Basic Question About How Matter Absorbs Light

  • Context: High School 
  • Thread starter Thread starter jocose
  • Start date Start date
  • Tags Tags
    Light Matter
Click For Summary

Discussion Overview

The discussion revolves around the phenomenon of how a red wall reflects light when illuminated by a white light source. Participants explore the concepts of color perception, light absorption, and reflection, particularly focusing on the conditions under which a red surface appears to reflect white light as intensity increases.

Discussion Character

  • Exploratory
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • One participant expresses confusion about why a red wall reflects white light at high intensities, suggesting an expectation of a neon red reflection instead.
  • Another participant notes that the wall's red color may be due to paint, which reflects red light while absorbing other wavelengths, leading to color mixing at higher intensities.
  • A different viewpoint suggests that all surfaces reflect some light, and as intensity increases, the reflected non-red light becomes more noticeable, contributing to a white appearance.
  • Some participants discuss the concept of color perception, noting that the human eye can become saturated and that color perception is not solely based on the wavelengths present.
  • One participant raises a question about the difference in perception between a monochromatic laser and a broad-spectrum light source, suggesting that the intensity and nature of the light source affect how colors are perceived.
  • Another participant mentions that while lasers are monochromatic, other light sources are not, which may explain the differences in perceived brightness and color when illuminating a red surface.
  • There is a discussion about whether the human eye perceives high-intensity light as white, with some participants clarifying that this is not the case, but that perception can vary based on context and intensity.

Areas of Agreement / Disagreement

Participants express various viewpoints on the interaction between light and color perception, with no clear consensus reached. There are competing explanations regarding the mechanisms of light reflection and perception, particularly concerning the differences between monochromatic and broad-spectrum light sources.

Contextual Notes

Participants highlight the complexity of color perception and the role of intensity in how colors are seen, but do not resolve the underlying assumptions about light absorption and reflection. The discussion remains open-ended regarding the specifics of how color mixing and perception interact in different lighting conditions.

jocose
Messages
12
Reaction score
1
I'm not a physicist. So mathematics probably won't help me understand this issue. However, this has been troubling me for the past week or so and I would really like to get to the bottom of it.

If someone could provide a plain English explanation of what's going on I would greatly appreciate it.

If I have a red wall (no gloss, just a dull red) and I shine a white line on the wall I get back a brighter shade of red where the light illuminates the wall.

If I increase the intensity of the light source I will eventually see white light being reflected off this red surface.

Why does this happen?

My intuition, obviously misguided, tells me that I should be getting a neon red back from the wall. In other words the red surface will keep absorbing all wavelengths of light except red up until the point where the heat generated burns the surface.

What instead happens is the surface appears to lose its ability to absorb non-red wavelengths as the light intensity is increased and I slowly get more and more white light.

This confuses me because I can't find any literature describing this phenomenon. Everything I can find simply says that light is either absorbed or reflected, but nothing about an absorption limit.
 
Last edited:
Science news on Phys.org
Without any specifics (i.e. why is the wall red, and what is your light source), it's hard to say.

But, if you wall is red because of paint, or some absorptive pigment (colored glass/plastic), then the wall actually preferentially reflects red- this explains the first observation.

As to the second, again it's hard to say without knowing what your source is, but most likely what's happening is the remainder of light not absorbed is sufficiently bright for your eyes to see, leading to color mixing etc., leading to a white appearance.

There's no saturation/absorption limit involved.
 
Hmmm. That's a pretty good question.
But when you say "dull" red, I suppose there might still be some amount of "gloss" that reflects the white light. This would be more noticeable at higher light intensities.
Just my guess, though.
 
I think where you're misunderstanding lies is that objects aren't perfect absorbers/reflectors. If an object were to reflect at, and only at, a wavelength of 650 nm (red) then yes, it would not look white if white light were shined on it. However, a red object predominantly reflects red light, but also will reflect other colors in smaller amounts. When you shine brighter and brighter white light you reflect more and more other colors which will then seem white (note that white is hard to define, there are shades of white so to speak).

A quick example would be shining a red laser pointer at a black wall. If it were perfectly black, you would see no red dot, but in real life you do see that something black will in fact reflect some light - just not as much as a white object, on which the red laser dot would appear much brighter.
 
Thanks for the replies!

Sorry for not being more specific. Yes, I am assuming it is red because of paint, and the light source would be, let's say, a search light with a intensity control on it so I could turn up and down the brightness.

So what you are saying is that most surfaces don't absorb 100% of wavelengths of light. Instead my red well is likely just absorbing most, or a large percentage, of the incoming non-red light and bouncing back a high percentage of red light.

When I increase the intensity the previously unnoticeable amount of non-red light suddenly becomes more apparent and so I see white light.

