Can we hear a supersonic plane?

AI Thread Summary
A discussion on whether a supersonic plane can be heard while traveling at Mach 2 reveals that sound emitted by the plane can indeed be detected, albeit in a complex manner. The sonic boom creates a pressure front that affects sound propagation, but it does not create a vacuum behind the plane; sound waves can still travel backward. Observers may hear both forward and backward sounds, with the latter being Doppler-shifted. The interaction of sound waves with the shock wave limits the clarity of what is heard, but it is possible to detect sounds produced by the plane, such as a siren. Ultimately, while the sonic boom dominates the auditory experience, some sound from the plane can still reach observers.
  • #51
boneh3ad said:
Neither do planes, for that matter.
Supersonic fighter jets can for example fire their cannons, in two clearly distinguishable burst (e.g. different number of shots). If the plane then passes a detector close by, that detector would first detect the sonic-booms(s), and then the cannon sounds in reverse order.
 
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  • #52
A.T. said:
Supersonic fighter jets can for example fire their cannons, in two clearly distinguishable burst (e.g. different number of shots). If the plane then passes a detector close by, that detector would first detect the sonic-booms(s), and then the cannon sounds in reverse order.

Literally any sound, constant or not, will be detected after the sonic boom due to the limitations of sound speed in the medium. The observer would just hear a mix of the gun firing both in reverse and forward briefly before hearing it all forward, just like any sound.
 
  • #53
What about a piezoelectric speaker traveling in the direction of its plane & with a surface that could travel at mach 2 plus a little bit? Aside from being materially impossible.
 
  • #54
boneh3ad said:
The observer would just hear a mix of the gun firing both in reverse and forward briefly before hearing it all forward
Why would he hear the same shots multiple times? To clarify: Both burst are finished before the plane passes him. And I'm talking about the gun sounds, let him fire blanks for simplicity.
 
  • #55
"Sound waves are linear to a good approximation, there is no destruction going on."Sound may be linear under normal, everyday situations but it will not be linear under extreme conditions like the bow wave of a supersonic aircraft.
What you are trying to suggest is that we should be able to record the sonic boom and pick out the police siren in the recording. I don't believe that for a minute.

As for playing backwards, nothing is heard upstream of the sonic cone ( let's limit this to one sonic boom from the nose for simplicity. ) An observer on the ground , or any other non-axial position of observation will hear sound from the aircraft once it has passed and they are BEHIND the sonic cone. At this point the aircraft is going away from the observer, fast.

There is NO sound coming towards the observer from behind ( in the direction from which the plane arrived ). AFAICS, this whole idea of sound playing backwards, is based on the simplistic and inappropriate 'spherical' wave-fronts which do not apply to a supersonic sound source.

There is a strage idea here that sound is left behind the plane, traveling in forwards direction. The only sound moving forwards contributes to the shock wave and any sound information is lost.

[EDIT]

I've just seen A.T's comment #45
https://www.physicsforums.com/threads/can-we-hear-a-supersonic-plane.881162/page-3#post-5540053

This diagram puts the 'spherical' waves in their correct context. I do not see how anyone can conceive of hearing sounds in a reverse order. The older waves always arrive first.
 
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  • #56
I like the idea of firing the cannon a lot better than the supersonic ghettoblaster.

If the plane fired it's cannon whilst over the observer ( he is in front of the sonic cone ) , he would never hear those shots. Neither backwards, not forwards.

He can only hear shots fires after the shockwave has passed.
 
  • #57
The following is the best I've been able to come up with so far, as a practically feasible experimental demonstration of the backwards sound phenomenon:

A plane traveling forwards at Mach 2 fires three exploding shells backwards, at speeds of Mach 1.2 relative to the plane, at times t, t+1, t+3, each programmed to explode after time T, which is the minimum time such that the explosion would be far enough away from the plane to not endanger it.

The shells explode behind the rear boom, at times t+T, t+T+1, t+T+3, and in each case is at the same displacement vector from the plane at the time of the explosion. So we can consider those explosions as part of the supersonically moving phenomenon or system of the plane.

