are correct, the definitions are there, though expressed slightly different, my mistake and apologies, that being said I wanted to read the paper you provided in post #142, that I reproduced above, and the one in (discrediting the x-chromosome idea) you provided in your post #169 above.

When I first saw that paper awhile ago, I knew to do it justice I would have to read it, maybe a couple of times, marking it up as I went to understand it and not miss anything.

I will try to summarize it http://eprints.ucl.ac.uk/2934/1/2934.pdf" , distill the essence of it, without jumping to the summary and parroting words back to everybody. I am in the process of doing that now, it may take a bit of time, but I think the results in the end will be worth it. More later...

Rhody...
 
Last edited by a moderator:
  • #171


rhody said:
P.S. Is it just me or is this thread just getting a weeee bit off track. :wink:

I hope you don't think so because my last post was the very kernel of what interests me about synesthesia. The exact personal experience we have in response to, say, taste, is essentially arbitrary and could have evolved to be anyone of a number of other experiences. The only criteria for a particular experience to be selected would be that it be usable: able to help us distinguish one thing in our world from another. Beyond that, hot could be felt as cold, and cold as hot, it doesn't matter so long as the sensation prompts an appropriate response.

Before a person learns anything about neurology they suppose that our perception of the world is essentially "real" and inevitable, that we are perceiving exactly what's out there and that there is no other possible way for things to look, sound, feel, etc. The phenomenon of synesthesia clues us into the fact that isn't so. The stimuli are "real" and come from outside, but there is probably no limit to how a brain could evolve to work with a given stimulus to create extrordinary variations of the "qualia" the individual experiences. If sound stimulus can be shunted to vision neurons and produce a consistent visual reaction, you realize that the dedicated vision neurons could have evolved to produce a very different experience from the one we have in the first place.

There's nothing "true" about the redness of a rose, or about it's shape. In another sensory evolutionary path the all important "truth" about a rose might be it's heat signature and the way that brain presents that heat signature to consciousness might be amazingly vivid and interesting and practical (nothing like you see in "night vision" goggles).

It also teaches something also about the phenomenon of hallucination. If a stimulus can be shunted to a part of the brain not dedicated to processing that stimulus, to what extent can the brain be erroneously stimulated from within, in the complete absence of authetic outside stimuli, to produce completely vivid seeming experiences? The answer, found in other literature, is that there seems to be no cap on this: hallucinations can run the gamut from extemely simple "elementary" sensations all the way up to full blown full sensory experiences. Synesthesia gives us part of the necessary insight into the mechanism that makes such a strange experience as "hearing voices", or having a Lilliputian tribe of Indians assemble around you during a fever, possible.

There's plenty more to learn about synesthesia but it all strikes me as not particularly urgent refinement. The big lesson is already there, intact, in the first 152 pages of The Man Who Tasted Shapes, and, in those pages, is basically contained in Michael Watson's descriptions of what he perceives. Once you understand his experiences are vivid, consistent, useful to him, and are caused by stimulus to one brain area being also shunted somehow to another, you know the essential lesson of synesthesia.

I had a modicum of confidence that, since you bothered to post the thread asking how hot could be cold and cold could be hot, that you would find The Man Who Tasted Shapes interesting. I had no idea you would become so fascinated by synesthesia.

That's great, but Synesthesia is like a very pretty tourist resort town that is alluring to first time visitors to the country of Neurology. Every one loves the town of Synesthesia, and many visit and leave thinking they have seen the country of Neurology and that they like the country of Neurology. You, in fact, seem to be so taken with the town of Synesthesia that I'm afraid you might be thinking of moving there to live.

As someone who has visited many more of Neurology's big cities and been through some other of it's smaller towns, I have to recommend you not settle there until you've done much more traveling.
 
  • #172


rhody said:
Fuzzyfelt,

I reproduced your post #87 and you are correct, the definitions are there, though expressed slightly different, my mistake and apologies, that being said I wanted to read the paper you provided in post #142, that I reproduced above, and the one in (discrediting the x-chromosome idea) you provided in your post #169 above.

When I first saw that paper awhile ago, I knew to do it justice I would have to read it, maybe a couple of times, marking it up as I went to understand it and not miss anything.

I will try to summarize it http://eprints.ucl.ac.uk/2934/1/2934.pdf" , distill the essence of it, without jumping to the summary and parroting words back to everybody. I am in the process of doing that now, it may take a bit of time, but I think the results in the end will be worth it. More later...

Rhody...

No matter, Rhody, I doubt I’ve explained myself very well. I hope it makes more sense when I mention “versions” of cross-modality.

