Relationship between relative frequencies of electromagnetic spectrum and sound

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SUMMARY

The discussion centers on the relationship between the electromagnetic (EM) spectrum and sound frequencies, particularly in the context of a piano teacher's student experiencing synesthesia. The student perceives colors corresponding to pitches, with lower pitches represented by red and higher pitches by violet. Stephen McGreevy's work on extremely low frequency (ELF) electromagnetic phenomena, which aligns with audio frequencies (20-20k Hz), is highlighted as a practical example of this relationship. The conversation also touches on emotive color theory as articulated by Van Gogh.

PREREQUISITES
  • Understanding of basic acoustics and sound frequencies
  • Familiarity with electromagnetic spectrum concepts
  • Knowledge of synesthesia and its implications in music perception
  • Awareness of emotive color theory and its historical context
NEXT STEPS
  • Research Stephen McGreevy's work on ELF electromagnetic phenomena
  • Explore the principles of synesthesia in musical contexts
  • Study the relationship between sound frequencies and color perception
  • Investigate Van Gogh's emotive color theory and its application in art and music
USEFUL FOR

Piano teachers, music educators, psychologists studying synesthesia, and artists interested in the interplay between sound and color.

mollymoo
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I am a piano teacher with some very cool, science-minded students. Usually we stick to basic acoustics, and mechanics in terms of piano technique, but yesterday one of them took things in an interesting new direction. . . he described to me how, when he closes his eyes and listens to the music we are working on, in his head (I guess maybe a form of pre-phonatory tuning. . .most musicians do this as a form of rehearsal/creative doodling), he sees interactive colors. . .which as it happened correlated to the colors of the EM spectrum relative to pitch (lower pitches red up to higher in violet). Is there an established relationship? He also went on to describe emotive color theory exactly a la Van Gogh. I would really appreciate any thoughts anyone has on this. Thank you!
 
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mollymoo said:
I am a piano teacher with some very cool, science-minded students. Usually we stick to basic acoustics, and mechanics in terms of piano technique, but yesterday one of them took things in an interesting new direction. . . he described to me how, when he closes his eyes and listens to the music we are working on, in his head (I guess maybe a form of pre-phonatory tuning. . .most musicians do this as a form of rehearsal/creative doodling), he sees interactive colors. . .which as it happened correlated to the colors of the EM spectrum relative to pitch (lower pitches red up to higher in violet). Is there an established relationship? He also went on to describe emotive color theory exactly a la Van Gogh. I would really appreciate any thoughts anyone has on this. Thank you!

Stephen McGreevy has been recording ELF (extremely low frequency) electromagnetic phenomena for years- the frequencies correspond to the audio range (20- 20k Hz):

http://www.auroralchorus.com/

Your students may get a kick out of listening to it. Note- McGreevy converts the electromagnetic signal into an audio signal: you can't hear ELF signals directly.
 

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