The intervals between explosions, in the reference frame of the plane, are 1 second, then 2 seconds.

But for an observer on the ground that is well in front of the location of the last explosion, the explosions are heard at intervals 2 seconds, then 1 second. That is, they are heard in reverse order.

Because the shells were traveling subsonically prior to exploding (at Mach 2 - 1.2 = 0.8), there is no sonic boom of the shells to complicate the analysis.

In the above scenario, the backwards pattern of shells is heard after the boom.

If the shells were instead fired forwards, a ground observer in front of the plane would hear the explosions in reverse order before the boom, but the analysis would be complicated by having to consider what effect the sonic boom of the shells themselves (which are traveling at Mach 3.2) had on the sound wave of their explosions.
 
  • #58
This highlights the basic problem of the reverse play idea. You need to introduce a contrived means to have a secondary source of sound propagating in all directions behind the plane, including forwards. This will not happen with the plane as the source of the original sound. This does not provide a means to suggest that the firing the planes cannon would be heard in reverse playback.

Firing the cannon seems to give the most useful conceptual framework for examining how sound will propagate from a supersonic aircraft.

I see no credible explanation of how wave-fronts emanating form the plane could arrive at an observer in reverse order.
 
  • #59
640px-Mach_cone.svg.png

fizzy said:
This diagram puts the 'spherical' waves in their correct context. I do not see how anyone can conceive of hearing sounds in a reverse order. The older waves always arrive first.

The diagram shows the exact opposite, of what you claim it shows: If the supersonic plane passes very close to the detector, the youngest signal (smallest circle, emitted most to the left) will reach the detector first. Thus the signals are detected in reverse of the emission order.

Maybe an animation can help you:
https://upload.wikimedia.org/wikipedia/commons/e/e4/Dopplereffectsourcemovingrightatmach1.4.gif
 
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  • #60
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  • #61
fizzy said:
This highlights the basic problem of the reverse play idea. You need to introduce a contrived means to have a secondary source of sound propagating in all directions behind the plane, including forwards. This will not happen with the plane as the source of the original sound. This does not provide a means to suggest that the firing the planes cannon would be heard in reverse playback.

Firing the cannon seems to give the most useful conceptual framework for examining how sound will propagate from a supersonic aircraft.

I see no credible explanation of how wave-fronts emanating form the plane could arrive at an observer in reverse order.

In my previous reply, which seems not to have caught little attention, I pointed out, that the theory of thin supersonic airfoils is basically the same as that of sound generation. Specifically a very thin blade which is either vibrating or maybe simply tilting (modulated with the song we want to hear backwards) may be a very good source of sound especially since an ideally thin, flat and untilted blade won't emit a supersonic boom.
Edit: The very point is that in this setting, the hydrodynamic equations can be linearized and these linearized equations are hyperbolic differential equations. The most important consequence is that sound can only propagate in the region bounded by the Mach cones from the trailing and leading edge. So there will be no sound emitted in the direction opposite to the motion of the airfoil.
 
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  • #62
Yes, thanks, this image does help see where the misunderstanding lies. The wavefronts are not spherical ripples propagating like ripples on a pond. This animation will produce no sonic boom, there is no shock wave. What you have here is the wake of boat, not a supersonic aeroplane.

All the those segments inside the cone and traveling forward do not exist. They are not left trailing the craft they are compressed into the shock wave in front of it. They are part of the Mach cone.Clearly the sound pressure wave in front of the aircraft is not propagating at 332 m/s, it is traveling at the speed of the aircraft ! Many commenters seem to think that the "speed of sound" is some universal constant.
These simplistic ripples do not exist like that when you have a hard physical object thrust through the air at mach 2. The speed of sound increases with pressure. Clearly the pressure just in front of the nose cone will not be one atmosphere !So, yes, the animation is helpful in showing just where the misconceptions arise. These kinds of simplistic representations are useful in describing superposition of small disturbances in a uniform medium but there are limitations to where they can be applied.
 

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  • #63
How would the bangs from the cannon propagate if not spherically?
fizzy said:
All the those segments inside the cone and traveling forward do not exist.
Why not?
 