I’ll link some abstracts to papers related to the one you are reading, the first is cited in that paper.
http://www.ncbi.nlm.nih.gov/pubmed/17853248
http://www.springerlink.com/content/406581u3507un270/
 
Last edited by a moderator:
  • #173
There could be many reasons, or combinations of reasons, to find this topic interesting and promising, and some may find other reasons to judge the merits of this topic aside from the degree of neurological disorder entailed. It could, in fact, be the lack of disorder that is most interesting to some.

However, some may find interest concerning relations to neural disorders and processes. For example, the last paper linked to investigates links between synaesthesia and autism, autistic savants, dyslexia, various expressions of epilepsy and febrile seizures, and different effects upon neuronal pathways. Linking it again-
"A Whole-Genome Scan and Fine-Mapping Linkage Study
of Auditory-Visual Synesthesia Reveals Evidence
of Linkage to Chromosomes 2q24, 5q33, 6p12, and 12p12"
http://www.autismresearchcentre.com/...Study_AJHG.pdf
I should mention that Eagleman and colleagues have included a response to that paper in the linked paper following, suggesting that a possibility of “incomplete prenetrance” could mean that the conclusion reached about the x-chromosome is not necessarily the case- http://docs.google.com/viewer?a=v&q...ZdZmjp&sig=AHIEtbSlX_6FOK3TUgTRXDQG-s0LVOlAOw
And from this second paper Eagleman and colleagues state, “Using synesthesia as a model for abnormal crosstalk, we hope to uncover the functional and molecular mechanisms of neural crosstalk; a discovery that could potentially improve our ability to characterize and treat developmental disorders such as schizophrenia and autism.”

Some may find the topic a window on neurological informational processes. Again, for example, the above linked paper from Eagleman and colleagues states, “Many examples illustrate the heavy crosstalk in the normal brain, including cross-sensory illusions (Calvert et al., 1997; D.M. Eagleman, 2001; Macaluso, Frith, & Driver, 2000; McGurk & MacDonald, 1976), anatomical tracing (Falchier, Clavagnier, Barone, & Kennedy, 2002; Fu et al., 2003; Rockland & Ojima, 2003; Schroeder & Foxe, 2002), and sensory substitution experiments (Lenay, 2003). The difference between the synesthetic and non–synesthetic brain therefore appears to be not whether there is crosstalk, but rather how much there is.”

Itself worthy of interest alone, such interest could also contribute to fields such as aesthetics, linguistics, etc., and importantly, too, relationships between these, historically exemplified by Kant’s theory of aesthetics which attempted to explain the relationships between art, scientific knowledge, morality and religion. More recently, a specific example of interest to this field would be whether non-perceptual work may be considered art. http://plato.stanford.edu/entries/art-definition/ . Again, concerning many fields, and aesthetics as well, is creativity. As the above linked paper also states, “We do not yet know, although we speculate that the gene could be an attractive candidate for the ability of highly creative people to derive connections between seemingly unrelated concepts (Cytowic & Eagleman, 2009).

Experience limited to mostly anecdotal books, and in this case, ones exploring more rare conditions, may stifle appreciation and cognisance of potential. I haven’t read the book recommended here, but feel, however, through the use of a somewhat updated copy, an amount of background was extracted and shared, providing a helpful introduction for this thread.
 
Last edited:
  • #174


Fuzzyfelt,

I am including a https://www.physicsforums.com/showthread.php?p=2640607&highlight=Casanova#post2640607" to the Einstein Autism thread. The point Dr Casanova is making is that there are brain structure anomalies: quote from the post linked above:

The brain strands or minicolumns of autism patients have more cells, but they are narrower and more densely packed -- which can limit the brain's ability to send messages.

Dr. Casanova says that's because "there's not enough juice to actually power very long connections in the brain."

Examining tissues from a normal brain and the brain of an autistic person, Dr. Casanova explains the differences. "The more bluish staining actually means more cells present," he says.

More cells and smaller cells, making up tiny brain strands, or minicolumns. These minicolums take in information, process it and respond to it.

Processing is in fact delayed in people with autism, contrasting to what has been observed through experiment so far with synesthesia, where co-activation of areas of the brain having to do with sensation of color, taste, touch, etc... are more in play. Needless to say, research into synesthesia and autism has focused on the what and where and at what times in brain different brain areas this occurs. The investigation to the underlying genetic mechanisms leading to the expression of synesthesia and autism are being done, and from what I read, it appears that progress is being made.

P.S.

In regards to my post #170 I have read the bi-directional synesthesia paper three times now (highlighting as I go), and have assembled a number of links on the capability and limitation of fMRI/EEG machines used to measure it. I will be posting that information soon. This process has been quite an interesting learning experience.

