Beauty of old electrical and measuring things, etc.

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The discussion centers on the appreciation and revival of old electrical devices and measuring instruments, highlighting their aesthetic and functional beauty. Participants share their experiences with vintage gadgets, including knob and tube wiring and various antique light fixtures. There is a focus on the craftsmanship of these items, with mentions of specific components like transformers and ceramic sockets. The conversation also touches on the nostalgia associated with these devices and the desire to preserve their history for future generations. Overall, the thread celebrates the charm and significance of vintage electrical equipment.
  • #361
dlgoff said:
The thing works very well so I'll be putting it to good use.
Don i just have to remark on the craftsmanship you demonstrate in your restorations of these beautiful old pieces.

C'est Beaux , mon ami !

old jim
 
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  • #362
Borg said:
I think that I have the same oscilloscope that's in the background. :oldbiggrin:
And I have two of them.
 
  • #363
jim hardy said:
Don i just have to remark on the craftsmanship you demonstrate in your restorations of these beautiful old pieces.

C'est Beaux , mon ami !

old jim
Thank you Jim.
 
  • #364
Before I went to Elkins Institute to become a TV service tech (TV repairman in my day) I used one of theses at the local 7-11 to keep our TV's working. They worked great...the tester and our TV. How times have changed!
 
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  • #365
An engineering marvel:
 
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  • #366
DrClaude said:
An engineering marvel:

Looking at the 18½ minute run time for that video, I guessed that I wouldn't make it to the end.
I was wrong.
:thumbup:
 
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  • #367
DrClaude said:
An engineering marvel:

Wow. What a cool engineering marvel. I want one.

Thanks for sharing @DrClaude.
 
  • #368
dlgoff said:
Wow. What a cool engineering marvel. I want one.
But only if you can restore it, right Don? :wink:
 
  • #369
berkeman said:
But only if you can restore it, right Don? :wink:
I'd make it look brand new. :approve:
 
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  • #370
Along with the B&K 550 tube tester, I was also give it's tube chart and it's B&K 610 expansion panel.

Here's a couple pictures of the expansion panel. IMO the 610's beauty comes from it's rotary switches.

243481


243482


Here's the tube tester with it's expansion panel & chart:

243483
 
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  • #371
The silkscreenng looks pristine,

resistors are all oriented so color code reads L to R
service loops in all the wires

Somebody took pride in his workmanship.

What a find !

old jim
 
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  • #372
jim hardy said:
resistors are all oriented so color code reads L to R
And I thought I was the only person who did that in my hand-built boards... :smile:
 
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  • #373
jim hardy said:
Somebody took pride in his workmanship.
berkeman said:
And I thought I was the only person who did that in my hand-built boards... :smile:
That's because you all enjoy beauty too I think.
 
Last edited:
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  • #374
berkeman said:
And I thought I was the only person who did that in my hand-built boards... :smile:
naaaa, all us good techies do that. It was ingrained into us not long after "Adam was a boy" :smile:
 
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  • #375
I've got my old vacuum system beauty,

reliability_1-jpg.jpg


all pumped down.

Now I'm going to try depositing a layer of gold one some round glass microscope slip covers (cleaned and coated with a thin layer of "clear" exposed photo-resist). I find that the photo-resist makes for a stronger metal bond. This same type of photo resist will then be used to etch a pattern on the gold layer. Here's a photograph showing the gold sample before it gets melted.

244385
 
  • #376
dlgoff said:
Here, the beauty is in "system's" reliability. After hundreds of pump-downs, never a component failure.
No matter how reliable rotary vacuum pumps are, they still need maintenance. One of my Edwards 8 dual stage pumps started to perform below expectations, so it's time for a clean and overhaul.

Here, the beauty is in the interior parts.

244832


Oh BTW. Vacuum pump oil makes it a really messy job. :oldruck:
 
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  • #377
A restauration master at work
 
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  • #378
DrClaude said:
A restauration master at work

Just goes to show that restorations are no easy matter. Now you've got me wanting an old micrometer.
 
  • #379
DrClaude said:
A restauration master at work


I kinda disagree with filing off of the casting ridges and filling on of hollows ( unless the hollows were caused by damage). Those ridges and hollows are part of the originality of its creation and now its uniqueness has been lost :frown:
dlgoff said:
Just goes to show that restorations are no easy matter.

yeah, it helps to have the right tools to do the job
 
  • #380
davenn said:
I kinda disagree with filing off of the casting ridges and filling on of hollows ( unless the hollows were caused by damage). Those ridges and hollows are part of the originality of its creation and now its uniqueness has been lost :frown:
I agree. He does that in all similar restorations, but I think he should only repair damage.
davenn said:
yeah, it helps to have the right tools to do the job
And the talent!
 
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  • #381
Takes patience and manual dexterity.

My old friend Harry and a fiddle restoration in progress.
Note home made fiddle clamps - old sewing thread spools work well.

244989


Difference between a fiddle and a violin ?
Violins don't get beer spilt on 'em.
(@dlgoff that's your Grandma's violin)

sorry ths one's off topic, being not electrical..

old jim
 
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  • #382
jim hardy said:
Takes patience and manual dexterity.

My old friend Harry and a fiddle restoration in progress.
Note home made fiddle clamps - old sewing thread spools work well.