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  • #64
Amazing ! You quote me but cut of half the paragraph which explains it and then come back with "why not?"

"All the those segments inside the cone and traveling forward do not exist. They are not left trailing the craft they are compressed into the shock wave in front of it. They are part of the Mach cone."

The pressure wave in front of the craft is traveling at mach 2 , some way behind it , sound travels at mach 1 . Clearly propagation is not equal in all directions as must be assumed to get spherical wave fronts.
 
  • #66
fizzy said:
All the those segments inside the cone and traveling forward do not exist. They are not left trailing the craft they are compressed into the shock wave in front of it. They are part of the Mach cone.
How can they reach the shock wave in front of it if they are emitted in the middle of the aircraft?
 
  • #67
I wrote my point of view in an earlier post, which did not create much discussion, except for saying that pressure and sonic waves are the same but of different magnitude ... which was my point.

If pressure waves can't passed one another, thus accumulating until they make a shock wave leading to a sonic boom, how can anyone think that sonic waves will react otherwise than accumulate in front of the moving emitting source and create their own «mini» (because they are of much lower magnitude) sonic boom?

mfb said:
How can they reach the a shock wave in front of it if they are emitted in the middle of the aircraft?
Why would that matter? If the source is emitting directly outside the plane, then the shock wave will be created at that point (middle of the plane). If the sound travels inside the plane (inside air moves with plane, hence M < 1, no shock waves inside) before reaching the front and go outside, then the shock wave will be in the front of the plane.

What I was trying to do with my earlier post was to demonstrate that the shock wave due to pressure waves is a different phenomena (aerodynamics) from sonic waves (sound) and they can be treated apart and they don't have to go together.

Furthermore, I agree with @boneh3ad when he states that pressure waves (aerodynamic source) and sonic waves (sound source) can cross path with each other without affecting their order, even a sound wave crossing a shock wave (not its own, but one created by another source, whether aerodynamic or by a sound emitted). Though, it will affect its speed (when they cross, pressure & temperature increase, therefore speed of sound increases too) and magnitudes are modified due to reflection phenomena (but never to the point of completely eliminating either one of the waves).
 
  • #68
DrDu said:
Section 9.2 of this book contains a formula for the sound emitted by a moving point source:
https://www.win.tue.nl/~sjoerdr/papers/boek.pdf

Thanks doc, looks like a useful book.

Consider a point (volume) source of strength Q(t) (the volume flux), moving subsonically along the
path x = x s (t) in a uniform acoustic medium. The generated sound field is described byWere you intending that to be relevant to this discussion ?
 
  • #69
mfb said:
How can they reach the shock wave in front of it if they are emitted in the middle of the aircraft?

What is doing the emitting? An object ( ghetoblaster, cannon, ... ) itself moving at mach II.

Sound waves still will not propagate forwards in nice little spherical waves when being emitted by a source moving at twice the speed of sound. The constructed thought experiment is still being treated like ripples on a pond in a situation where this is not applicable.
 
  • #70
fizzy said:
Thanks doc, looks like a useful book.

Consider a point (volume) source of strength Q(t) (the volume flux), moving subsonically along the
path x = x s (t) in a uniform acoustic medium. The generated sound field is described byWere you intending that to be relevant to this discussion ?
They comment in the footnote on the derivation being also applicable in the supersonic case and we assume the medium to be uniform (air), don't we?
Maybe the book they cite by Morse and Ingard "Theoretical Accoustics" contains more on this.
I must say that I am a bit puzzled. Their equation 9.16 clearly shows that the solution is a superpostion of spherical "Coulomb" potentials. On the other hand
for a thin airfoil, the pressure variation seems to vanish outside the Mach cone:
https://www3.nd.edu/~atassi/Teaching/ame 60639/Notes/supersonic_airfoil.pdf
So it seems to me that this is a consequence of the source term Q(t) having a special distribution in the supersonic case.
Chapter 9.1 of the book seems highly relevant for that case, too.
 