Rhody... :cool:
 
Last edited by a moderator:
  • #175


I had a PM the other day from someone who joined PF just to tell me he found the synesthesia thread interesting.
He gave permission to post his experience so here it is:
I have mirror touch synesthesia. I have several other kinds as well (letter/number-color-gender; music/color). I set up a Google alert so I can read any articles about it, which is why I found the Physics Forum posts. Perhaps because you are one of the more frequent commenters, I thought I'd write to you. Feel free to post or summarize anything below that you find interesting. I'm not much in the mood to post anything myself.

Mirror touch doesn't just involve pain; it can involve any touch. While I've always had it, I didn't believe in it until it was scientifically proven (which is apparently not like other mirror touch synesthetes' experiences--they seemed to be surprised that not everyone had mirror touch, which I find difficult to believe).

A friend who knew I had other kinds of synesthesia (and wishes he did as well) sent me this article:

http://news.bbc.co.uk/2/hi/8248589.stm"

I read these lines: "Another variant recently come to light is called mirror touch synaesthesia. This causes people to experience sensations of touch when they see other people being touched.
"So if I sat in front of you and scratched my nose, you would feel a scratch on your nose," explains Dr Simner. Psychologists have linked this to a greater sense of empathy." and freaked out for about a month and a half. I even wrote to Jamie Ward, one of the main researchers, who kindly responded. I've also read reports of the research that's been done so far.

I can feel it when you touch yourself. My friend and I explored some of the limits of this, and it was like having my life turn into a science fiction novel, in part because I apparently have spent much of my life suppressing the feelings, but when I tuned into them, they went totally out of whack. For example, normally I apparently don't look at people directly too often, but when I was experimenting with my friend, I made myself look. I'd say that phase of my life lasted for about 6 weeks, and now I'm back to not looking and suppressing it as much as possible.

These are some of the things I feel: you scratch your nose, rub your face, touch yourself anywhere, I can feel it. You eat, and I feel it (so I tend to eat away from others and when I have to sit at a table with others who are eating, I don't look at them). You exercise, and I feel it. I can't watch ballet when dancers go en pointe. Sometimes I feel pain, yes, but I can watch action/adventure movies, perhaps because I know they aren't real. In fact, I have two favorite scenes in the Bourne movies--one where's he running down the beach, because I can feel it, and another where he's running over the rooftops. If you think about it, he really is running down the beach--it isn't like a stylized fight scene. I didn't consciously realize that was why I enjoyed those scenes so much until after I read about mirror touch. I always used to describe it as "having a low suspense threshold" for suspenseful or horror movies instead of feeling people's pain.

I also experimented with watching porn, and I'll just say that it sometimes worked quite well.

My daughter and one of my sons have the color/number and color/letter forms, but none of them have mirror touch. In thinking back, though, I'm fairly certain that my father did.

Anyway, I thought you might find this interesting (based on your posts).

Thanks for your contribution: (Anonymous PF poster)

Rhody... :smile:
 
Last edited by a moderator:
  • #176


Thanks for the link Rhody. Thanks to the anonymous member, too. I’m afraid this will be a rushed post.
Firstly, it was interesting for the differences between the two experiences that you mention.

The paper (which allows for various possibilities), regarding auditory-visual synaesthesia, says-

“The marker obtaining
the highest LOD score (D2S142, with HLOD ¼ 3.025) has
been linked to autism.32 Synesthesia is sometimes reported
as a symptom in autism-spectrum disorders,33 and sensory
and perceptual abnormalities are a significant feature of
ASDs.34,35 Clinical reports indicate a potentially elevated
prevalence of synesthesia among people with autism-spectrum
disorders, as well as sensory overload similar to that
reported by synesthetes (S.B.-C., unpublished data). Auditory
stimuli trigger responses in both auditory and nearby
visual brain regions in autistic individuals36 as well as auditory-
visual synesthetes.14 Neuropathological studies have
detected abnormally increased connectivity in the brains
of individuals with autism,37 and alterations in white
matter that could indicate increased connectivity have
been observed in the brains of synesthetes;15 neuropathological
studies of the brains of synesthetes would
contribute significantly to the further elucidation of the
underlying neural architecture. A recent case study indicates
that savantism, long thought to be connected with
autism, may in some cases result from the combination
of autism and synesthesia.38 “

As you say ASD and synaesthesia generally appear to feature differences in information processing.