View attachment 244989

Difference between a fiddle and a violin ?
Violins don't get beer spilt on 'em.
(@dlgoff that's your Grandma's violin)

sorry ths one's off topic, being not electrical..

old jim
Thanks for posting this photograph @jim hardy. I was going to post it here once I got your permission but just hadn't gotten around to asking you.
 
  • #383
jim hardy said:
Difference between a fiddle and a violin ?
Violins don't get beer spilt on 'em.
hahaha
 
  • #384
jim hardy said:
My old friend Harry and a fiddle restoration in progress.
Harry did a great job putting this violin back together after all the abuse I gave it as a kid.
jim hardy said:
sorry ths one's off topic, being not electrical.
But the waveforms a violin produces is just as complicated as electrical analog signals. Years ago, after my school's EE department invited Robert Moog to explain the electronics of the music synthesizer he designed and built, I played around making analog circuits that "duplicated" string instruments. IIRC a violin's waveforms are rich in odd harmonics.
Anyway, here's that old violin now.
245059
 
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  • #385
dlgoff said:
IIRC a violin's waveforms are rich in odd harmonics.

They're interesting also from a mechanical perspective.
The front and back vibrate in various modes, not just as a simple sheet
a wood soundpost about the diameter of a pencil is placed right underneath the 'bridge' to mechanically couple couple them,
and a 'bass bar' stiffens the front to help it produce low notes,
as you can imagine the varying thickness of those front and back plates controls the sound of the fiddle.
Yours was well made. The neck mount was unusual, similar to that of a region in the way northeast of Germany. Harry liked its tone and said whoever thinned its front and back knew what he was doing..

Theory of vibrating plates is an interesting niche
https://www.phy.davidson.edu/StuHome/derekk/Chladni/pages/history.htm said:
History of Chladni's Law
f ~ (m+2n)^2
The story behind the equation:
Ernest Florens Friedrich Chladni of Saxony is often respectfully referred to as "the Father of Acoustics". Indeed, his body of work on the vibration of plates has served as the foundation of many experiments by countless other scientists, including Faraday, Strehlke, Savart, Young, and especially Mary Desiree Waller. Chladni's study consisted of vibrating a fixed, circular plate with a violin bow and then sprinkling fine sand across it to show the various nodal lines and patterns. The experiment is particularly rewarding in that high frequencies often exhibit strikingly complex patterns (see the pictures on the image page). In fact, Chladni's demonstrations in many royal academies and scientific institutions frequently drew large crowds who were duly impressed with the aesthetically sophisticated qualities of vibrating plates. Napoleon himself was so pleased with Chladni's work that he commissioned the further study of the mathematical principles of vibrating plates which then spurred a plethora of research in waves and acoustics. While experimental methods and equipment have been much improved in the last 200 years, Chladni's law and original patterns are still regularly employed to study plate vibrations.
References:
Rossing, Thomas D. "Chladni's Law for Vibrating Plates." American Journal of Physics.Vol 50. no 3. March, 1982.

see also
http://newt.phys.unsw.edu.au/jw/violintro.htmlhttp://newt.phys.unsw.edu.au/jw/chladni.html
I hope your grandchildren enjoy it as much as you did..
 
  • #386
jim hardy said:
They're interesting also from a mechanical perspective.
The front and back vibrate in various modes, not just as a simple sheet
a wood soundpost about the diameter of a pencil is placed right underneath the 'bridge' to mechanically couple couple them,
and a 'bass bar' stiffens the front to help it produce low notes,
as you can imagine the varying thickness of those front and back plates controls the sound of the fiddle.
Yours was well made. The neck mount was unusual, similar to that of a region in the way northeast of Germany. Harry liked its tone and said whoever thinned its front and back knew what he was doing..

Theory of vibrating plates is an interesting nichesee also
http://newt.phys.unsw.edu.au/jw/violintro.htmlhttp://newt.phys.unsw.edu.au/jw/chladni.html
I hope your grandchildren enjoy it as much as you did..
Thanks for these references Jim. And thank Harry for his expert restoration.
I hope this fiddle will be passed down for generations.
 
  • #387
Hi Don,

Had to show you this old bit of gear I found in a historical society museum in the city of Bathurst, NSW Australia.
Wife and I had a long weekend holiday there a couple of weekend's ago

Dating from the early 1900's, an X-ray "machine"

IMG_9852sm.jpg


IMG_9853sm.jpg


No shielding or anything, just "spray and pray" hahahaDave
 
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  • #388
davenn said:
Hi Don,

Had to show you this old bit of gear I found in a historical society museum in the city of Bathurst, NSW Australia.
Wife and I had a long weekend holiday there a couple of weekend's ago

Dating from the early 1900's, an X-ray "machine"

View attachment 245251

View attachment 245252

No shielding or anything, just "spray and pray" hahahaDave
That is so awesome @davenn. I'd love to be "spraying" some X-rays with it. Would go good with my other "spray" machine.

x-ray-on-jpg.jpg
 
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  • #389
jim hardy said:
sorry ths one's off topic, being not electrical..
Just put a pickup in it, making it an electric violin.
 
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  • #390
Mark44 said:
Just put a pickup in it, making it an electric violin.
Just like my old friend Robby Steinhardt did.

 

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