Music Cover songs versus the original track, which ones are better?

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The discussion centers around the merits of cover songs compared to their originals, exploring which covers are considered better and which should have been avoided. The subjective nature of evaluating music is emphasized, with opinions varying widely based on personal taste. Notable examples include Jimi Hendrix's cover of "All Along the Watchtower," which many argue surpasses Bob Dylan's original, and Johnny Cash's rendition of "Hurt," which evokes deep emotion. Other covers, such as those by Eva Cassidy and the Bare Naked Ladies, are praised for their unique interpretations that enhance the originals. Conversely, some covers are criticized for lacking originality or failing to add anything new, with specific songs mentioned as examples of covers that should have been left alone. The conversation also touches on the broader implications of musical interpretation, the role of the listener in evaluating art, and the complexities of genre classification, particularly in jazz. Overall, the thread highlights the rich landscape of music covers, showcasing both celebrated interpretations and those deemed unnecessary.
  • #1,351
Wow, I just found two covers which I did not know about...
...I was genuinely very surprised as I am a fan of both artists...
But who could have guessed that they were also fans of eachother?
...reality is sometimes weirder than poetry, I guess :smile:...

David Bowie covers ABBA:s "The Winner Takes It All"
Quote: "RARE AUDIO - Recorded inbetween sessions for Bowie's Let's Dance Single at The Power Station in Manhattan in 1982. Bowie apparently played around a lot with the song and really wanted to record it properly, but it was never to be."


Original: here

ABBA:s Frida covers David Bowies "Life On Mars?", translated to Swedish:


Original: here

I like both covers, but as often, the originals are the best.
But I really liked Bowies "naked" version of "The Winner Takes It All", it is very fragile, sad and emotional.
 
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  • #1,352
It's Raining Men by the WOW! Girls.



Gotta be from Romania. I wish they'd gone a little lighter on the Autotune.
 
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King Hussein of Jordan was a big ABBA fan.
 
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  • #1,354
Over the Mountain
https://en.wikipedia.org/wiki/Over_the_Mountain (1981)
https://en.wikipedia.org/wiki/Ozzy_Osbourne

Ozzy Osbourne - Over the Mountain (Live - Albuquerque, NM Jan 7, 1982)
&t=3m00s solo



Kids going "Over the Mountain"

(2024) Ozzy Osbourne - Over the mountain (cover) - Maximum Friction
Jaden - Guitar 13 Jasmine - bass 15 Anton - drums 18.
&t=2m15s solo


(2011) Over the Mountain Cover Ozzy Osbourne performed by Party Boys (guitarist Jake)
&t=2m20s solo



(2020) Over the Mountain - Ozzy Osbourne (Cover) / Yoyoka with FRIENDS (with SATSUMA3042 )
My name is Yoyoka, I'm a 10 year old drummer from Japan
&t=2m40s solo


(2014) Ozzy Osbourne Over the Mountain Cover - Deraps
Jacob Deraps, 17 years old, playing Ozzy Osbourne's Over the Mountain.
&t=2m30s solo




Honorable mention:
 
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Orig


Cover


The orig still rules, but a very good effort by the women.
 
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  • #1,356
Hornbein said:
King Hussein of Jordan was a big ABBA fan.
Everyone was and is a big ABBA fan. Elvis to Lemmy, Biden to Putin, Thatcher to Starmer, Hawking to Brian Cox. They cross boundaries.

EDIT: A pfer asked for evidence of this and I have none it is my guess my references liked ABBA. The people I used were polar opposites to make a point.
 
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  • #1,357
robphy said:
Over the Mountain
https://en.wikipedia.org/wiki/Over_the_Mountain (1981)
https://en.wikipedia.org/wiki/Ozzy_Osbourne

Ozzy Osbourne - Over the Mountain (Live - Albuquerque, NM Jan 7, 1982)
&t=3m00s solo



Kids going "Over the Mountain"

(2024) Ozzy Osbourne - Over the mountain (cover) - Maximum Friction

&t=2m15s solo


(2011) Over the Mountain Cover Ozzy Osbourne performed by Party Boys (guitarist Jake)
&t=2m20s solo



(2020) Over the Mountain - Ozzy Osbourne (Cover) / Yoyoka with FRIENDS (with SATSUMA3042 )

&t=2m40s solo


(2014) Ozzy Osbourne Over the Mountain Cover - Deraps

&t=2m30s solo




Honorable mention:

We do this one in the tribute. The drum intro is "Pictures of home," off Machine head but a bit slower I think.
Ian Paice, the best rock drummer for me.