Possibly these are contrasts as, generally, one may involve ritual, restricted interests and restricted imagination while the other is speculated to be related to creativity. Away from the topic a little, as there is nothing expressly about synaesthesia, this paper discusses the relationship between creative, artistic types (with a tendency to unusual experiences and their association with divergent thinking) and autism (with convergent thinking)-
http://www.staff.ncl.ac.uk/daniel.nettle/jrp.pdf

Another difference could be that one features difficulty with typical expressions of cross-modal perceptual experience, such as recognising faces and symbol interpretation, and the other consists of more cross-modality than seemingly usual.

Another difference could involve deficits in anticipation in autism. Ventriloquism and the McGurk effect are typical cross-modal illusions. Changizi says typical illusions may assist anticipation- http://www.nytimes.com/2008/06/10/health/research/10mind.html . If these are anticipatory, than perhaps forms of intra or cross-modality which also respond in one mode to stimuli in another, but which are atypical, may also assist anticipation.

Also, another difference is that problems with social interaction, imitation and response to emotions are noted in one, whereas mirror synaesthesia, for example, involves imitative interaction and is linked with strong empathy, and generally, synaesthetic responses are notably emotional.

Thanks for the link to the Einstein thread, too. It is something I haven’t considered, but funnily enough, I’d mentioned Einstein’s thought processes in a post not long before your thread, that sound possibly cross-modal, although possibly not perceptual (perhaps even given Deheane’s work, and also that of Brouwer, and Davis and Hersh on the matter of mathematical perception), also possibly not involving a lot of other criteria that defines synaesthesia, whatever that may be, and possibly not atypical (but then, what way of coming up with Einstein’s theory of relativity is typical:) ).

In one instance, my post referred to a letter Einstein wrote in response to the mathematician, Hadamard’s survey about thought processes in fellow field medallists, etc., in which Einstein states that rather than thinking with words or communicable signs, there is first a “combinatory play” of visual and muscular(kinetic?) signs and images felt to be analogous to logical connections, as replicated here in pages 32 and 33- http://books.google.co.uk/books?id=...=onepage&q=einstein hadamard muscular&f=false

And in another quote from an interview, which may be out of context, because he is talking about how important music is to him, with the “Saturday Evening Post”, 26, Oct, 1929, cited in Calaprice, 2000, Einstein said “…I often think in music”.

And regarding what is typical, regarding world class mathematicians intereviewed by Hadamard, Hadamard found that "Practically all of them...avoided the use of mental words ...as I do, (as well as) the mental use of algebraic or any other precise signs... The mental pictures...(used) are most frequently visual, but they may also be of another kind, for instance, kinetic. There can also be auditive ones, but even these quite generally keep their vague character." Although being world class may still set them apart from what is typical, too.
 
Last edited:
  • #177


rhody said:
I had a PM the other day from someone who joined PF just to tell me he found the synesthesia thread interesting.
He gave permission to post his experience so here it is:


Thanks for your contribution: (Anonymous PF poster)

Rhody... :smile:
That's not synesthesia. Synesthesia is a crossing of brain inputs of normal senses.

This person has psychiatric/psychological issues based on observing people. Not even close to synethesia.

It seems this thread has really gone off track.
 
  • #178


Evo said:
That's not synesthesia. Synesthesia is a crossing of brain inputs of normal senses.

This person has psychiatric/psychological issues based on observing people. Not even close to synethesia.

Evo, it's called "Mirror Touch Synesthesia". It's official. You haven't been following the thread.
 
  • #179


zoobyshoe said:
Evo, it's called "Mirror Touch Synesthesia". It's official. You haven't been following the thread.
I don't think it's related. I think it's a different mental disorder. One that has nothing to do with synesthesia. If you knew someone with real synesthesia, you'd know it's not the same. Looking at someone and imagining it is not anywhere near the same as confusing touch, taste, sound and color.
 
Last edited:
  • #180


fuzzyfelt said:
...Synesthesia is sometimes reported
as a symptom in autism-spectrum disorders,33 and sensory
and perceptual abnormalities are a significant feature of
ASDs.34,35 Clinical reports indicate a potentially elevated
prevalence of synesthesia among people with autism-spectrum
disorders, as well as sensory overload similar to that
reported by synesthetes...etc
I mentioned in the number forms thread that Cytowic and Eagleman called autism "the flip side of synesthesia". Two or so pages of Wednesday Is Indigo Blue are devoted to creating the impression they are mutually exclusive, that an autistic person would, de facto, not be able to also have synesthesia, since the hallmark of autism is a profound lack of cross modal associations.

Had Cytowic and Eagleman gotten outside of synesthesia and become really conversant with autism they would not have made this error.
 
