Understanding Radio Bands: Amplitude & Frequency

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Discussion Overview

The discussion revolves around the concept of radio bands, specifically the relationship between frequency, amplitude, and the transmission of audio signals. Participants explore the implications of different frequency ranges on sound transmission and the technical aspects of amplitude and frequency modulation.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested
  • Mathematical reasoning

Main Points Raised

  • Some participants question whether audio signals can fit within very low frequency bands, such as 10 to 30 Hz, suggesting that human hearing limitations may prevent this.
  • Others propose that a more appropriate range for audio signals might be 5 kHz to 10 kHz, but note that practical limitations exist for radio communications at such low frequencies.
  • There is a discussion about the modulation of signals, with some participants explaining amplitude modulation (AM) and frequency modulation (FM) and how they encode audio information.
  • One participant mentions the Nyquist theorem in relation to data transmission limits within frequency bands, indicating that bandwidth affects maximum bit rate.
  • Several participants reference the Mosquito device, which exploits high-frequency sounds that are audible to younger individuals but not to older adults, as an example of frequency application in real-world scenarios.
  • There is confusion expressed by participants regarding the relationship between signal strength and frequency, with questions raised about whether higher power leads to higher frequency signals.

Areas of Agreement / Disagreement

Participants do not reach a consensus on the suitability of various frequency ranges for audio signals, and there are multiple competing views regarding the technical aspects of modulation and transmission. The discussion remains unresolved on several points, particularly concerning the practical limitations of using low-frequency bands for audio transmission.

Contextual Notes

Limitations in understanding arise from the complexity of modulation systems and the historical context of frequency band usage. Participants note that practical radio communications typically operate above 100 kHz, which influences the feasibility of transmitting audio signals at lower frequencies.

  • #31
Paul Colby said:
I think the answer is ideally yes. But the carrier would have to be on and unchanging for infinite time to have the least possible information.

People use CW (just a carrier) for communication using Morse code. The carrier is cycled on and off to form dots and dashes. The act of turning the carrier on and off spreads the frequency spectrum a little. In fact such transmitters must be constructed to turn on and off at a slow enough rate so as not to spread too far into neighboring channels.
CW is an oxymoron. The wave isn’t continuous when Morse keyed so where is the difference between that, AM and all other forms of mod?
Your post could easily Be taken to imply some hard boundary between modulation and non-modulation. Arbitrary exceptions can confuse.
 
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  • #32
Paul Colby said:
In fact such transmitters must be constructed to turn on and off at a slow enough rate so as not to spread too far into neighboring channels.
Imagine you made a receiver for 'CW comms' with a very narrow band receive filter, (Bandwidth of 0.01Hz). If it were tuned spot on the carrier frequency, you would just see the carrier with no visible envelope. That's despite the fact that the carrier "isn't there" for half the time; the filter would have stored Energy at the carrier frequency for 100s or more. The modulation has been wiped off.

One great advantage of 'CW' is that you can, in fact use a receive filter with just a few Hz bandwidth which can drag the signal up from what would seem to be unusable noise levels. Of course, the Tx and Rx tuning would need to match well within a Hz or so. No problem at all these days. Great for covert comms and not requiring any fancy codulation systems.
 
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  • #33
sophiecentaur said:
Your post could easily Be taken to imply some hard boundary between modulation and non-modulation. Arbitrary exceptions can confuse.
Agreed, but only if you don't read it and think carefully about it. CW is what people call it. It is in fact an amplitude modulation.
 
  • #34
Paul Colby said:
only if you don't read it and think carefully about it.
Ah well, that's it! Who is the intended audience for these posts? Which of us is always thinking carefully? (Present company excepted of course)

The term "CW" means two different things, according to context. If you say you picked up a CW signal, that does not imply that some old geyser was using it to send Morse with. If you say you were chatting to someone using CW, the old geyser was definitely there on his key! In my head, I was including Morse in amongst all the other mod systems. (not carefully, perhaps)
 
  • #35
Guineafowl said:
Yes! Digital TV was marketed as ‘all-or-nothing’, either a perfect picture or none at all. But there is a slight threshold between the two. Anyone who has sat down to watch an anticipated TV programme, only to experience the blocky screen refresh and maddening cutting audio with the high-pitched ‘sssippp’ sounds, will understand why I once nearly threw my TV out of the window.
How about those times you are really into a movie and a storm moves in. I installed an old "regular" antenna just for that purpose. A flip of the switch and I am back on...if the show is locally broadcast. We lived 20+ miles out in the country and 50 miles from the towers. I stacked 2 half a wave length apart and usually got a good signal...but at that distance, not always. OH, antenna companies have been known to LIE! A 100 mile capture of TV signals...really Dude?
 
  • #36
sophiecentaur said:
The term "CW" means two different things, according to context. If you say you picked up a CW signal, that does not imply that some old geyser was using it to send Morse with. If you say you were chatting to someone using CW, the old geyser was definitely there on his key! In my head, I was including Morse in amongst all the other mod systems. (not carefully, perhaps)
:wink:

https://www.yellowstonepark.com/.image/t_share/MTQ3MzIwMDY3OTc4NjM1MDU1/yellowstone_old_faithful.jpg
1576359060564.png


https://clipartstation.com/wp-content/uploads/2018/10/old-geezer-clipart-7.jpg
1576359129325.png
 
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  • #37
@berkeman
I see you found my publicity photo somewhere.
I guess the spelling is GeeZer.
 
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  • #39
Paul Colby said:
Dah dit dah dah dit di dah dah dit
Some punctuation would help.
Does that begin with T, N, K or Y. Does that end with E, N, G or P.
 
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  • #40
Dah dit dah dah, dit, dit dah dah dit

dit dit, dah
dit dah dah, dah dah dah, dit dit dah, dit dah dit dit, dah dit dit o:)
 
  • #41
berkeman said:
:wink:

https://www.yellowstonepark.com/.image/t_share/MTQ3MzIwMDY3OTc4NjM1MDU1/yellowstone_old_faithful.jpg
View attachment 254130
Now you've got me wondering if there's a way to modulate a geyser. :devil:
 
  • #42
dlgoff said:
Now you've got me wondering if there's a way to modulate a geyser. :devil:
Put him in a barber’s shop quartet?
 
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  • #43
sophiecentaur said:
If you say you were chatting to someone using CW, the old geyser was definitely there on his key!
Definition of geyser. A hot spring in which water intermittently boils ...
Definition of guiser. A person in disguise, a mummer especially in a Christmas or Halloween play.
 
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  • #44
Baluncore said:
Definition of geyser. A hot spring in which water intermittently boils ...
Definition of guiser. A person in disguise, a mummer especially in a Christmas or Halloween play.
Perhaps in your part of the world, but “geezer “ and other versions is an old (usually) guy with bizarre looks, hobbies or behavior. Or sometimes a smooth operator etc.. used mainly in London.
 
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  • #45
dlgoff said:
Now you've got me wondering if there's a way to modulate a geyser. :devil:
Stuff a geezer in it! :wink:
 
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  • #46
Phonetic spelling "Geeezaahhh!" - to be said with feeling.
 
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