Those kids are amazing though. If you stuck them on our gear with a good sound engineer they would nail it.
 
  • #1,358
pinball1970 said:
Everyone was and is a big ABBA fan. Elvis to Lemmy, Biden to Putin, Thatcher to Starmer, Hawking to Brian Cox. They cross boundaries.
Yes.
And your quote prompted me to tell a little personal story....

As you very well know I am a BIG ABBA fan (not so much of their more easy/cheesy pop, but of their experimental and really creative music, which I think is just fantastic), and I was a fan from a very early age.

But one thing I never quite understood was how darn popular they were outside of our small country.
Because it was highly unusual (and it has never been even nearly repeated by any other Swedish artist to such a big extent). And I was young then too and did not travel much to other countries either.

You see, we are a really small country (about 8 million people back then), and we were definitely not famous for our music, until ABBA came and broke all the rules.

Since I never quite understood how they managed to appeal to such a wide audience, I decided to research it to find out, because it IS so unusual.

Look at this chart, it is crazy:

The Official Top 20 biggest selling groups of all time revealed! (UK)​

(the ten first listed below)

1​
BEATLES​
22.1 MILLION​
2​
QUEEN​
12.8 MILLION​
3​
ABBA​
11.3 MILLION​
4​
ROLLING STONES​
10.1 MILLION​
5​
OASIS​
9.079 MILLION​
6​
TAKE THAT​
9.078 MILLION​
7​
SPICE GIRLS​
8.0 MILLION​
8​
BEE GEES​
7.6 MILLION​
9​
U2​
7.5 MILLION​
10​
STATUS QUO​
7.2 MILLION​

Source: https://www.officialcharts.com/char...t-selling-groups-of-all-time-revealed-__2515/

Seeing this chart is just crazy for a Swede. First is the Beatles (of course), then Queen (I can see that) and then... ABBA? What? Before Rolling Stones? And U2?

Why? Here's my take on it after my research:

1. They were incredibly versatile, playing many different music styles (so did the Beatles), e.g. pop, rock, experimental and even musical-like
2. They actively mixed different styles into new unique styles (so did the Beatles)
3. They had (at least) TWO ridiculously good composers in the band (as did the Beatles)
4. They wrote easy listening stuff, but they also wrote very advanced music (so did the Beatles)
5. Even so, they both still had a unique sound; if your hear The Beatles or ABBA you can not mistake it for something else.

And there are probably more comparisons with the Beatles I haven't thought of yet :smile:.

Here is a interesting video which actually started my personal research on the topic; in this video they ask this very question to other composers and artists:

Why we all love ABBA | DW History and Culture​



Bonus fun, because it is SO weird for me as a Swede to see this... :

John Lydon, the lead singer of the iconic punk band Sex Pistols here tells his older punk audience that Sid Vicious' favorite band was ABBA. And then they sing along to "Fernando":



You see, this just blows my mind. My brain can't really comprehend that UK anti-establishment punk rebels, without any irony at all, like ABBA. It just doesn't make sense :)). But it sure is fun :biggrin:.
 
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  • #1,359
DennisN said:
As you very well know I am a BIG ABBA fan (not so much of their more easy/cheesy pop, ...
I once read a discussion about their "easy/cheesy pop." IIRC it was "Thank you for the music" but I am not sure. Anyway, the message was that their music is all but not easy. They have sophisticated harmonies and baselines. What may sound like "easy/cheesy pop" is the result of hard work hiding the actual complexity.
 
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  • #1,360
fresh_42 said:
I once read a discussion about their "easy/cheesy pop." IIRC it was "Thank you for the music" but I am not sure. Anyway, the message was that their music is all but not easy. They have sophisticated harmonies and baselines. What may sound like "easy/cheesy pop" is the result of hard work hiding the actual complexity.

"Thank you for the music" is not the easy listening/cheesy I was thinking about.
That song is spectacular, and far from easy, and it's from their very creative album called "The Album", probably my favorite album if I have to choose one.

Regarding easy listening pop I was thinking more about songs like "Ring Ring", "Take A Chance On Me", still good songs, but definitely not among their best (in my subjective opinion).