  • #181


Evo said:
I don't think it's related. I think it's a different mental disorder. One that has nothing to do with synesthesia. If you knew someone with real synesthesia, you'd know it's not the same. Looking at someone and imagining it is not anywhere near the same as confusing touch, taste, sound and color.

Your daughter's synesthesia is not the only "real" form of synesthesia. There are masses of other kinds. Chi Meson has synesthesia. When he sees certain shapes he hears a sound distinct to that shape. The game "Sets" causes him to hear a cacophony of noises as he tries to concentrate on the variety of shapes on the cards. Mirror touch synesthesia is a variation of this. The sight of a touch causes them to feel it on their body. This is not a "mental disorder" any more than your daughter having colors triggered by graphemes is a "mental disorder".

You really need to read the whole thread with an open mind (forgetting your daughter's case). This whole field of study is new and all the causes and mechanisms are hypothetical at this point. What they have pinned down is that the appropriate parts of the brain are, in fact, activating when the synesthetic sensation is experienced. The "touch" part of the brain is activated when the mirror synesthete sees a touch, just as the "color" part of the brain is activated when a grapheme -> color synesthete sees a grapheme. Their experience is as real as a real touch or real color.
 
  • #182


Evo, Zooby,

From post #175 above:
For example, normally I apparently don't look at people directly too often, but when I was experimenting with my friend, I made myself look. I'd say that phase of my life lasted for about 6 weeks, and now I'm back to not looking and suppressing it as much as possible.

For obvious reasons this person can't look directly at others without being "hooked to their senses". That has to be a real bummer. What happens in a crowd for example, or when watching a soccer game for instance, when a player gets kicked and the mirror touch synesthete is watching. Ouch...

Edit: On top of this he also has: (letter/number-color-gender; music/color) synesthesia as well. Needless to say at this point is that his senses are bombarded when performing singular tasks as well. I found his explanation refreshing in that it must be very hard for him to function in society, which he apparently does to a high degree. That is amazing in and of itself.

Rhody...

P.S. Evo, I understand and can empathize with your concern for your daughter. I think once you get more familiar with the research in this emerging field, some of your natural fears will be satisfied and you will not be so freaked about it, at least that is my hope.
 
Last edited:
  • #183


I said before that I didn't experience any sound form of synesthesia. However, recently I recalled listening to a piece of classical music many years ago that could have some color experience associated with it. So I pulled it up and listened to it again. When it got to the really slow flute-violin moment, I experienced a smooth transition of a dim purple to a dim red-orange.

Over the years I listened to lots of classical music, and never really experienced any color. I'm wondering though if it's possible that there is one particular pathway that is only activated by a specific sequence, melody or tone of sounds - sort of like a key that would cause the color experience.

I repeated listening to this over and over again, and am getting same colors just as I remembered from first listening to it many years ago (like 8 or 10).
 
Last edited:
  • #184


Zooby,

Was managing my Google Reader subscriptions and ran into this:

2dj1ngh.jpg


Pretty impressive, there are a fair number of folks following this thread here, and through Google/Reader as well. That was your post the Google BOT picked up on by the way.

Rhody...
 
  • #185


Zooby,

This paper was published in 1998, has the consensus as to what qualifies as synesthesia changed since, which would disqualify this as a legitimate type ?
This paper came out of a collaboration of University of Sydney, Australia and University of Otago, New Zealand.

Just when you thought we had reached the end of new types of synesthesia to discuss, this:

http://www.nysaes.cornell.edu/fst/faculty/acree/fs616/pdf/Stevenson99.pdf"

Abstract:
In two experiments the smelled sweetness of odors was increased by using them as flavorants of sucrose solution. Experiment 1 used blind experimenters to compare a target odor mixed with sucrose with a control odor mixed with water during masked training trials. The increased sweetness of the target odor was unaffected by whether or not subjects revealed some explicit knowledge of the contingencies in a post-conditioning recognition test. Experiment 2 found that such a conditioned increase in odor sweetness occurred whether training solutions were sipped from a cup or sucked through a straw. Using a frequency test designed to provide a sensitive assay of contingency awareness, there was still no indication that this affected conditioning. It was concluded that such modification of the taste-properties of odors results from implicit simultaneous associative learning and provides an example of learned synesthesia.

Summary: You should read pages 16 - 20 for a more complete summary
In summary, the results from these two experiments demonstrate that conditioned changes in odor sweetness are robust in the face of controls for experimenter bias and mere exposure effects. They occur even when orthonasal contact with the odor, i.e., sniffing, is prevented when a subject samples a training solution. This form of conditioning takes place when awareness of the experimental contingencies is at best very limited and appears unrelated to the size of the change reported by a subject. Such changes are also relatively long lived, in that no sign of a decrease was obtained as a result of delaying testing for 24 h or more. In the context of previous research on odor–taste combinations the present study appears to provide a rare example of an experimental demonstration of learned synesthesia.

