Marimba bar tuning and temperature

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    Temperature Tuning
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Discussion Overview

The discussion revolves around the tuning of marimba bars, specifically how temperature affects their pitch and the methods for achieving accurate tuning. Participants explore the relationship between wood properties, temperature variations, and tuning techniques, with a focus on practical applications for marimba construction and tuning in educational settings.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested
  • Experimental/applied

Main Points Raised

  • One participant seeks a method to tune marimba bars at varying temperatures, suggesting the creation of an Excel file based on controlled experiments.
  • Another participant references an article related to tuning and shares experiences with different tuning standards for A4, noting variations in historical practices.
  • Concerns are raised about the quality of marimba tuning by amateur makers, with a participant expressing a desire to improve their own instruments.
  • Discussion includes the impact of different timber species on tuning, with one participant suggesting that moisture content and thermal coefficients complicate tuning at non-standard temperatures.
  • One participant describes their preferred timber species and tuning techniques, emphasizing the importance of density and grain direction in achieving better sound quality.
  • There are questions about whether the tuning focus should be on the bars or the tubes underneath, indicating some confusion or differing opinions on the tuning process.
  • Another participant insists on the importance of understanding wood properties and recommends specific literature to enhance knowledge about wood behavior in tuning applications.

Areas of Agreement / Disagreement

Participants express a mix of agreement and disagreement on various aspects of tuning marimba bars, particularly regarding the effects of wood properties and temperature. There is no consensus on a single method or approach, and multiple viewpoints on tuning standards and techniques are presented.

Contextual Notes

Participants acknowledge the complexity of tuning due to factors like wood moisture gradients, grain direction, and temperature effects, which remain unresolved in the discussion.

Marimba Australia
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TL;DR
What effect does temperature make on tuned marimba bars.
Hi all.
I make marimbas - www.marimbaaustralia.com - have a look.
I also invent new versions for schools.

I DO NOT KNOW algebra almost at all, so go easy on me please!

I try to tune to exact Fundamental note frequency (and the first overtone as well, if possible).
I also try to tune when it is 21 degrees Celsius, because that is close to what a school will heat/cool to.

I want to make an excel file that allows me to tune when the temperature is lower and higher.

I can only think of making a whole set, put them in a room I can control and heat and cool, then record the new pitch so I could tune sharp or flat as required and it will return to 0 cents deviation at 21 degrees.

My question - is there a file already made for this, or another way to get the results apart from doing as stated above??

I am aware that different bar sizes react differently - just hoping someone may have the details already for me please. Thanks.
 
Engineering news on Phys.org
This article has a bit of Science in it along with what he (Youhass) does for tuning. Tuning is an issue for him as well. No math.
https://www.pas.org/Files/0708.52-57.pdf

Out of curiosity where is your A4 - 440Hz or slightly higher? I've played pearwood recorders and VERY old music with completely different scales and A4 as low as 408Hz. ...and it drove us/me crazy.

FWIW An A4 set to 410Hz was common in some German orchestras until recently, I'm told because early orchestras used it going forward.

You have to match A4 to what your client wants I assume.
 
A4 is always set to 440Hz. I don’t know of anyone tuning to anything else now. Thanks for the reply.
 
Just read the article. Interesting. I am amazed at how badly marimbas are tuned and made by handy-people. I am not making $40,000 instruments but I hope mine are better tuned than what I see generally! :-)
 
I believe different species of timber, with varying moisture content will have different thermal coefficients. That will initially make it difficult to tune at non-standard temperatures.

You will need to experiment. Measure the frequency at one temperature, stabilise at another temperature, then measure the frequency again. Record the species of timber and the dimensions of the bar in your lab notes, along with temperatures and frequencies. Those accumulated records will allow you to extract the guidelines needed to refine your tuning predictions later.

If an axial hole was drilled in both ends of the bar, the mass would be reduced and the note should rise. Winding metal grub-screws equally into the holes should lower the note. You can then trim the frequency without needing to cut the timber.

I would consider lacquering the surface of the bar to reduce the moisture variation over time. I expect the weight of the lacquer would lower the frequency.

I am not sure of the mode of the harmonic oscillation, but it may be possible to independently fine tune the fundamental and the harmonic.

What criteria do you use to select timber for the bars? What species?
 
Thanks.
For schools the timber is always a species we call ’Tasmanian Oak’ (I am from Tassie) or ‘Victorian Ash’. They are Eucalyptus Gum. A very hard wood, endemic to Australia. I always try to get the heaviest piece I can (density) and with the grain going from face-to-face, not side-to-side, as that tunes better.
The bars are different sizes and are lacquered, for the reason you mentioned.
Tuning at the end will raise the pitch a little, I also first tune the torsional note - on diagonal corners of the underside at the lowest pitch side-to-side in the bar. That does what I term ‘set the bar free’, so it tries to sound one note and not many fighting each other. Much better sounds can be obtained then.

You have suggested what I now believe is the only way to get an excel file of each bar and the deviation tuning for particular degrees. That is, build a whole set at 21c, raise/lower the temp and record the variations once stabilised. That way I can have a reference sheet in front of me and tune sharp or flat accordingly so it will return to 0 cents deviation at 21c. (20c would also be fine).

[Mentor Note -- Minor Spam deleted from post]

Thanks for the kind reply.
 
Last edited by a moderator:
Is it the block that needs to be tuned or the tube underneath?
 
You are making assumptions about wood moisture gradients, grain direction and other things.

You want to make a good product. Based on Science.

So. You need to read: 'Understanding Wood' by Bruce Hoadley Period. No "ifs", "ands", or "buts" about it.
Nails moisture, humidity and wood reactions to them.

Maybe three pages of math - Young's modulus and such, you can ignore it. You might want to learn about creep. === There some numbers associated with that, but not needed to get the concept.

Your library can get it via interlibrary loan, and if you visit an engineering college they will probably have a copy.
I have owned one since it was first published.

Another source is the FPL. ( US Forest Products Library). All on the internet.

https://www.fpl.fs.fed.us/
 
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Vanadium 50 said:
Is it the block that needs to be tuned or the tube underneath?
The bars. Pipes are Ok.
 
  • #10
jim mcnamara said:
You are making assumptions about wood moisture gradients, grain direction and other things.

You want to make a good product. Based on Science.

So. You need to read: 'Understanding Wood' by Bruce Hoadley Period. No "ifs", "ands", or "buts" about it.
Nails moisture, humidity and wood reactions to them.

Maybe three pages of math - Young's modulus and such, you can ignore it. You might want to learn about creep. === There some numbers associated with that, but not needed to get the concept.

Your library can get it via interlibrary loan, and if you visit an engineering college they will probably have a copy.
I have owned one since it was first published.

Another source is the FPL. ( US Forest Products Library). All on the internet.

https://www.fpl.fs.fed.us/
Thanks. I will check that out.
 

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