Attempting to spin-cast parabola

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    Parabola
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Discussion Overview

The discussion revolves around the challenges of creating a deep parabolic mold using spin casting techniques. Participants explore various materials and methods to improve the accuracy and quality of the mold, including the use of plaster of Paris, fiberglass resin, and potential alternatives to reduce bubble formation.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested
  • Experimental/applied

Main Points Raised

  • One participant, tom, is experimenting with spin casting plaster of Paris in a flower pot but faces issues with bubble migration affecting mold accuracy.
  • Tom considers using liquid rubber or foam as alternatives to plaster and contemplates a final thin coat of epoxy resin, expressing uncertainty about its performance.
  • Another participant suggests using fiberglass resin and catalyst from automotive repair kits as a potentially better material due to its thin consistency and quick setting time.
  • Tom agrees with the suggestion and plans to use plaster as a bulk material with a thin layer of epoxy to finish, while being cautious about bubble formation.
  • A participant with experience in spin casting contact lenses recommends improving the process by using a more circular former, ensuring precise centering, minimizing vibration, and considering degassing the casting liquid to address bubble issues.
  • Tom acknowledges the suggestions and mentions plans to have a potter create a circular container, hanging the setup to aid in centering, and making a vacuum degassing chamber to reduce bubbles.

Areas of Agreement / Disagreement

Participants generally agree on the importance of addressing bubble formation and improving the spinning process, but there are multiple approaches suggested, and no consensus on the best material or method has been reached.

Contextual Notes

The discussion includes various assumptions about material properties and the effectiveness of different techniques, which remain unresolved. Specific limitations regarding the precision required for the mold and the performance of suggested materials are also noted.

tiviny
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I am trying to make a mold of a deep parabola, by putting plaster of paris in a spinning flower pot. I've got another thread going as well. So far I've tried using and making all sorts of spinning bases, however inconsistencies in the rotation of the pot have to be almost invisible for the plaster to set correctly. This is surprisingly(!) hard to do, I'm hoping hanging the pot from a motor will help with this.

My question is more about the substrates. I want a positive mold, so the plan is to cast the plaster, then form a fibreglass mold. But, the plaster of paris ineviatably contains bubbles, and these bubbles all migrate to the lowest point, right where the most accuracy needs to be. This is a big problem, and I'm trying to think of other materials to use, I was thinking liquid rubber or foam of some sort? I could perhaps use the plaster as filler, and do I final thin coat of epoxy resin, but I don't even know how the epoxy will perform.

The ultimate test is water. I've got close but it is very hard to get water to hold itself motionless as a (very deep) parabola. A good trick is to glad wrap the top, so the air inside spins up to speed as well. I'm working on the smooth rotation, should be just a few more days, but in the meantime can anyone else thinkk of a good setting liquid to use?
cheers all, tom
 
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tiviny--

You might try fiberglass resin and catalyst that comes as part of a kit for doing automotive repairs. It's sold in most auto stores in a quart can with fiberglass fabric stored in the lid. It's nearly water-thin, sets in 15 minutes, and is pretty inexpensive. I've used it to impregnate rotten wood before doing restoration work as it penetrates the old weathered wood very well.
 
That sounds good. The epoxy I have is fairly thick. I've decided that's the way to go, plaster as bulk then a thin layer of epoxy as a finish. Ill just have to be careful to avoid bubbles.
 
Having been well used to spin casting contact lenses (i.e. optics) in my career I would suggest you could improve your process as follows:

1. Use a more circular former. Perhaps a paint pot would be more circular - even a plastic one?
2. Be precise on centering your former on the axis of spin. Within 0.02 mm should reduce the probability of wobble.
3. Try to avoid vibration at all costs - include the quality of bearings etc in your thinking.
4. Consider degassing your casting liquid if bubbles are a problem.

Contact lens tolerances may not be appropriate for your application, but thinking about precision will certainly help the quality of the shape you can produce.

Good luck.
 
thank you for your suggestions banndit127!
I plan to get a container made by a potter, so it is circular.
Hanging will hopefully solve the centering issue, it is very hard to centre something that spins.
Im doing all sorts to eliminate vibration.
Im trying to now make a vacuum degassing chamber, because I have a vacuum pump just lying around.
Cheers for the good luck, am probably going to need it.
-tom
 

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