Rhody...
 
Last edited by a moderator:
  • #186


I have some synesthetic imagery. I percieve weekdays as having various colours (Monday is blue, Tuesday is yellow, Wednesday is beige, Thursday is brown, Friday is green, Saturday is red, Sunday is white). I don't know if it's exactly synesthetic, but I also have numbers ordered in a very specific fashion (All black, though), and a rather odd "wheel" on which the months of the year are present. Months do have colors as well, but not as vividly as weekdays.
 
  • #187


waht said:
I said before that I didn't experience any sound form of synesthesia. However, recently I recalled listening to a piece of classical music many years ago that could have some color experience associated with it. So I pulled it up and listened to it again. When it got to the really slow flute-violin moment, I experienced a smooth transition of a dim purple to a dim red-orange.

Over the years I listened to lots of classical music, and never really experienced any color. I'm wondering though if it's possible that there is one particular pathway that is only activated by a specific sequence, melody or tone of sounds - sort of like a key that would cause the color experience.

I repeated listening to this over and over again, and am getting same colors just as I remembered from first listening to it many years ago (like 8 or 10).
This is pretty interesting. I have run across mention of similar situations: a person has a primary, clear cut synesthesia but also what I'd call "secondary," less developed, forms.

What's the piece that makes you see these colors?
 
  • #188


TubbaBlubba said:
I have some synesthetic imagery. I percieve weekdays as having various colours (Monday is blue, Tuesday is yellow, Wednesday is beige, Thursday is brown, Friday is green, Saturday is red, Sunday is white). I don't know if it's exactly synesthetic, but I also have numbers ordered in a very specific fashion (All black, though), and a rather odd "wheel" on which the months of the year are present. Months do have colors as well, but not as vividly as weekdays.

It sounds like you have what is called a "number form". This is a special case of synesthesia that's noticably different from most of the others. I started a thread about it in General Discussion a few weeks ago:

https://www.physicsforums.com/showthread.php?t=400140

Number forms are discussed in detail in two chapters of the book Wednesday Is Indigo Blue. That would be the book to get if you want to compare your experience to others. A few people also posted in the thread about their number forms. It was the first time they'd ever been able to talk openly about them and have anyone believe them. Check it out.
 
  • #189


rhody said:
This paper was published in 1998, has the consensus as to what qualifies as synesthesia changed since, which would disqualify this as a legitimate type ?
Not sure where you're headed. Are you saying you think it should be disqualified?
 
  • #190


zoobyshoe said:
Not sure where you're headed. Are you saying you think it should be disqualified?

Zooby,

Nope, just wanted your opinion on it, remember post #117 saying that synesthesia can be brought on by a post hypnotic suggestion ? More along those lines. The authors of this paper in post #185 above, it is 20 pages long are convinced it is a "rare example" of learned synesthesia, that's all. I am not saying that it is or it isn't.

Rhody...
 
  • #191


zoobyshoe said:
This is pretty interesting. I have run across mention of similar situations: a person has a primary, clear cut synesthesia but also what I'd call "secondary," less developed, forms.

This one seems to be totally undeveloped as it responds only to a very narrow range of sounds.

What's the piece that makes you see these colors?

That is the ending of Bruckner's 6th symphony, mov 2

I found a recording on youtube which is quite similar to Eugene's recording which I listened to.

http://www.youtube.com/watch?v=ySYAcKqxxsY&feature=related

at 7:05 it begins as purple, and slowly transitions to an orange by 7:40 when it's over and gone. At one point in between the color is indefinite - could be purple, orange, or both. There is no apparent change in shades, it's like flipping back and forth between purple and orange at various locations. Towards the end it settles to a little darker shade of orange than before. As for the rest of the movement, it's all static across the spectrum, there is absolutely no color. It's all weird.
 
  • #192


waht said:
This one seems to be totally undeveloped as it responds only to a very narrow range of sounds.



That is the ending of Bruckner's 6th symphony, mov 2

I found a recording on youtube which is quite similar to Eugene's recording which I listened to.

http://www.youtube.com/watch?v=ySYAcKqxxsY&feature=related

at 7:05 it begins as purple, and slowly transitions to an orange by 7:40 when it's over and gone. At one point in between the color is indefinite - could be purple, orange, or both. There is no apparent change in shades, it's like flipping back and forth between purple and orange at various locations. Towards the end it settles to a little darker shade of orange than before. As for the rest of the movement, it's all static across the spectrum, there is absolutely no color. It's all weird.

