micromass said:
Another thing I don't understand is why literature and poetry are held to such a high regard. Those topics are usually taught in high school. But what about music or movies?? Are they not culturally refined enough to discuss in the classroom?
I'm sure Shakespeare is brilliant. But I personally feel more emotional after listening to classic rock or after watching movies such as Lord of the Rings. But somehow, those things never end up being taught in schools. Rather, we are forced to read and analyze poems that we don't really care about.
I guess I'm saying that art is a very relative thing. Students should be taught to appreciate and understand art. If the students think that metal music is art, then so be it. Nobody can say that Shakespeare is better than metal music. Because nobody can make objective statements about art.
Perhaps I can provide an explanation as to why I think certain art is chosen in academics. While I agree that it's impossible to determine objective value in art, there are certain artists and certain works that have endured. That is, they have been important enough to a large enough number of people over long periods of time.
Let's look at Shakespeare. He has been read, translated, and republished constantly in the ~400 years since he wrote. The academy has recognised the apparent universality of his writing as he has had a great deal of influence and many different people of many different cultures throughout many different historical contexts. Despite social change, he has maintained relevancy. While this doesn't necessarily
prove anything, he is apparently more important to civilisation than, say, his contemporary, Ben Jonson, which is why the academy focuses more on Shakespeare. Though this system is not perfect, it's better than teachers following their personal taste, in my opinion.
Shakespeare's writing, for whatever reason, has demonstrated more importance to English literary tradition than any other writing, which is why he is usually the focus of literary studies regardless of the personal tastes of the person or people designing the curricula. To quote the aforementioned Ben Jonson: "He was not of an age, but for all time!"
I would never presume to say which contemporary art will survive, but as to why contemporary artists aren't appreciated as much in the academy, I think it's partially because they're still young, and perhaps they haven't yet proven they've transcended context and achieved enduring universality in the eyes of academics. One thing I can say for certain is that not every artist working today will be appreciated in a few hundred years, whether for better or worse.