Question regarding the bias voltage applied to a tape recording head

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Discussion Overview

The discussion revolves around the application of bias voltage to a tape recording head, specifically exploring the reasons for using an ultrasonic sine wave bias instead of a DC bias. The focus includes the implications for linearity, fidelity, and potential distortion in audio playback.

Discussion Character

  • Technical explanation, Conceptual clarification, Debate/contested

Main Points Raised

  • One participant notes that the transfer function of magnetic moment to magnetic flux in tape recorders is non-linear, suggesting that applying a bias current helps maintain linearity during audio signal playback.
  • Another participant argues that using an ultrasonic AC bias prevents permanent biasing in one direction, which could negatively impact linearity and fidelity.
  • It is mentioned that AC bias allows recording in both positive and negative linear regions, addressing the non-linearity in the center of the transfer function.
  • A later reply raises the concern that DC bias might introduce noise, although this point is not elaborated upon.

Areas of Agreement / Disagreement

Participants present multiple competing views regarding the advantages of ultrasonic biasing over DC bias, indicating that the discussion remains unresolved with no consensus reached.

Contextual Notes

Participants express uncertainty about the effects of different biasing methods on audio fidelity and linearity, and there are assumptions about the behavior of the tape head and recording process that are not fully explored.

bitrex
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So in a tape recorder, the quantity of magnetic moment imparted to a unit area of magnetic tape is not a linear function of the applied magnetic flux; the transfer function looks kind of like a cumulative distribution function, if that makes sense. So if one just ran an audio signal directly through a magnetic tape head you'd get distortion on playback because of the non-linearity of the transfer function. The way to get rid of this distortion is to apply a bias current to the tape head so the audio signal stays in the linear region of the transfer function. However, on the schematics of various tape recorders I've seen the bias current isn't DC, but is usually an ultrasonic sine wave. Does anyone have any idea why this is so? I can't say I've ever seen a good explanation.

Edit: I guess if one thinks of the tape head as a one half of a tiny transformer - maybe it has something to do with avoiding core saturation if one thinks of the tape itself as the secondary?
 
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There are a couple of reasons for using ultra-sonic biasing. If a DC bias is used, the tape head would eventually become permanently biased in one direction, affecting both linearity and fidelity. Also, there can be no guarantee that the recording and playback bias is exactly the same, especially when playing back on a different machine. Additionally, the AC bias allows you to record on both the positive and negative linear regions, above and below the “crow-bar” non-linearity in the center. This question brings back memories, as everything now is CDs!
 
Hey schroder. Thanks for your informative post.
 
Thank you!
 
I would have thought that DC bias might introduce noise.
 

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