  • #71
On the other hand for a thin airfoil, the pressure variation seems to vanish outside the Mach cone:

Since sound cannot propagate in front of the cone, isn't this always going to be zero, no matter what the form of the supersonic object?
This is why we do not hear anything until the perimeter of the mach cone passes the point of observation.
 
  • #72
fizzy said:
Since sound cannot propagate in front of the cone, isn't this always going to be zero, no matter what the form of the supersonic object?
This is why we do not hear anything until the perimeter of the mach cone passes the point of observation.
For the front this is obvious, but for the rear?
 
  • #73
What do you mean by "the rear".
 
  • #75
What do YOU mean by 'rear'? Behind the cone? Behind the plane of the aircraft perpendicular to line of flight? Inside the cone?

I really can't understand what you are trying to suggest.
 
  • #76
Sorry. I mean the region with x>c and small y in that figure.
 
  • #77
The ghettoblaster/cannon is not emitting continuous sound. Let our "music" be composed of the individual gunfires. Each one creates its own pseudo-shockwave (which has a roughly spherical pattern if the sound duration is short enough, because we don't care about the airplane motion during that short period) - but those shockwaves emitted later are ahead of those created earlier. For shockwaves produced early enough, an observer on the ground will hear the later shockwaves first.
 
  • #78
mfb, you are still ignoring the fact that you can not model sound produced by the cannon as a spherical wave as it would be if it were stationary. That is the whole point of the confusion here, and the false notion that there is a sound wave propagating forwards behind the aircraft.
 
  • #79
DrDu said:
Sorry. I mean the region with x>c and small y in that figure.

"On the other hand for a thin airfoil, the pressure variation seems to vanish outside the Mach cone:"

Isn't what you describe INSIDE the mach cone?
 
  • #80
fizzy said:
Isn't what you describe INSIDE the mach cone?
Maybe I should have written "outside the region between the front and rear Mach cone".
 
  • #81
Ok, I don't see this discussion getting anywhere at all. I'm off to do other things.

Interesting post though.
 
  • #82
fizzy said:
you are still ignoring the fact that you can not model sound produced by the cannon as a spherical wave as it would be if it were stationary.
They don't have to perfectly spherical for the reverse order detection to occur.
 
  • #83
fizzy said:
mfb, you are still ignoring the fact that you can not model sound produced by the cannon as a spherical wave as it would be if it were stationary. That is the whole point of the confusion here, and the false notion that there is a sound wave propagating forwards behind the aircraft.
The extremely fast cannon perturbes the air at a single point of spacetime (let's say it adds more air there from the explosion). Neglecting scattering from the aircraft, what shape do you expect? What breaks the symmetry?
What breaks it so massively that we don't have anything that looks like forward/downward propagation (as seen from the ground) any more?
 
  • #84
What breaks it so massively? The fact that the forward propagation is at mach II , not mach I

I have not done the maths on this but I guess that the pressure and density of the air in front of the aircraft has to be that at which the propagation of sound is twice as fast as it is in still air.

So the sphere is elongated. Moreover it is continually stretching not just scaling up in a linear fashion as with the animation posted earlier.

The shock wave is like a continuous explosion. Unlike a thunder clap which propagates and attenuates, the crack of supersonic flight is only a crack for stationary observer. The sharp almost step change in air pressure at the front of the plane continues to emit it's explosive energy as long as the craft is supersonic.
 
  • #85
fizzy said:
The fact that the forward propagation is at mach II , not mach I
We are not interested in propagation exactly forward, like the bow shock at the very front of the plane. We are interested in gun/explosion sounds generated at the side of the plane propagating sideways with some forward component.
 
  • #86
There is a similar shock wave off the leading edge of the wings and a tiny one on the end of the cannon if you want to look at that aspect. ( even if we want to avoid confusing the issue by discussing the explosion of the charge ).

You simply can not pretend that the cannon , moving forwards at mach 2. will but pumping out nice little spherical wavelets propagating omni-directionally at mach 1 .

I can't believe that this discussion is still going on without advancing one iota.
 
  • #87
I think we get to the main point.
fizzy said:
The fact that the forward propagation is at mach II , not mach I
There is not even a forward propagation involved in the single, instant, explosion in the gun.