I suppose what I don't understand is that since there will always be more red light than white light wouldn't I be seeing pink? Sure there might be more white light but at the same time the red light would MUCH stronger as well.

The ratio of red to white light would always result in more red light than white...
 
I suppose what I don't understand is that since there will always be more red light than white light wouldn't I be seeing pink? Sure there might be more white light but at the same time the red light would MUCH stronger as well.

The ratio of red to white light would always result in more red light than white...
That's what I meant by "shades of white." Incandescent lightbulbs output a lot more red light than anything else, but they still look "white." A lot of the time you need to compare side by side different white lights to really tell the difference. You are correct, though, that there will always be more red light reflecting in your proposed case, and as such it should look more red than if it where shined on a white surface. Another thing that comes to mind is the human eye - that can become saturated when the light intensity gets higher.
 
That's good point. So does the human eye precieve all light of a high intensity, regardless of wavelength, as white?
 
Last edited:
jocose said:
<snip>

I suppose what I don't understand is that since there will always be more red light than white light wouldn't I be seeing pink? <snip>


Ah! That's a central feature of how color vision works- after all, there's no 'pink' wavelength, just as there's no 'purple'.

Your brain creates color, not your cone receptors.
 
I see, it makes a lot of sense this might be an issue with color perception.

However, this doesn't make sense though, because lasers operate at VERY high intensities but appear to be only one color...

Is it the case then that my eyes get over saturated by the red light, stop seeing it regardless of an increase of intensity, which then results in a precived increase of white light?

Or am I barking up the wrong tree?
 
  • #10
jocose said:
That's good point. So does the human eye precieve all light of a high intensity, regardless of wavelength, as white?

Definitely not.
 
  • #11
pallidin said:
Definitely not.

Yeah I didnt think so, but it might make sense about the saturation limit.

I guess the real issue I have is that if someone shines a red laser into your eye you have the perception of being blinded by red light.

However, if I shine a white light at a red wall and increase the intensity enough I will eventually have the perception of being blinded by WHITE light and not red...

So why is the wall any different than the lazer?
 
  • #12
Again, it's the source- lasers are nearly monochromatic, searchlights/halogens/LEDs etc. are not.
 
  • #13
Thanks for consistent replies Andy.

I'm probably just missing something here, but I'm still a bit confused.

I understand that the laser is monochromatic and that other light sources are not, but what confuses me is the order in which things occur.

In my head, I'm imagining being blinded by white light before I am ever blinded by red light. I understand that since the light source isn't pure red, and that because the surface does reflect some white light, I will EVENTUALLY be blinded by white light, but before that happens I would imagine I would have an experience much like I would if someone shined a red laser in my eye.

Is this correct, or am I mistaken?

In other words I would be overwhelmed by red light before I was by white light, but that doesn't appear to the the case, or at least when I imagine it. It seams like the red light gets bright to a point and then stops at which point I start seeing white.
 
  • #14
I'm not exactly sure what you are asking now.
 
  • #15
jocose said:
That's good point. So does the human eye precieve all light of a high intensity, regardless of wavelength, as white?

Like pallidin stated, no. However, we are fairly tolerant to what we perceive as white. Photography can make this blatantly apparent with white balance. If you were to view a piece of white paper in a room lit by an incadescent light, flourescent light, and sunlight you would probably feel that in each of the three circumstances the paper appears white. However, if you were to take a picture of it with a camera in each of the three situations you would find a definite red/yellow and blue tint to the white for the incandescent and flourescent lighting respectively. White balance is an annoying little bugger to correct because of this.
 
  • #16
After researching white blance I think this might have to do with color tempature. The color of the light IS changing the more intense I make it.

My light source most likely mimics a http://en.wikipedia.org/wiki/Black_body" . So you actually get a more pure white light the more intense you make it.

Just imagine a black stone in a fire. It starts off red and then goes through several other color changes before it eventually starts to produce white light.

So how "dirty" a white light is has a direct correlation with how intense it is.

In other words the way the wall reflects and absorbs light ALWAYS stays the same, but the color of the incident light does not. I just needed to flip around my thinking on this.

Does this sound correct?

Here is more on color temperature:

http://www.cambridgeincolour.com/tutorials/white-balance.htm"
 
Last edited by a moderator:

Similar threads

  • · Replies 7 ·
Replies
7
Views
2K
Replies
9
Views
2K
  • · Replies 28 ·
Replies
28
Views
4K
  • · Replies 3 ·
Replies
3
Views
1K
  • · Replies 5 ·
Replies
5
Views
2K
  • · Replies 11 ·
Replies
11
Views
2K
  • · Replies 6 ·
Replies
6
Views
3K
  • · Replies 3 ·
Replies
3
Views
1K
  • · Replies 6 ·
Replies
6
Views
3K