James Demers
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Abba's "Dancing Queen" - but a very different take. Same lyrics, different message.
Hornbein said:Orig Black Hole Sun by Soundgarden.
James Demers said:Disney's "Let It Go" from "Frozen"
I'll spare you the Cartoon Princess version; here's a Metal Queen's rocked-up version (turns out it's a pretty good song after all):
Yep. Radio has completely failed us. We gotta stick together and help each other find the good stuff.Ibix said:Just wanted to say thanks to @pinball1970 for starting this thread, and to all the people who've contributed. I've heard and enjoyed a lot of stuff I wouldn't have done without it.
Frabjous said:
robphy said:I really like this band... although I don't understand Japanese. I really like the solo of this song.
https://en.wikipedia.org/wiki/Ningen_Isu
NINGEN ISU / Great king of terror (人間椅子 / 恐怖の大王) - 2016
(someone's attempted translation)
Ningen Isu (Japanese: 人間椅子, Hepburn: Ningen Isu, lit. 'The Human Chair') is a Japanese heavy metal band formed in Hirosaki in 1987. The band's current line-up consists of co-founders Shinji Wajima (guitar, vocals) and Ken-ichi Suzuki (bass, vocals) alongside Nobu Nakajima (drums, vocals), who joined in 2004. All three members contribute to the songwriting process. They have been noted for their stage personas, with Wajima dressing as a Meiji-era literary master, Suzuki dressing as a Buddhist monk, and Nakajima dressing as a Yakuza-style gangster.
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Ningen Isu was strongly influenced by Black Sabbath.
Hornbein said:
Ibix said:I rather like this recording of them:
I'm not sure it's really "better than the original", but the way they turn it back around after things go wrong is just perfect.
pinball1970 said:Which songs were performed, arranged or produced better in a cover than the original version?
Which songs should have been left well alone?
Also, I think restricting the covers just to released singles will restrict some interesting stonkers and stinkers so album tracks are allowed.
Hornbein said:Orig
Catfish Blues by Muddy Waters
Cover
MacAlpine was highly influential in the neoclassical metal genre, becoming known for his instrumental rock style of playing that displays highly advanced shred techniques;[13] one of his most oft-used techniques being 'sweep tapping', a variation of sweep picking. He has incorporated elements of classical, jazz, fusion, hard rock and heavy metal on both guitar and keyboard, and has been described as a virtuoso by Jason Ankeny at AllMusic.[14]