You imagine a continuous sound source, but we don't have that. Our sound source (gunfire, ghetto blaster, whatever) is not active continuously. It is not an obstacle in the wind (or at least that is not the part we care about).
 
  • #89
fizzy said:
You simply can not pretend that the cannon , moving forwards at mach 2. will but pumping out nice little spherical wavelets propagating omni-directionally at mach 1 .
Again, we don't need to assume perfect spheres to get the reverse effect.

You on the other hand, seem to claim that the entire forward hemisphere of the explosion shock will be deformed exactly such that it catches up, and perfectly merges with the shock cone of the plane. That seems the far more unlikely option, and I haven't seen a good reason or evidence for it, just mere assertions.

fizzy said:
I can't believe that this discussion is still going on without advancing one iota.
Because you keep repeating the same non-argument: Stating that the explosion shock propagation won't be perfectly spherical, doesn't imply that its entire forward hemisphere will be part of the Mach cone.
 
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  • #90
A.T. said:
Again, we don't need to assume perfect spheres to get the reverse effect.
IMHO, the really interesting point is that you seem to need a strong perturbation for information to leave the conical shell between the front Mach cone and the rear Mach cone. In paragraph 3 they explicitly state that information can't leave the Mach wedge,
https://www3.nd.edu/~atassi/Teaching/ame 60639/Notes/supersonic_airfoil.pdf
although this analysis clearly refers to small perturbations, only.
An explosion, is certainly a strong perturbation while I doubt that a loud speaker in an aerodynamical plane will qualify as a strong perturbation.
 
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  • #91
 
  • #92
A.T. said:
Again, we don't need to assume perfect spheres to get the reverse effect.

You on the other hand, seem to claim that the entire forward hemisphere of the explosion shock will be deformed exactly such that it catches up, and perfectly merges with the shock cone of the plane. That seems the far more unlikely option, and I haven't seen a good reason or evidence for it, just mere assertions.Because you keep repeating the same non-argument: Stating that the explosion shock propagation won't be perfectly spherical, doesn't imply that its entire forward hemisphere will be part of the Mach cone.

No, I have said that the source of the sound ( eg the cannon ) is also moving forwards at mach II and must have its own shock wave. There is no catching up to do.

I think a lot of the misconception here, as illustrated by the anim which you posted, is that you are attempting to construct a totally unrealistic model where the plane has some kind of umbrella shaped shock wave and everything behind that can be modeled as ghetto blaster sitting the middle of a football field with sound propagating at mach 1. The idea of "catching up" comes from there as do the wavelets which lead to the image of the sound arriving backwards.

No one has addressed the issue that sound source itself is moving at mach 2 which I pointed out.

You accuse me of making "non arguments" and assertions but do not address what I have written. I have pointed out that there is a fatal flaw in the way the argument for reversed sound is being present. It is not incumbent on me to provide fully worked wave equation in three dimensions in order to contradict the spherical model. It does not work in the direction of travel and that is sufficient to disprove the applicability of the model being presented.

It is then incumbent on those suggesting reversed sound to provide a model which is not contradicted at least in the line of flight and then, if they wish to develop this model for off axis forward propagation and see what it shows.
 
  • #93
fizzy said:
No one has addressed the issue that sound source itself is moving at mach 2 which I pointed out.
The source emitting the sound moves at Mach 2, but the location where the sound was initially emitted does not move.

Say there is you running toward an observer standing still at the finish line. You throw a ball while running. Which one arrives at the finish line first, you or the ball?

If you run faster than the ball (say you've thrown it backward such that the speed of the ball is your running speed minus the speed you've thrown the ball, but thrown slow enough that the direction of motion is unchanged), the observer will see you arrive at the finish line first, then the ball.

Say you throw a second ball after the first one, and it goes at the same speed as the first one and you still run faster than both balls. The observer will see you arrive first, then the 2nd ball thrown, then the 1st ball thrown. Because both balls are at the same speed, the first one will never catch up the second one. Because you run faster than both balls, they'll never catch you up. The locations where the balls were initially thrown (which are fixed with respect to the observer and remain unchanged through time) play a big role in the order the balls will cross the finish line.