Just speculating, maybe what waht (pun intended) :biggrin: lol is experiencing is a new form of synesthesia that up to now hasn't been categorized so far. In my reading to date, I haven't come across another example like this, is anyone else out there experiencing the same thing ?

Edit: waht I just listened to the piece at 7:05 - 7:40, if I am not mistaken that instrument that leads in is an oboe or clarinet, (see http://www.google.com/#hl=en&source...h+2+instruments&gs_rfai=&fp=1a3caa30e0a876cf") it has a distinct sound, the tones remind me of a bell ringing with sweet tremolo, as the time approaches the end, the tremolo appears to lengthen, soften. Could this be the instrument that is causing what you are seeing ? Or is it a blending of other instruments as well ? I doubt it because much of the rest of the piece does not have that instrument played in that way. Your thoughts ?

Rhody...
 
Last edited by a moderator:
  • #193


I checked the frequency spectrum of the instance that is inducing a purple color, and it seems to be dominated by a weak 0.75 KHz fundamental and a stronger second harmonic at 1.5 KHz, plus lots of other weaker frequency components all over the place.

I also listened to a pure sine wave (with weak harmonics) varied manually from 100 Hz to 10 KHz which was generated by a signal generator hooked up to an amplifier and a speaker. I didn't seem to get any color experience at any frequency, and not even at 0.75 KHz or 1.5 KHz. As if somehow there must be a certain combination of frequencies that would unlock the color.
 
  • #194


waht said:
This one seems to be totally undeveloped as it responds only to a very narrow range of sounds.



That is the ending of Bruckner's 6th symphony, mov 2

I found a recording on youtube which is quite similar to Eugene's recording which I listened to.

http://www.youtube.com/watch?v=ySYAcKqxxsY&feature=related

at 7:05 it begins as purple, and slowly transitions to an orange by 7:40 when it's over and gone. At one point in between the color is indefinite - could be purple, orange, or both. There is no apparent change in shades, it's like flipping back and forth between purple and orange at various locations. Towards the end it settles to a little darker shade of orange than before. As for the rest of the movement, it's all static across the spectrum, there is absolutely no color. It's all weird.
It can't be the pitches because you'd see the colors anytime you heard those pitches. It seems to me it has to be the specific mix of sound Bruckner has created when the colors appear: those pitches/chords on those instruments. I really haven't run into any other descriptions of a synesthetic experience this fragmentary. Sacks reports the case of a woman with sound -> taste, but it's only triggered by one thing: musical intervals. A minor second is sour, a fourth tastes like mown grass, a minor sixth tastes like cream, etc. If she's not concentrating on intervals music has no taste. When she concentrates on music as music she has visual color effects. Go figure.
 
  • #195


rhody said:
Nope, just wanted your opinion on it, remember post #117 saying that synesthesia can be brought on by a post hypnotic suggestion ? More along those lines. The authors of this paper in post #185 above, it is 20 pages long are convinced it is a "rare example" of learned synesthesia, that's all. I am not saying that it is or it isn't.
Are you asking if they actually "learned" it, or if it was, in fact, an unintentional form of hypnosis? If you are, I'd say the latter is a good possibility.

Now, last night down at the cafe, I bent down and cupped some water in my mouth in the restroom to rinse it out after hours of coffee drinking. At that precise moment, the automatic air freshener machine squirted some powerful scent into the little room. As soon as I smelled it, the water in my mouth tasted like some awful, aromatic chemical.

I wondered how often that would have to happen before water started tasting like that even when there was no air freshener.

The moral of the story is: don't drink out of the sink like a zoobie.
 
  • #196


Zooby,

I must be getting a bit batty, have a look at my edit comment to post #192, and listen from 7:05 to 7:40, see if you don't think the whole complexion of the piece doesn't change because of the oboe or clarinet making its presence known. I listened to it three times and that's the best I can come up with. Could it be that one instrument played at those frequencies with a slight "ringing" and then softening at the end that is doing the trick ?

I should have posted a new reply but wanted to keep things together for waht to think about.

Rhody...
 
  • #197


waht I just listened to the piece at 7:05 - 7:40, if I am not mistaken that instrument that leads in is an oboe or clarinet, (see http://www.google.com/#hl=en&source...h+2+instruments&gs_rfai=&fp=1a3caa30e0a876cf") it has a distinct sound, the tones remind me of a bell ringing with sweet tremolo, as the time approaches the end, the tremolo appears to lengthen, soften. Could this be the instrument that is causing what you are seeing ? Or is it a blending of other instruments as well ? I doubt it because much of the rest of the piece does not have that instrument played in that way. Your thoughts ?