Excellent songs on "The Album" (according to me):
  • Eagle (just stunning, it's like a fantasy)
  • The Name of the Game (simply an incredible mix of genres if you analyze it, one analysis here, another great analysis here by a pro DJ. My note: excellent verse, bridge, chorus and break, AND they mix styles in the same song... the verse is mystical and groovy, then it goes into a classical bridge and then into a killer chorus sounding a bit like the Beatles AND they also get in psychedelic guitars AND a capella parts... in the same song!
    In short: it takes a musical genius to manage to pull that off in the same song, there is no doubt.
  • Move On (a mix of genres and very deep existential lyrics)
  • Hole In Your Soul (a crazy mix of genres, and a dedication to rock'n roll from this pop band, and the verse could have been the Beatles)
  • Thank You for the Music - spectacular, a mix of quality pop, and sounding very close to a piece from a musical
  • I Wonder (Departure) - incredibly emotional
  • I'm A Marionette - crazy experimental music, and a superb verse
A shoutout goes also to "The Visitors" on their last album
Very unusual for ABBA, much more serious and really, really dark, and with synthesizers that are just out of this world... with VERY weird sounding vocals in the verse.
And what is the lyrics about? It's a mystery to the listener.
Listen to it, and make a judgment...

Then, read this spoiler:
It is about political dissidents in the Soviet Union. A protest song against the treatment of political prisoners in the Soviet Union, disguised as an experimental piece.
- and some people say that their music wasn't deep... well, they were wrong. :biggrin:

Edit:

I just have to add something regarding the song "The Visitors"...
It was released in 1981 and wasn't very successful, partly because it did not sound like the usual ABBA.

But it was SO ahead of its time that people didn't understand that ABBA was breaking new ground
with it. It is now categorized as a synth-pop/art rock song, but people did not get it at the time, because no-one had heard such music before.

It is essentially ABBA pioneering into the dark wave and goth genre that became popular later in the 1980s by UK bands like Depeche Mode, The Cure, Soft Cell etc.

Phil Collins later told ABBA they should have released it as the opening single for that album. :smile:

And I challenge anyone to find a song from that time that sounds just like it...
...I don't think there is any. It is something like as if Vangelis or Jean Michel Jarre decided to make a dark synth song with lyrics. It is very unique. Here is one who gets it, but he's more than 40 years late :biggrin:.
 
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  • #1,361
DennisN said:
Regarding easy listening pop I was thinking more about songs like "Ring Ring", "Take A Chance On Me", still good songs, but definitely not among their best (in my subjective opinion).
I bought Waterloo back in the '70s. I was probably one of a few who liked the B-side "Watch Out" even more.
 
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  • #1,362
DennisN said:
Yes.
And your quote prompted me to tell a little personal story....

As you very well know I am a BIG ABBA fan (not so much of their more easy/cheesy pop, but of their experimental and really creative music, which I think is just fantastic), and I was a fan from a very early age.

But one thing I never quite understood was how darn popular they were outside of our small country.
Because it was highly unusual (and it has never been even nearly repeated by any other Swedish artist to such a big extent). And I was young then too and did not travel much to other countries either.

You see, we are a really small country (about 8 million people back then), and we were definitely not famous for our music, until ABBA came and broke all the rules.

Since I never quite understood how they managed to appeal to such a wide audience, I decided to research it to find out, because it IS so unusual.

Look at this chart, it is crazy:

The Official Top 20 biggest selling groups of all time revealed! (UK)​

(the ten first listed below)

1​
BEATLES​
22.1 MILLION​
2​
QUEEN​
12.8 MILLION​
3​
ABBA​
11.3 MILLION​
4​
ROLLING STONES​
10.1 MILLION​
5​
OASIS​
9.079 MILLION​
6​
TAKE THAT​
9.078 MILLION​
7​
SPICE GIRLS​
8.0 MILLION​
8​
BEE GEES​
7.6 MILLION​
9​
U2​
7.5 MILLION​
10​
STATUS QUO​
7.2 MILLION​

Source: https://www.officialcharts.com/char...t-selling-groups-of-all-time-revealed-__2515/

Seeing this chart is just crazy for a Swede. First is the Beatles (of course), then Queen (I can see that) and then... ABBA? What? Before Rolling Stones? And U2?

