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Is the dance music from "Zorba The Greek" based on themes from older and traditional folk music? - or is it essentially an original melody?
The discussion centers on the origins of the dance music from "Zorba The Greek," specifically whether it is based on traditional folk music themes or if it is an original composition. The conversation explores influences, inspirations, and the relationship between the music and older melodic content.
Participants do not reach a consensus on whether the music is based on traditional themes or if it stands as an original composition. Multiple competing views remain regarding the influences and inspirations behind the music.
There are limitations in the discussion regarding the definitions of inspiration versus direct influence, and the availability of traditional Greek dance music for comparison is noted as a challenge.
During 1964, Theodorakis wrote the music for the Michael Cacoyiannis film Zorba the Greek, whose main theme, since then, exists as a trademark for Greece. It is also known as ‘Syrtaki dance,’ inspired from old Cretan traditional dances.
jim mcnamara said:Try: https://walkerhomeschoolblog.wordpr...s-and-zorbas-dance-from-zorba-the-greek-1964/
Music repeats a lot of older melodic content as described above.
During 1964, Theodorakis wrote the music for the Michael Cacoyiannis film Zorba the Greek, whose main theme, since then, exists as a trademark for Greece. It is also known as ‘Syrtaki dance,’ inspired from old Cretan traditional dances.
Since this forum section also deals with linguistics, it's on-topic to mention that cerca is Spanish (pronounced "sair' ka") or Italian (pronounced "chair' ka"). In Spanish, it's often appears as cerca de, meaning "near to" in the physical sense. The Latin word you're looking for is circa, representing temporal nearness.Klystron said:This excerpt jibes with what I was taught in a film studies seminar cerca 1967.