Relationship between relative frequencies of electromagnetic spectrum and sound

AI Thread Summary
The discussion explores the intriguing connection between sound and color perception, particularly how a student experiences interactive colors while listening to music, correlating these colors with the electromagnetic spectrum from red for lower pitches to violet for higher pitches. This phenomenon may relate to auditory synesthesia, where sound involuntarily triggers visual experiences. Additionally, the conversation references Stephen McGreevy's work on extremely low frequency electromagnetic phenomena, which aligns with audio frequencies and could provide further insights for students. The relationship between sound, color, and emotional expression, as seen in Van Gogh's emotive color theory, is also highlighted. Overall, the thread emphasizes the fascinating interplay between music, color perception, and scientific exploration.
mollymoo
Messages
1
Reaction score
0
I am a piano teacher with some very cool, science-minded students. Usually we stick to basic acoustics, and mechanics in terms of piano technique, but yesterday one of them took things in an interesting new direction. . . he described to me how, when he closes his eyes and listens to the music we are working on, in his head (I guess maybe a form of pre-phonatory tuning. . .most musicians do this as a form of rehearsal/creative doodling), he sees interactive colors. . .which as it happened correlated to the colors of the EM spectrum relative to pitch (lower pitches red up to higher in violet). Is there an established relationship? He also went on to describe emotive color theory exactly a la Van Gogh. I would really appreciate any thoughts anyone has on this. Thank you!
 
Physics news on Phys.org
mollymoo said:
I am a piano teacher with some very cool, science-minded students. Usually we stick to basic acoustics, and mechanics in terms of piano technique, but yesterday one of them took things in an interesting new direction. . . he described to me how, when he closes his eyes and listens to the music we are working on, in his head (I guess maybe a form of pre-phonatory tuning. . .most musicians do this as a form of rehearsal/creative doodling), he sees interactive colors. . .which as it happened correlated to the colors of the EM spectrum relative to pitch (lower pitches red up to higher in violet). Is there an established relationship? He also went on to describe emotive color theory exactly a la Van Gogh. I would really appreciate any thoughts anyone has on this. Thank you!

Stephen McGreevy has been recording ELF (extremely low frequency) electromagnetic phenomena for years- the frequencies correspond to the audio range (20- 20k Hz):

http://www.auroralchorus.com/

Your students may get a kick out of listening to it. Note- McGreevy converts the electromagnetic signal into an audio signal: you can't hear ELF signals directly.
 
Thread 'Motional EMF in Faraday disc, co-rotating magnet axial mean flux'
So here is the motional EMF formula. Now I understand the standard Faraday paradox that an axis symmetric field source (like a speaker motor ring magnet) has a magnetic field that is frame invariant under rotation around axis of symmetry. The field is static whether you rotate the magnet or not. So far so good. What puzzles me is this , there is a term average magnetic flux or "azimuthal mean" , this term describes the average magnetic field through the area swept by the rotating Faraday...
Back
Top