Why? Here's my take on it after my research:

1. They were incredibly versatile, playing many different music styles (so did the Beatles), e.g. pop, rock, experimental and even musical-like
2. They actively mixed different styles into new unique styles (so did the Beatles)
3. They had (at least) TWO ridiculously good composers in the band (as did the Beatles)
4. They wrote easy listening stuff, but they also wrote very advanced music (so did the Beatles)
5. Even so, they both still had a unique sound; if your hear The Beatles or ABBA you can not mistake it for something else.

And there are probably more comparisons with the Beatles I haven't thought of yet :smile:.

Here is a interesting video which actually started my personal research on the topic; in this video they ask this very question to other composers and artists:

Why we all love ABBA | DW History and Culture​



Bonus fun, because it is SO weird for me as a Swede to see this... :

John Lydon, the lead singer of the iconic punk band Sex Pistols here tells his older punk audience that Sid Viscious' favorite band was ABBA. And then they sing along to "Fernando":



You see, this just blows my mind. My brain can't really comprehend that UK anti-establishment punk rebels, without any irony at all, like ABBA. It just don't make sense :)). But it sure is fun :biggrin:.

ive started a new thread
 
  • #1,363
jack action said:
The day before yesterday, Duane Eddy passed away. Younger, I always knew Peter Gunn by The Art of Noise. This one fits in this thread.




Not really a cover, but I thought of another popular song that uses the Peter Gunn theme: Planet Claire from The B-52s.

 
  • #1,364
DennisN said:
Yes.
And your quote prompted me to tell a little personal story....

As you very well know I am a BIG ABBA fan (not so much of their more easy/cheesy pop, but of their experimental and really creative music, which I think is just fantastic), and I was a fan from a very early age.

But one thing I never quite understood was how darn popular they were outside of our small country.
Because it was highly unusual (and it has never been even nearly repeated by any other Swedish artist to such a big extent). And I was young then too and did not travel much to other countries either.

You see, we are a really small country (about 8 million people back then), and we were definitely not famous for our music, until ABBA came and broke all the rules.

Since I never quite understood how they managed to appeal to such a wide audience, I decided to research it to find out, because it IS so unusual.

Look at this chart, it is crazy:

The Official Top 20 biggest selling groups of all time revealed! (UK)​

(the ten first listed below)

1​
BEATLES​
22.1 MILLION​
2​
QUEEN​
12.8 MILLION​
3​
ABBA​
11.3 MILLION​
4​
ROLLING STONES​
10.1 MILLION​
5​
OASIS​
9.079 MILLION​
6​
TAKE THAT​
9.078 MILLION​
7​
SPICE GIRLS​
8.0 MILLION​
8​
BEE GEES​
7.6 MILLION​
9​
U2​
7.5 MILLION​
10​
STATUS QUO​
7.2 MILLION​

Source: https://www.officialcharts.com/char...t-selling-groups-of-all-time-revealed-__2515/

Seeing this chart is just crazy for a Swede. First is the Beatles (of course), then Queen (I can see that) and then... ABBA? What? Before Rolling Stones? And U2?

Why? Here's my take on it after my research:

1. They were incredibly versatile, playing many different music styles (so did the Beatles), e.g. pop, rock, experimental and even musical-like
2. They actively mixed different styles into new unique styles (so did the Beatles)
3. They had (at least) TWO ridiculously good composers in the band (as did the Beatles)
4. They wrote easy listening stuff, but they also wrote very advanced music (so did the Beatles)
5. Even so, they both still had a unique sound; if your hear The Beatles or ABBA you can not mistake it for something else.

And there are probably more comparisons with the Beatles I haven't thought of yet :smile:.

Here is a interesting video which actually started my personal research on the topic; in this video they ask this very question to other composers and artists:

Why we all love ABBA | DW History and Culture​



Bonus fun, because it is SO weird for me as a Swede to see this... :

John Lydon, the lead singer of the iconic punk band Sex Pistols here tells his older punk audience that Sid Vicious' favorite band was ABBA. And then they sing along to "Fernando":



You see, this just blows my mind. My brain can't really comprehend that UK anti-establishment punk rebels, without any irony at all, like ABBA. It just doesn't make sense :)). But it sure is fun :biggrin:.

