Mr. Robin Parsons
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It arises from a little know fact that, in the 'true' Russian of the name, it is actually representational of "Rack Man In OV", codewording for the pronunciation of the Overture is the symbolically representational presentation of the elements "O" and "V", hence, we find that due to the torrodial corrlelations of the stung out stringsets vibrational variance, in triplet, (no less) results in a harmonic inducement of "fortissimo expresso" dabbed in a lightly battered seasoning sauce of lemon and herbs, that eructs forcefully past the vocal cords in an inharmonious bellicousing verbalization of "So' you muddah!", all having been traced back to one "Porky Pig" (Snoutius Piglettensus repeti'ti'ti'ti'vus) and his insistance of his having acquired his "stutter" from his "mudder".Originally quiried by an imitation of the replicant that is the xerox of the duplicantion of the copy, zoo/by/shoe(s)
Once when I was performing the Rachmaninov second in front of an audience of about 400 people I suddenly became sensible of the most tremendously urgent need to shout the words "So's you muddah!" at a very high volume. My neurologist tested me for tourettes but declared me free of this condition. What causes this and how do you deal with it when you are performing the Rachmaninov Second?
Humm woke up in that field again, but this time it was both sunny and cold, how the heck did that happen?
P.S. Zoob, thank$!