"Zorba The Greek" dance music - based on traditional themes?

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SUMMARY

The dance music from "Zorba The Greek," composed by Mikis Theodorakis in 1964 for the film directed by Michael Cacoyiannis, is deeply rooted in traditional Greek folk themes, particularly the Cretan dances. The main theme, known as the 'Syrtaki dance,' has become a cultural trademark for Greece. Influences from Russian folk music, particularly wedding dances played on the balalaika, are also noted, suggesting a blend of cultural elements in Theodorakis's composition. The discussion highlights the challenge of tracing specific melodic themes due to the overwhelming popularity of the "Zorba The Greek" theme.

PREREQUISITES
  • Understanding of Greek folk music and its cultural significance
  • Familiarity with the film "Zorba The Greek" and its historical context
  • Knowledge of traditional Cretan dance forms
  • Awareness of the influence of Russian folk music on Greek compositions
NEXT STEPS
  • Research the origins and variations of the Syrtaki dance
  • Explore the works of Mikis Theodorakis beyond "Zorba The Greek"
  • Investigate the relationship between Greek and Russian folk music
  • Examine the impact of "Zorba The Greek" on global perceptions of Greek culture
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Musicologists, film studies scholars, cultural historians, and anyone interested in the intersection of traditional music and cinematic representation.

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Is the dance music from "Zorba The Greek" based on themes from older and traditional folk music? - or is it essentially an original melody?
 
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From the above reference:
During 1964, Theodorakis wrote the music for the Michael Cacoyiannis film Zorba the Greek, whose main theme, since then, exists as a trademark for Greece. It is also known as ‘Syrtaki dance,’ inspired from old Cretan traditional dances.

This excerpt jibes with what I was taught in a film studies seminar cerca 1967. The professor also compared the Greek/Cretan tunes in "Zorba" to Russian folk 'wedding dance' music played primarily on the balalaika where the song often begins at a slow pace becoming increasingly more frenzied. The article hints at Russian influence on Theodorakis during his French period.
 
jim mcnamara said:
Try: https://walkerhomeschoolblog.wordpr...s-and-zorbas-dance-from-zorba-the-greek-1964/

Music repeats a lot of older melodic content as described above.

From that article:
During 1964, Theodorakis wrote the music for the Michael Cacoyiannis film Zorba the Greek, whose main theme, since then, exists as a trademark for Greece. It is also known as ‘Syrtaki dance,’ inspired from old Cretan traditional dances.

However, this doesn't answer my question because a composition may be "inspired by" or "influenced by" other pieces of music and yet not copy any melodic themes from those pieces. The popularity of the "Zorba The GreeK" theme makes it difficult to find (online) any other music for traditional Greek dances!

(By contrast there are situations such as Copland's "Appalachian Spring" where the source of the theme "Tis a Gift To Be Simple" can be found in its original form.)
 
Klystron said:
This excerpt jibes with what I was taught in a film studies seminar cerca 1967.
Since this forum section also deals with linguistics, it's on-topic to mention that cerca is Spanish (pronounced "sair' ka") or Italian (pronounced "chair' ka"). In Spanish, it's often appears as cerca de, meaning "near to" in the physical sense. The Latin word you're looking for is circa, representing temporal nearness.
 

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