Rohdy...:biggrin:

Yes, I'm pretty sure it must be this instrument (clarinet) (I thought it was a flute at first) that is generating those specific sounds, and it only seems to be playing one time in the entire symphony as far as I can tell. The background violin music doesn't induce any colors, nor any other music I've ever come across. Once the clarinet starts playing it's a euphoric purple color to orange reddish.

I checked the sound of this instance under a cheap spectrum analyzer and it specifically shows a strong 1.5 KHz pitch, and a weaker 0.75 KHz pitch once the clarinet is playing at 7:05.

I'm going to look for some clarinet music to listen to.

Edit:

Also the lengthening and softening is sort of teasing and it's what is causing the transitions from purple to red-orange.
 
Last edited by a moderator:
  • #198


zoobyshoe said:
Are you asking if they actually "learned" it, or if it was, in fact, an unintentional form of hypnosis? If you are, I'd say the latter is a good possibility.

Now, last night down at the cafe, I bent down and cupped some water in my mouth in the restroom to rinse it out after hours of coffee drinking. At that precise moment, the automatic air freshener machine squirted some powerful scent into the little room. As soon as I smelled it, the water in my mouth tasted like some awful, aromatic chemical.

I wondered how often that would have to happen before water started tasting like that even when there was no air freshener.

The moral of the story is: don't drink out of the sink like a zoobie.

Zooby,

No, I am not saying that the example in the latest article that claims it could be from a form of post hypnotic suggestion. What I am saying is that both the post hypnotic suggestion article and the latest article that claims that in this rare instance a type of synesthesia can be learned are unusual. That 20 page paper is quite technical in scope and detail. I skimmed it at best. I will try to give it a more rigorous look and try to come up with arguments that agree or disagree with the authors conclusions.

I still have the bi-directional paper fairly fresh in my mind and wanted to report on that as well, but give a brief history of fMRI and EEG before doing so. If I dig into this too it will cause me to lose focus and not be as clear as I want or need to be. To me, the technical details of fMRI and EEG as used in the bidirectional synesthesia test are of interest. I like to understand most things that I am able to from "the bottom up" so to speak. I know there are PF members with fMRI experience here from looking at other threads, hopefully some of those folks will read the post and correct any mistakes I might make.

Rhody...

P. S. Are you sure some of that air freshener didn't go up your nose ? If it was citrus, it definitely has a bitter taste.
 
  • #199


zoobyshoe said:
It can't be the pitches because you'd see the colors anytime you heard those pitches. It seems to me it has to be the specific mix of sound Bruckner has created when the colors appear: those pitches/chords on those instruments. I really haven't run into any other descriptions of a synesthetic experience this fragmentary. Sacks reports the case of a woman with sound -> taste, but it's only triggered by one thing: musical intervals. A minor second is sour, a fourth tastes like mown grass, a minor sixth tastes like cream, etc. If she's not concentrating on intervals music has no taste. When she concentrates on music as music she has visual color effects. Go figure.

Yes, I've ruled out single pitches in the experiment I did from 100 Hz to 10 KHz. So it much be a specific combination of sounds. This reminds me of when Ramachandran did in an experiment the with amputees feeling pain in their phantom limbs from the book Phantoms in the Brain. It sufficed that a specific and complex visual stumuli of the other working hand in the mirror triggered something in the brain and eased the pain.
 
  • #200


waht said:
I checked the frequency spectrum of the instance that is inducing a purple color, and it seems to be dominated by a weak 0.75 KHz fundamental and a stronger second harmonic at 1.5 KHz, plus lots of other weaker frequency components all over the place.

I also listened to a pure sine wave (with weak harmonics) varied manually from 100 Hz to 10 KHz which was generated by a signal generator hooked up to an amplifier and a speaker. I didn't seem to get any color experience at any frequency, and not even at 0.75 KHz or 1.5 KHz. As if somehow there must be a certain combination of frequencies that would unlock the color.

waht,

Could it be the ringing of the instrument (clarinet, oboe) that is doing the trick ? Try finding pieces that have individual solo's for clarinet and oboe and in that frequency range. You might try having a drink with Agave like Patron (it activates the right side of the brain) and then repeat the experiment to see if the color changes or becomes more vivid.

Rhody...

P.S. To me the ringing reminds me of when you fill a crystal wine glass with liquid then run your fingers around the edge to produce that ringing sound. You can change frequency with more or less liquid, give that a shot too, if that does it, you have found the stimulus that produces the colors. Try to match the ringing that occurs just after 7:05 in the music, then play with the frequency up and down.
 

Similar threads

Back
Top