As soon as the sound emitted «gets out» of the plane, it is no longer part of the plane and it is completely on its own.

Imagine this other scenario: You are in a plane at Mach 2. You jump out of the plane with a jet pack on your back such that you can go at Mach 1 as soon as you get out of the plane. Before you even think of reaching the front shock wave of the airplane, the airplane will be long gone in front of you. So you will just travel you own way. If there is a second jumper in the plane that jumps after you and goes at Mach 1 too, you'll never catch him up and he will arrive at any location in front of you before you do. That's because he had a «free ride» at Mach 2 longer than you.

Does that make any sense? Because this is what I understood.
 
  • #94
Your ball analogy will work for someone with a radio on a bicycle, but in no way accounts for approaching speed of sound or mach 2. That is the problem with banal analogies which do not match what you wish of model mentally.

Now you want to examine sound "getting out" , what does that mean. Is the source of the sound waves now the cylindrical cabin of the plane? That will not project sound forwards. Now you need to account for how the sound will propagate in a medium traveling at mach 2 perpendicular to the emitting surface. Just starting to draw sub-sonic spherical waves again is not suitable.

The whole problem so far is still that all these silly little analogies are attempts to get around the need to look at how sound will propagate in these rather special circumstances. If someone wants to suggest some weird sound moving backwards in time oddity they are going to need to do some serious maths.
Kindergarten, bouncing balls and spherical waves are simply not going to be informative.

So far we have seen where the odd idea of sound playing backwards comes from and that they rely on simplistic inappropriate models.

Until someone comes up with a more rigorous demonstration which as a very minimum works for line of flight, I think we have to remain with the null hypothesis that sound is heard in the conventional sense at a all points of observation, albeit with some Doppler distortions.
 
  • #95
fizzy said:
If someone wants to suggest some weird sound moving backwards in time oddity they are going to need to do some serious maths.
Where is your math?

How will a sound emitted at location ##(0,0,0)## and time ##t##, going at speed ##v##, get in front of another sound emitted at location ##(2v\Delta t,0,0)## and time ##t + \Delta t##, going also at speed ##v##?

My math says that at time ##t+\Delta t##, the first sound will have reached location ##(v\Delta t,0,0)## only. Afterward, there will always be a distance ##v\Delta t## between the two sounds (the second sound being ahead), since they both go at the same speed. From an observer directly ahead, the sounds arrive in reverse order. I can't see any reason why this shouldn't be true whether the sounds come from a moving source or from two fixed and grounded sources at two different locations.

That makes me think of another thought experiment:

Install a set of 3 speakers on the ground, all aligned and separated by 993 m (i.e. 3X the speed of sound times 1 second). Play a set of 3 notes on the speakers, but play the first note in speaker #1, the 2nd one in speaker #2 and the 3rd one in speaker #3. Each note played is separated by a one second interval. If there are 2 observers, one at one end of the speaker line-up and the other at the other end of the speaker line-up, what will they hear?

Let's look at the events:

t = 0: speaker #1 emits note #1 and reach observer #1
t = 1: speaker #2 emits note #2
t = 2: speaker #3 emits note #3 and reach observer #2
t = 4: note #2 reach observer #1 and observer #2
t = 6: note #1 reach observer #2
t = 8: note #3 reach observer #1

So observer #1 hears:
  • t=0 -> #1
  • t=4 -> #2
  • t=8 -> #3
and observer #2 hears:
  • t=2 -> #3
  • t=4 -> #2
  • t=6 -> #1
even though the actual notes played are:
  • t=0 -> #1
  • t=1 -> #2
  • t=2 -> #3
So it is possible to hear music backward, even without a moving source.

With a moving source, there will probably be some compressibility phenomena that will affect the actual speed of propagation and the amplitude of the sound waves, but I cannot imagine it to be to the point of having the first one catching up the second one (especially considering the fact that I can set the location of the second event as far as I want). You are the one needing to show math to support such claim.

