Karagoz said:
In a physics articles and texts they say
You don't perform a work when carrying a heavy object over a long corridor
or
if you are carrying a piano on your back down a hallway, you are not actually doing any real work
jbriggs444 said:
If you walk a piano down the sidewalk on your back, your muscles will be straining, alternately contracting and expanding. Muscles expend energy during contraction but do not reclaim it when expanding. You expend/waste energy while doing negligible "work".
Just to clarify, from a pedagogical POV, shouldn't the example also clearly
stipulate (rather than leave it unsaid) that the motion is idealized as being constant; e.g. as has carefully been done in presenting the examples titled "When a force does no work" on the
Work page from the
Hyperphysics educational site?
The risk (to the naive reader, e.g. someone like me) is that if the example
includes muscles lengthening & contracting, but fails to say that biomechanical motion is being
excluded, we may get hung up in the weeds of unnecessary realism. E.g. we might complain that the piano/object will be constantly accelerating & de-accelerating, and in not just one plane but three planes; this figure from a
journal paper on the biomechanics of walking shows the 2D view:
Aside from this nitpick, it would seem a good idea for teachers/textbooks/classes to explore early on the pivotal shift in the history of science, starting with physics, toward simplifying or abstracting situations to analyze them & create models; and perhaps
Aristotle vs. Galileo/Newton will be mentioned w/ regard to motion. If this is done it ought to help students spot idealized examples more readily.
I bring all this up mostly because the bit about the piano got to me. I have seen many pianos moved over the years, including someone getting under a baby grand and humping it along (not "walking") on their back a
very short ways across a living room; and it's always a stop-start, stop-start, up-down, up-down affair. Just this past Friday I watched three strong men at our local concert hall disassemble and move a rented 900-lb concert grand back into the truck to go to Yamaha in NYC. It was protracted labor with lots of lengthy pauses for regrouping & discussing what motion to attempt next. Constant motion, not.