Portrait Of Math Is Hard by zoobyshoe

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SUMMARY

The forum discussion centers around the artistic talent of a user named zoobyshoe, who created a portrait titled "Math Is Hard" using graphite on smooth Bristol Board, measuring 11x14 inches. The artwork took several months to complete, with incremental work sessions. The drawing received significant praise from other forum members, highlighting the importance of subject choice in art reception. Participants also discussed techniques such as the grid system and proportional dividers used to achieve accurate proportions in drawing.

PREREQUISITES
  • Understanding of traditional drawing techniques, specifically pencil drawing.
  • Familiarity with materials like Bristol Board and graphite pencils.
  • Knowledge of artistic concepts such as proportion and subject selection.
  • Experience with incremental art creation processes.
NEXT STEPS
  • Research advanced pencil drawing techniques and shading methods.
  • Explore the grid system and proportional dividers for accurate drawing.
  • Learn about different types of drawing paper and their effects on artwork.
  • Investigate the use of color in portraiture, including oil painting techniques.
USEFUL FOR

This discussion is beneficial for aspiring artists, art students, and anyone interested in improving their portrait drawing skills and understanding the nuances of artistic expression.

  • #61
radou said:
Amof, that's totally true.

I agree also!

I remember I once drew a picture for a girl in like Grade 3-6 and she still had it in like senior year in high school. Pretty sweet. :biggrin:
 
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  • #62
Stunning, Zoobie. Stunning, MIH. You can tell your parents that they do fine work.

Cyrus, I'm no art critic but it seems to be you'd be an artist if you loved the process of drawing so much that you worked endlessly at it. Obviously there can be no talent without intelligence, but a lot of talented people insist that skill development is the biggest part of genius. If you'd rather do other things than spend endless hours drawing, there's no shame in that.
 
  • #63
Dr Transport said:
Lucky guess? Both you and MIH...


Yup. There is no zoobyshoe. Zooby is a sock puppet invented by me, Math Is Hard. This is a self portrait.

Fools rule! Hahahahahahahaha!
 
  • #64
BillJx said:
Stunning, Zoobie.

Thanks much, Bill.
 
  • #65
zoobyshoe said:
Yup. There is no zoobyshoe. Zooby is a sock puppet invented by me, Math Is Hard. This is a self portrait.

Fools rule! Hahahahahahahaha!

which makes you your own puppet that is actually your real self in disguise.

sounds like a twilight zone episode. to the bomb shelter and/or bank safe!
 
  • #66
Anttech said:
Zoob do you use your skills for work?

No, this is a serious hobby only at this point.
 
  • #67
Ki Man said:
which makes you your own puppet that is actually your real self in disguise.

sounds like a twilight zone episode. to the bomb shelter and/or bank safe!

It's funny you should say that because once, when I was diligently at work on my first painting Portrait of a Zoobie as a Young Sock puppet on the Foot of a Barbie About to Wear a Zoobyshoe I was interrupted when my Math Is Hard mask slipped from my face and hit the mirror in which I was studying my reflection shattering me into a thousand ships which sunk immediately upon being launched. The camera panned over to Rod Serling who said a few introductory words, and the next half hour of my life was sheer hell, except for the commercial breaks.
 
  • #68
zoobyshoe said:
It's funny you should say that because once, when I was diligently at work on my first painting Portrait of a Zoobie as a Young Sock puppet on the Foot of a Barbie About to Wear a Zoobyshoe I was interrupted when my Math Is Hard mask slipped from my face and hit the mirror in which I was studying my reflection shattering me into a thousand ships which sunk immediately upon being launched. The camera panned over to Rod Serling who said a few introductory words, and the next half hour of my life was sheer hell, except for the commercial breaks.

Wow! That explains so much, like why I've never seen you two together! And why you have no photo!

That's sadly romantic, but I find the sinking of the 1000 ships so depressing! Now I have nothing but a 1000 empty life vests.
 
  • #69
Zoob, very nice work.

zoobyshoe said:
It's funny you should say that because once, when I was diligently at work on my first painting Portrait of a Zoobie as a Young Sock puppet ...
It's uncanny that you should say that. The first thought that entered my head when I read the thread title was Joyce!
 
  • #70
BobG said:
Wow! That explains so much, like why I've never seen you two together! And why you have no photo!
Exactly.

That's sadly romantic, but I find the sinking of the 1000 ships so depressing! Now I have nothing but a 1000 empty life vests.
Well, it seems sad, but the painting was a hit, and launched a 1000 threads titled "My Old Drawings."
 
  • #71
Gokul43201 said:
Zoob, very nice work.

It's uncanny that you should say that. The first thought that entered my head when I read the thread title was Joyce!

Not really uncanny. I actually already launched 1000 stupid quetions with a paraphrase of that Joyce title. Well, three or four anyway.
 
  • #72
wow zoobyshoe that is an amazing picture!

i find it very difficult to draw anyone that i don't think is beautiful...the picture just doesn't come out the same as when you draw someone that you have feelings for and you think is gorgeous

it is clear to see that you really like MIH... or your just super super good at drawing?
 
  • #73
sara_87 said:
wow zoobyshoe that is an amazing picture!

Thank you very, very much.

i find it very difficult to draw anyone that i don't think is beautiful...the picture just doesn't come out the same as when you draw someone that you have feelings for and you think is gorgeous

it is clear to see that you really like MIH... or your just super super good at drawing?

Since you're a portrait artist, too, I'll answer in depth.

By way of illustrating my take on this subject, here's my portrait of Thomas Edison:

Edison2C.jpg


I don't like Edison, I don't feel warmth toward him, but I'm deeply fascinated by him, by the kind of man he was and by the impact he had on the world. I chose a reference photo that I felt would afford me the most opportunities to emphasize all kinds of negative character traits while also conveying the fact he was a force to be reakoned with. I find his direct, cold stare to be both an act of agression and an expression of his arrogance.
EdisonCU.jpg


The rest of his features are not refined, but kind of thick and clumsy in a way that suggests a bully to me, and there's an unkempt edge to the hair that says "I don't care for niceties".

This drawing of Edison is every bit as backed up by emotional reaction on my part as the one I did of Math Is Hard. It's technically just as good, maybe better.

The main difference between the two is subject matter. People would much, much rather look at a beautiful face with a pleasant, serene expression than at an aggressive looking business man eyeballing them as if he's figuring out how he might exploit them. If you go back to the beginning of this thread and read my post #15 you'll see where I give the story of how this portrait of Math is Hard was received on an art forum served as a revelation to me about the importance of subject matter.

So, while I don't feel any inclination to draw someone unless they elicit a strong emotional reaction from me, that reaction doesn't have to be limited to thinking they're beautiful. I just have to find them compelling, attention-getting in some way, and I'll put a lot into the drawing. The ones people prefer to look at, though, are the ones where it's clear I have expressed a positive range of reactions to the subject.
 

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