Can we break down a single noise into individual soundwaves?

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Discussion Overview

The discussion revolves around the composition of soundwaves in a single noise, such as a drumbeat or a car crash. Participants explore the complexities of soundwave generation, auditory perception, and the application of Fourier analysis in understanding these phenomena.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • One participant inquires about the number of soundwaves that compose a single noise, suggesting that multiple frequencies are involved and that the brain interprets these sounds in a unique way.
  • Another participant explains that drumbeats consist of a wide range of frequencies that fill the audio spectrum, contrasting them with notes that resonate for longer periods.
  • There is mention of the auditory processing mechanism, including the role of bones in the ear and hair cells that convert sound frequencies into neural signals for interpretation.
  • Fourier analysis is discussed, with a participant noting that while it assumes sound can be decomposed into sine and cosine waves, this may not fully capture the complexity of auditory signals.
  • One participant asserts that while it is not possible to uniquely decompose the entire signal heard, reasonable approximations can be made if the underlying physics of the sound source is known.
  • The idea of using multiple sampling sites to improve accuracy in sound reconstruction is proposed, emphasizing the three-dimensional nature of sound waves.

Areas of Agreement / Disagreement

Participants express varying views on the ability to decompose sound into individual waves, with some suggesting it is not possible to uniquely identify all components while others propose that approximations can be made under certain conditions. The discussion remains unresolved regarding the extent to which sound can be analyzed and understood.

Contextual Notes

Participants acknowledge limitations in current understanding of auditory processing and the complexities involved in sound wave generation and interpretation. There is also a recognition of the challenges in applying Fourier analysis to real-world auditory signals.

onnyctip
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Greeting Physics Forums; my first post here. Thanks in advance for your time!

Approximately how many soundwaves compose what we can say is a single noise, like a drumbeat?

I know there are multiple frequencies involved and our brain interprets this in it's own way. There is interference and phasing and I read that the Fourier method(?) helps with this.

Simply can you derive a single soundwave from let's say a car crash, or is it a high-order more of soundwaves like each square inch of metal on metal collision producing multiple waves and our brain (or a recording device) forming a general picture?
 
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welcome to PF, onny.

Approximately how many soundwaves compose what we can say is a single noise, like a drumbeat?

drum beats are composed of a wide range of audible frequencies, so they fill up the audio spectrum pretty well; on the other hand, they generally don't resonate as long so you have a lot of soundwaves all at once (as opposed to a note played on a string: relatively few frequencies that resonate for a long time).
http://nylander.wordpress.com/2003/11/10/mode-of-vibration-of-a-circular-membrane/

I know there are multiple frequencies involved and our brain interprets this in it's own way. There is interference and phasing and I read that the Fourier method(?) helps with this.

You have bones in your ear that convert the frequencies to motion in a fluid filled chamber by vibrating a membrane that makes up a wall of the chamber. Hair cells hang out of sensory neurons and as they sway in the fluid, coding the frequency of the swaying for downstream neurons to interpret. There is a lot of processing that goes on in the audio and parietal cortices after that before it reaches your hippocampus and/or prefontal cortex (when it's integrated with the rest of your experience into a whole picture). We still don't have a clear picture of that mess (though we do have collage of several pictures ).

We interpret a double in frequency (an octave). As the "same note, only higher". So a Middle C oscillates at twice the frequency as the C below it does (and of course, half the rate of the C above it).

Fourier assumes everything is comprised of sins and cosines, but that's not quit the truth. If you Fourier decompose the action potential of a single neuron with a short-time Fourier transform, you get noise that's more dense during the spike, it's not especially informative. However, whole populations of neurons have a more rhythmic, sinusoidal shape (i.e. brainwaves).
Simply can you derive a single soundwave from let's say a car crash, or is it a high-order more of soundwaves like each square inch of metal on metal collision producing multiple waves and our brain (or a recording device) forming a general picture?

You can't uniquely decompose the whole signal you hear, but you can make reasonable approximations if you know the "ground truth" or some of the physics about what actually happened at the source.

You can improve your accuracy by having more sampling sites. 5000 ears spread around the intersection, all connected to one brain might be able to reconstruct the accident a lot better, because you'll be able to easier resolve the spatial location of each wave. Remember the waves are spherical, so they create a three dimensional acoustic picture that will be much "more unique" than your two ears can interpret.
 
Pythagorean said:
welcome to PF, onny.



drum beats are composed of a wide range of audible frequencies, so they fill up the audio spectrum pretty well; on the other hand, they generally don't resonate as long so you have a lot of soundwaves all at once (as opposed to a note played on a string: relatively few frequencies that resonate for a long time).



http://nylander.wordpress.com/2003/11/10/mode-of-vibration-of-a-circular-membrane/



You have bones in your ear that convert the frequencies to motion in a fluid filled chamber by vibrating a membrane that makes up a wall of the chamber. Hair cells hang out of sensory neurons and as they sway in the fluid, coding the frequency of the swaying for downstream neurons to interpret. There is a lot of processing that goes on in the audio and parietal cortices after that before it reaches your hippocampus and/or prefontal cortex (when it's integrated with the rest of your experience into a whole picture). We still don't have a clear picture of that mess (though we do have collage of several pictures ).

We interpret a double in frequency (an octave). As the "same note, only higher". So a Middle C oscillates at twice the frequency as the C below it does (and of course, half the rate of the C above it).

Fourier assumes everything is comprised of sins and cosines, but that's not quit the truth. If you Fourier decompose the action potential of a single neuron with a short-time Fourier transform, you get noise that's more dense during the spike, it's not especially informative. However, whole populations of neurons have a more rhythmic, sinusoidal shape (i.e. brainwaves).




You can't uniquely decompose the whole signal you hear, but you can make reasonable approximations if you know the "ground truth" or some of the physics about what actually happened at the source.

You can improve your accuracy by having more sampling sites. 5000 ears spread around the intersection, all connected to one brain might be able to reconstruct the accident a lot better, because you'll be able to easier resolve the spatial location of each wave. Remember the waves are spherical, so they create a three dimensional acoustic picture that will be much "more unique" than your two ears can interpret.

What a great response! Thank you!
 
+1 for Pythagorean!
 

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