That chart turns out to be sales of singles. Huh. ABBA is 32nd on album sales. https://en.wikipedia.org/wiki/List_of_best-selling_music_artists
 
  • #1,365
S!CK by The Warning

https://en.wikipedia.org/wiki/The_Warning_(band)
https://thewarningband.com/
https://www.discogs.com/artist/4533866-The-Warning


Related earlier posts by me:​
The Warning (formed in 2013) is a rock group of three sisters from Monterrey, Mexico.​
They had a well-viewed cover [now at 25M views] (2014) Enter Sandman - METALLICA Cover - The Warning
when guitarist Daniela "Dany" was 14, drummer Paulina "Pau" was 12, and bassist Alejandra "Ale" was 9. Metallica invited them to contribute to https://en.wikipedia.org/wiki/The_Metallica_Blacklist (2021).​
This track, S!CK, is from their fourth album Keep Me Fed (2024).​
While I was looking at Maximum Friction, who was featured in the Over the Mountain covers (#1354) ,​
I saw that they had covered S!CK and was pleasantly surprised to find a few others who covered the song. It's nice to see covers of songs from a relatively-new band that I've liked.​








(April 8, 2024) Sick Drum Cover: Victoria Takes on The Warning's Explosive Hit!



(June 6, 2024) The Warning-S!CK covered by Venus



(June 8, 2024) S!CK - The Warning ⚡| Cover By LAVENDERS


(May 3, 2024) The Warning - S!CK [COVER] - Fiebre de Cover



(Jul 15, 2024) Sick - The Warning (cover/ Soundcheck) - Maximum Friction
Maximum Friction takes on a cover by all sister trio The Warning. Filmed while while doing sound check opening for Nicko McBrains Titanium Tart at The OCC Roadhouse in Clearwater, FL.

 
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  • #1,366
 
  • #1,367
Orig



Cover

 
  • #1,368
Hornbein said:
Orig



Cover



Interesting.
I wasn’t aware of the Nickelback song. But you and quite a few others are. I’m somewhat concerned.

 
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  • #1,369
Pretty good voice I think



 
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  • #1,370
Arjan82 said:
Pretty good voice I think
Pretty good?
I heard two sentences of the song (with Alice Phoebe Lou), and paused the video to reply:
She has not a pretty good voice, she has a terrific voice!
Now I'm gonna listen to the rest of the song... :smile:

Edit:

Now I've listened to the rest, and yes, she is a terrific singer. An interesting mix of pretty bright vocals, but also soulful.

And I actually don't like the original song very much, so I prefer Alices version much more.
🙂
 
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  • #1,371
Arjan82 said:
Pretty good voice I think



That was unexpected!

An usual voice, lovely tone and kudos for taking on a track like that. I would have said that was untouchable as a cover, just too big.

She played around with it a bit.

I will listen to more of her stuff
 
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  • #1,372
Arjan82 said:
Pretty good voice I think




I love the Lou Reed one too!
 
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  • #1,373
DennisN said:
Pretty good?

Yeah, I understated it a bit indeed 😆
 
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pinball1970 said:
She played around with it a bit.

That's actually what I very much like about covers. It is when the artist makes the song their own instead of just copying what has already been done. If the result of the cover is almost a carbon copy of the original, what's the point?

There used to be a Dutch morning show on the radio (3FM, with Giel Beelen) where there was a live band each morning (oh.. those were the days...) where they first did a song of their own, and then a cover of 'something out of the mega top 50 chart' (sometimes taken a bit loosely). I absolutely loved that second part, because that was what set apart the good artists from the great ones. The good ones did a carbon copy, the great ones made the song their own with some amazing results!
 
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  • #1,375
Arjan82 said:
The good ones did a carbon copy, the great ones made the song their own with some amazing results!
I'm in tribute bands so that is pretty much all we do ha ha! It is hard to copy good music and good musicians and people still want to hear it because those bands are not playing anymore. Or not playing like that anymore or have different members.
 
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  • #1,376
Arjan82 said:
If the result of the cover is almost a carbon copy of the original, what's the point?

pinball1970 said:
I'm in tribute bands so that is pretty much all we do ha ha! It is hard to copy good music and good musicians and people still want to hear it because those bands are not playing anymore. Or not playing like that anymore or have different members.

For me, I appreciate covers and tribute bands because some reverse-engineering
was done to reveal how the original may have been done.
(For example, "Oh, that's how you play that riff (or that solo)... and maybe I can too [with practice]...")

In addition, I appreciate covers by bands that are different from the original bands,
like covers done by kids and by bands from around the world (from places one might not expect).
Maybe one could say that these bands are a few years behind...
but I think they keep the song and style alive...
and maybe they continue with new original songs in that vein.