A sound source might go at twice the speed of sound, but the medium around it does not.
 
  • #96
Where is your math?

The speed of the shock wave in front of the plane is mach II. Therefore that is the speed of sound under those conditions. This shows that the idea of a spherical or even distorted but linearly expanding wavefront can not be applied. The animation and anything suggested by it is dead. You are still talking like "the speed of sound" is some universal constant.

All the ideas so far suggesting reversed sound have been based on the flawed notion that the sound we are supposed to be hearing is propagating at 332 m/s, ignoring that the supposed source of the sound is already moving through the medium at twice that speed.

If you ignore details like that you will anomalous results, no anomalous physical effects.

Anyone who has not realized that this reversed sound thing is a result of erroneous assumptions is beyond my help. Good luck with the physics.
 
  • #97
fizzy said:
The speed of the shock wave in front of the plane is mach II. Therefore that is the speed of sound under those conditions.

No, no, no, no, no. The speed of sound, as it has always been, is ##a = \sqrt{\gamma R T}##. The speed of sound is not Mach 2. That statement does not even make sense. For a Mach 2 wavefront, the shock is moving at twice the speed of sound relative to the air into which it is propagating. However, relative to the air behind the shock, which is the air it is propagating through, it is still moving subsonically. Sound doesn't move faster than the speed of sound in the medium through which it is propagating.

Consider, for example, shock with upstream Mach number, ##M_1=2##. This means the downstream Mach number, ##M_2 \approx 0.577##. If you imagine then the shock moving through a stationary medium at ##M_1##, it is clear that it is dragging air behind it along with it. Let's assume for a moment that the still air is at ##T_1 = 300\mathrm{ K}##, then the shock is moving at about 694 m/s and is dragging the air behind it along at about 434 m/s. The shock is propagating into region 1 at twice the local speed of sound, but it is propagating through region 2 at about 260 m/s relative to the air in region 2, which is only a little more than half of the speed of sound in that region.
 
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  • #98
boneh3ad said:
No, no, no, no, no. The speed of sound, as it has always been, is ##a = \sqrt{\gamma R T}##. The speed of sound is not Mach 2. That statement does not even make sense. For a Mach 2 wavefront, the shock is moving at twice the speed of sound relative to the air into which it is propagating. However, relative to the air behind the shock, which is the air it is propagating through, it is still moving subsonically. Sound doesn't move faster than the speed of sound in the medium through which it is propagating.

Consider, for example, shock with upstream Mach number, ##M_1=2##. This means the downstream Mach number, ##M_2 \approx 0.577##. If you imagine then the shock moving through a stationary medium at ##M_1##, it is clear that it is dragging air behind it along with it. Let's assume for a moment that the still air is at ##T_1 = 300\mathrm{ K}##, then the shock is moving at about 694 m/s and is dragging the air behind it along at about 434 m/s. The shock is propagating into region 1 at twice the local speed of sound, but it is propagating through region 2 at about 260 m/s relative to the air in region 2, which is only a little more than half of the speed of sound in that region.

The velocities are for a normal shock wave where the shock is perpendicular to the flow, in which case the after the shock is always subsonic.
Oblique shock waves have a flow normal to the shock as well as a tangential flow.
The Mach number for oblique flow can be supersonic, or subsonic.

For the oblique flow, since sound moves at M1, and normal to the shock is subsonic, is does stand to reason that any sound produced by the object would eventually encounter the shock, merge and become part of it. How much time that takes should be calculable.
 
  • #99
256bits said:
any sound produced by the object would eventually encounter the shock, merge and become part of it.
A sound wave will most likely be altered going through a shock wave, but it would still go through it, not become part of it. This point was already discuss in post #50.
 
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jack action said:
A sound wave will most likely be altered going through a shock wave, but it would still go through it, not become part of it. This point was already discuss in post #50.
What?
Sound from the plane eventually becomes part of the shock wave
Consider by traveling through, it would come out the other side at Mach 2 into the oncoming stream of fluid.
Surely that cannot be a possibility.
Leaving the sonic wedge is impossible.
 
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