Special pattern in the directivity of loudspeaker

  • Thread starter hanson
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In summary, the directivity changes from a circular shape to a saw-tooth shape as the frequency increases. This is due to interference between the waves from the speaker and the ground, and is a result of the speaker being too close to the ground.
  • #1
hanson
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hi all.
For boxed loudspeaker, the direcitivity is as shown in the figure below.
The directivity change from a circular shape into a saw-tooth shape when the frequency increases. Why would this be?
I am wondering if this will be caused by interference? But there seem to be no evidence showing that interference will be stronger for higher frequencies?

Please express your views. Thanks
 

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  • #2
The change in pattern is due to pressure nodes that are created at ever increasing frequencies.

The issue you talk about is a classical problem in acoustics; the baffled piston. The sound intensity can be calculated via

[tex]I_{(r,\theta)} = \frac{\rho_o c k^2 U_{rms} \pi^2 z^2}{4\pi^2r^2}\left[\frac{2J_1(k z sin \theta)}{k z sin\theta}\right]^2 [/tex]

Where:
[tex]I[/tex] = sound field intensity
[tex]\rho_o[/tex] = density of the medium
[tex]c[/tex] = speed of sound
[tex]k[/tex] = wavenumber
[tex]U_{rms}[/tex] = RMS speed of the piston surface
[tex]z[/tex] = piston radius
[tex]r[/tex] = radius from piston face
[tex]J_1[/tex] = first order Bessel function

The term in the second set of brackets is a directivity factor. That is the term that is responsible for the directional nature of the the pattern. Kind of interesting note: This is another reason why you see large woofers and small high frequency tweeters. The low frequency sounds are pretty much omni-directional. The higher frequencies require a smaller radius to be somewhat omni directional. It would not be good to have a speaker that has nodal points within your living room.
 
Last edited:
  • #3
FredGarvin said:
The change in pattern is due to pressure nodes that are created at ever increasing frequencies.

The issue you talk about is a classical problem in acoustics; the baffled piston. The sound intensity can be calculated via

[tex]I_{(r,\theta)} = \frac{\rho_o c k^2 U_{rms} \pi^2 z^2}{4\pi^2r^2}\left[\frac{2J_1(k z sin \theta)}{k z sin\theta}\right]^2 [/tex]

Where:
[tex]I[/tex] = sound field intensity
[tex]\rho_o[/tex] = density of the medium
[tex]c[/tex] = speed of sound
[tex]k[/tex] = wavenumber
[tex]U_{rms}[/tex] = RMS speed of the piston surface
[tex]z[/tex] = piston radius
[tex]r[/tex] = radius from piston face
[tex]J_1[/tex] = first order Bessel function

The term in the second set of brackets is a directivity factor. That is the term that is responsible for the directional nature of the the pattern. Kind of interesting note: This is another reason why you see large woofers and small high frequency tweeters. The low frequency sounds are pretty much omni-directional. The higher frequencies require a smaller radius to be somewhat omni directional. It would not be good to have a speaker that has nodal points within your living room.


Thanks FredGarvin.
But I don't quite understand why pressure nodes will be created when we increase the frequency. Can you explain in a bit more detail?
 
  • #4
You are looking at the result of really two waves interacting: the source wave from the speaker and the reflected wave from the, what would be referred to as, the ground or reflecting plane. As the frequency of the source increases, the wavelength goes down which means there will be more nodes within the same space to interact with each other. So, to get to point, it is due to interference between the two waves that causes the pattern.
 
  • #5
Thanks FredGarvin again for the clear explanation.
You are so helpful.
 

1. What is the directivity of a loudspeaker?

The directivity of a loudspeaker refers to the way in which sound is distributed in space by the speaker. It describes the area and direction in which the speaker sends sound waves.

2. Why is the directivity of a loudspeaker important?

The directivity of a loudspeaker is important because it affects the way in which sound is perceived by listeners. A speaker with a narrow directivity will have a more focused sound, while a speaker with a wider directivity may have a more diffuse sound.

3. What is a special pattern in the directivity of a loudspeaker?

A special pattern in the directivity of a loudspeaker refers to a deliberate shaping of the sound distribution by the speaker. This can be achieved through various methods such as using multiple drivers, using horns, or using advanced signal processing techniques.

4. How does a special pattern in the directivity of a loudspeaker affect sound quality?

A special pattern in the directivity of a loudspeaker can greatly improve sound quality. It can reduce unwanted reflections and improve clarity and intelligibility of the sound. It can also help to evenly distribute sound in a room, providing a more immersive listening experience.

5. Are there any limitations to creating a special pattern in the directivity of a loudspeaker?

Yes, there are limitations to creating a special pattern in the directivity of a loudspeaker. It requires advanced technology and expertise, and may also be limited by the physical design and size of the speaker. Additionally, the effectiveness of the special pattern may vary depending on the listening environment and placement of the speaker.

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