To me, covers that are quite different from the original
suggest that elements in the original (like the melody or lyrics)
have a life beyond the original song [in its original genre and style].
 
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So good points indeed. I can definitely see that being a tribute band you need to be truthful to the original. I would love to be at a concert of a tribute band of The Cranberries for example, and I would want them to be as truthful to the original music as possible.

Also I see the point about reverse-engineering, although I would say that this is mainly the benefit for the musicians rather than the listener (but I can certainly appreciate the effort as a listener). So you would definitely learn a lot as a musician by looking very closely at others songs.

I also totally agree that a good cover that differs from the original also tells you a lot about the quality of the song itself. It's usually the very good songs that can be or are covered in this way, and by doing that you more or less immortalize them.

So thanks for pointing that out :)
 
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One reason I spend half the year in Tokyo. No tribute bands except a few for The Beatles (who in my opinion deserve tribute). There isn't much by way of cover bands either. Tokyo people want to hear your own thing.

When I lived in northern Michigan there was a summer concert series in the park. Nine out of ten shows were tribute bands. It's a nation that looks to the past.
 
  • #1,379
Hornbein said:
One reason I spend half the year in Tokyo. No tribute bands except a few for The Beatles (who in my opinion deserve tribute). There isn't much by way of cover bands either. Tokyo people want to hear your own thing.

When I lived in northern Michigan there was a summer concert series in the park. Nine out of ten shows were tribute bands. It's a nation that looks to the past.
You are comparing the culture of the Japanese capitol to the culture of northern Michigan? If that is a comparison of equals, I feel pretty good about the USA. If I was Japanese, I’d feel pretty insulted.
 
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Thread closed for Moderation...

EDIT -- After a Mentor discussion, thread is reopened.
 
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  • #1,381
Hornbein said:
One reason I spend half the year in Tokyo. No tribute bands except a few for The Beatles (who in my opinion deserve tribute). There isn't much by way of cover bands either. Tokyo people want to hear your own thing.

When I lived in northern Michigan there was a summer concert series in the park. Nine out of ten shows were tribute bands. It's a nation that looks to the past.
I want you to know that I am officially offended by your post.

I once attended a concert of a Beatles revival band and I am not looking to the past only. Such statements are at least unreferenced and naive, but in that specific case offensive.
 
  • #1,382
Orig(sort of). If there were a vote for best rhythm section ever I'd go for this one. Shingo Tanaka[Farmer] on ebass. So free yet entirely solid. As usual in Nihon they were together for only one tour then never again. Thank God for recordings of music.



Note how English(sort of) is included. "Melto". This practive is common.

There are a great many covers. Hit the CC button to get a translation. The ebass player here is also terriffic. Looks like Los Angeles.



Real humans on this Earth who could sing that are few.

The composer made enough money off of this that he was able to hire the Tokyo Philharmonic Orchestra. Nice counterpoint. And at last we get good recordings of orchestras .



This one is an update by the original artist ten years later. I wish more musicians would do that. It's the philosophy of continuous improvement.

 
  • #1,383
So I'm a bit of a Tool fan, and although I don't think this is better than the original, I think it is a nice attempt. (And I guess an excuse to post a Tool video 😇)

Orig:


Brass Against:
 
  • #1,384
robphy said:
To me, covers that are quite different from the original
suggest that elements in the original (like the melody or lyrics)
have a life beyond the original song [in its original genre and style].
Long ago in the days of crude 8-bit ringtones, I thought, if it sounds good played back like that then you can be sure you have a nice melody.
 
  • #1,385
Smooth Criminal
https://en.wikipedia.org/wiki/Smooth_Criminal
https://en.wikipedia.org/wiki/Michael_Jackson

Michael Jackson - Smooth Criminal - Live Seoul 1996 - HQ [HD]




(2018) Smooth Criminal - Michael Jackson, arranged and played by Feng E, ukulele


(2024) Charles Berthoud - Smooth Criminal (Official Music Video)


(2011) Michael Jackson - SMOOTH CRIMINAL - Guitar Cover by Adam Lee


(2021) Smooth Criminal - Michael Jackson ('Film Noir' Style Cover) ft. Aubrey Logan - PostmodernJukebox


(2009) Alien Ant Farm - Smooth Criminal (Official Music Video) - (321M views)



Honorable mention
 
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Orig Use Me by Bill Withers.



Cover by Esther Phillips



I saw Esther in Back Bay Boston at this time (1972) and still remember her doing this. I thought it was sexy as hell. In 1973 this recording didn't get a Grammy. That year's winner (Aretha Franklin) thought this was so unjust she gave Esther the trophy.

I revisited this because of Esi Okai-Tetteh, who might be the best blues singer of the 21st century. Her face reminded me of someone. Aha. Esther Phillips.

 
  • #1,387
"What a Diff'rence a Day Made" is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. Not available on Youtube, so let's go with Ksenya Nikora & Nikorason'g band.



Cover by Chantal Chamberland



Everyone in jazz calls this What A Difference A Day Makes after Dinah Washington. She had the hit record.
 
  • #1,388
Arjan82 said:
Pretty good voice I think

pinball1970 said:
That was unexpected!

An usual voice, lovely tone and kudos for taking on a track like that. I would have said that was untouchable as a cover, just too big.

She played around with it a bit.

I will listen to more of her stuff

I knew of Aurora. She's a very talented Norwegian singer & songwriter.

Here is an ethereal concert (full concert) in a cathedral:

AURORA - Live in Nidarosdomen [Full concert]
The video is of AURORA's concert in Nidarosdomen (Nidaros cathedral), Trondheim, Norway. She performed in front of a sold-out audience alongside her band, TrondheimSolistene (ensemble/orchestra), Oslo Fagottkor (choir), Petra Bjørkhaug (organist) and Ruth Potter (harpist). This concert was recorded on the 2nd of November, 2017 and was broadcast by NRK (Norwegian Broadcasting Corporation) on the 28th of December, 2017.



At 52:22 she performs Life On Mars?, with the huge reverb of the cathedral... :smile:
 
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I'd say that Aurora now owns Across The Universe. Nice harmony singer too.



That's a Fender Bass VI. An ebass made to be like a guitar, with six strings. John Lennon played one, maybe that's why it's there. I've never seen one in real life.
 
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Ok, are you fellows ready for a cover that is very much out of left field?

I did not think about this artist for this thread until today, and I decided I had to post about her...

Here's a very talented cellist doing very creative stuff...
she is looping herself and plays... Jimi Hendrix songs!
:))


Ah, the passion, the feeling, it's just amazing, in my opinion :kiss:.

Rachael Lander - Jimi Hendrix (looped Cello cover)
 
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DennisN said:
Here's a very talented cellist doing very creative stuff...
she is looping herself and plays... Jimi Hendrix songs!
:))

Hmm, unfortunately she made only 8 videos :(. I like her Royal Blood cover actually.

The Jimi Hendrix song is a little bit less for me, sacrilegious! No, kidding, but in my opinion Jimi Hendrix can only be covered by Stevie Ray Vaughn for good results (at least, I like this cover):

 
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robphy said:
Smooth Criminal
I love this song. I had a cassette of Michael Jackson (probably some greatest hits) when I was young. I've listened to it so, so many times...

robphy said:
(2024) Charles Berthoud - Smooth Criminal (Official Music Video)

Charles Berthoud is an amazing bass player. Love his version!

robphy said:
(2011) Michael Jackson - SMOOTH CRIMINAL - Guitar Cover by Adam Lee


Didn't know Adam Lee, love his guitar play!

robphy said:
(2021) Smooth Criminal - Michael Jackson ('Film Noir' Style Cover) ft. Aubrey Logan - PostmodernJukebox

I love Postmodern Jukebox. Lots of inspiration for coves.

robphy said:
(2009) Alien Ant Farm - Smooth Criminal (Official Music Video) - (321M views)

Some more good old memories, This actually came out in 2001, when I was just studying at the University, It was played at parties and you could find me in the mosh pit usually🤘😁
 
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Hornbein said:
Orig Use Me by Bill Withers.

Funny, I never realized the version I listened to was a cover :)

Hornbein said:
Cover by Esther Phillips

Love this version as well!

But for me this is an absolutely phenomenal version, by Patricia Barber (which I thought was original):


Also in live form:
 
  • #1,394
Arjan82 said:
Hmm, unfortunately she made only 8 videos :(. I like her Royal Blood cover actually.

The Jimi Hendrix song is a little bit less for me, sacrilegious! No, kidding, but in my opinion Jimi Hendrix can only be covered by Stevie Ray Vaughn for good results (at least, I like this cover):


Remarkably detailed. I bet he put hundreds of hours of practice into it.
 
  • #1,395
Arjan82 said:
Funny, I never realized the version I listened to was a cover :)



Love this version as well!

But for me this is an absolutely phenomenal version, by Patricia Barber (which I thought was original):


Also in live form:

I was in tears listening to that.
 
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Ramsey Lewis Trio plays Summer Breeze. The star is bass viol player Cleveland Eaton. Wow!



To an ebass player that style is immediately recognizable as that of Jamie Jamerson of Motown fame. Playing this way with the high action and string tension of a bass viol must be pretty hard to do. So hard that he's sweating heavily. Maybe that explains why this didn't catch on even though it sounds great.

In case you don't know, old time ebass players pretty much think that Jamie was the first to really do something with that instrument. I lived in nearby Ann Arbor so the Motown sound was everywhere.
 
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Hornbein said:
Ramsey Lewis Trio plays Summer Breeze. The star is bass viol player Cleveland Eaton. Wow!

Wow indeed. I love the interplay between the bass and pianist!
 
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Victim of Changes
https://en.wikipedia.org/wiki/Victim_of_Changes_(song) (1976)
https://en.wikipedia.org/wiki/Judas_Priest

JUDAS PRIEST 🤘 Victim of Changes ! “.. just WOW!!” #1983 #HeavyMetal [HDadv Remastered - MikeNadi ]



(2017) Judas Priest - Victim of Changes - Chicago School of Rock - MidWest Concert Video


(2021) Judas Priestess: "Victim of Changes" (Judas Priest Cover) Live 11/12/21 King of Clubs, Columbus, OH


(2010) Judas Priest "victim of changes" cover Junk Priest Osaka Japan - Teruzo Iwasa


(2017) Victim Of Changes - Judas Priest cover by Bohle


(2005) Al Atkins OFFICIAL Victim Of Changes

  • Forgotten footage of the Al Atkins Band, 2005 with Al Atkins, first lead singer and founder of Judas Priest.
  • https://en.wikipedia.org/wiki/Judas_Priest#Origins_(1969–1974)
    ...Atkins continued to write material for the band—including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"—but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, later to surface in the band Machine, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford,...
  • (2004) Al Atkins-Whiskey Woman (Victim Of Changes)
    From one time Judas Priest vocalist, Sun n Steel Fest 2004. Al Atkins wrote this song WHISKEY WOMAN before leaving Priest, which became a PRIEST Classic. The guy who replaced Al, Rob Halford wrote a song called RED LIGHT LADY, and the band put the two songs together and titled it VICTIM OF CHANGES.
  • (1973 audio) Judas Priest Whiskey Woman [Atkins] demo 1973 - vocals with Halford
    Whiskey Woman [Al Atkins] (demo) (1973)
    Line-up: Rob Halford, KK Downing, Ian Hill and John Hinch (1973-74)

    Judas Priest line-ups up until this demo recording:
    Al Atkins, Ernest Chataway, Bruno Stapenhill and John Partridge (1969-70)
    Al Atkins, KK Downing, Ian Hill and John Ellis (1970-71)
    Al Atkins, KK Downing, Ian Hill and Alan Moore (1971)
    Al Atkins, KK Downing, Ian Hill and Chris Campbell (1971-1973)

    Glenn Tipton joined the band in 1974.
  • (1973 audio) Judas Priest - Red Light Lady Live at Bolton Town Hall (1973) Audio - vocals with Halford
 
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Romania rocks again.

Fat Bottomed Girls.

I like the way they enjoy being naughty.

 
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Frabjous said:
You are comparing the culture of the Japanese capitol to the culture of northern Michigan? If that is a comparison of equals, I feel pretty good about the USA. If I was Japanese, I’d feel pretty insulted.
I have never been to the states but if they like tribute bands I think our guys would fit right in.
Hornbein said:
"What a Diff'rence a Day Made" is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. Not available on Youtube, so let's go with Ksenya Nikora & Nikorason'g band.



Cover by Chantal Chamberland



Everyone in jazz calls this What A Difference A Day Makes after Dinah Washington. She had the hit record.

Probably better than Esther Philips version 1975, awful. I always thought it was Eartha Kitt till I went looking.
 
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