Exploring the Possibilities of Parallel Universes: Seeking Help

AI Thread Summary
The discussion centers on crafting a story involving parallel universes and decision-based timelines, inspired by concepts like Schrödinger's cat. The original poster seeks a logical foundation for their narrative, emphasizing a desire for realism despite the inherent strangeness of the subject. Responses highlight that while the premise may defy scientific laws, successful science fiction often prioritizes character-driven narratives over strict adherence to scientific accuracy. Suggestions include researching theories like Many Worlds to enhance creativity while maintaining focus on character development and emotional depth, as readers are more engaged by the human drama than the scientific details. The importance of balancing scientific plausibility with storytelling is underscored, advocating for a focus on compelling characters and narrative flow rather than getting bogged down by technicalities.
daniel valern
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Hi,
I will not claim extensive knowledge of physics which is exactly why i need honest help from you all.. Writing a story based on the idea that with every single decision being made that a new time line is created.. I want it to be logical and possible even if its only theoretically possible.. like in schrodingers cat experiment cat being alive and dead are in two different branches of universe... anyone mind helping?
 
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may be i should make it more clear.. imagine that someone forgot to apply parking brakes as incident 1 and he remembers to apply parking brakes as incident 2... the effect of the incident 1 is that a child got hit by the car on a slope and effect of incident 2 that the child had no accident.. so there will exist two different realities based on both the incidents where in one the child is okay and in the next one child is hurt... my story revolves around a person who gets glimpses of the adjacent parallel universe.. He gets only images of the other reality at a particular spot which i thought of as a tear in the time space fabric but when i went through the forum the whole concept of tear in the fabric is debatable... i don't want to write a dramatic gibberish which makes people happy... I want something that deals with real possibilities however strange it sounds... Please do help ...
 
daniel valern said:
i don't want to write a dramatic gibberish which makes people happy

Then I would suggest not getting into writing. People don't generally care about whether the premise is 100% accurate or not, only that it is internally consistent.

daniel valern said:
I want something that deals with real possibilities however strange it sounds... Please do help ...

There's little help that we can give you. Your story's central premise relies an a scientific impossibility. But so what? Some of the best sci-fi stories I've ever read break the laws of physics in the first paragraph and never look back. If you have a story idea you want to develop, don't let a little thing like the laws of physics stop you. You're writing fiction, not a scientific report.
 
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SO its a scientific impossibility.? does not even qualify as a stand alone scientific singularity...?
 
"a stand alone scientific singularity"

What does this mean?
 
My advice is to continue to research things like the Many Worlds theories to spark your imagination and provide a foundation, but don't lose sight of the bigger picture.

You want to avoid creating science "facts" that are obviously false in the real world and you also want to avoid writing about subjects you do not understand well. It is the surest way to expose your cards. Anyone that knows anything about physics will be discouraged with your novel if the physics is wrong.

The best solution is to simply treat such technologies as matter-of-fact and avoid describing the underlying physics.

My point is that there will be a balance between researching the intended physics and theories and divulging that underlying knowledge to the readers. So, you need to go further down your own research path and refine your questions to more specific inquiries here.

Now, let me give you further advice at the risk of telling something you already may know. The most important attributes for science fiction is not the science, but the human drama at play. This is one reason you can be scant on scientific descriptions because the reader is much more interested in the story of the characters (specifically the hero or heroine) than the underlying science. The science is simply the stage in a play. People do not go to see a play to watch the scenery and backdrops. They are interested in what the actors are doing and more importantly feeling.

90% of your effort should be focused on that task and 10% on the stage settings. That means, if you create a dynamic and well written story no one will be too caught up in the scientific premise. We call it the suspension of disbelief.

Ben Bova wrote an excellent book called https://www.amazon.com/dp/0898796008/?tag=pfamazon01-20

That book is excellent.
 
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A map of a four-dimensional planet is three dimensional, so such can exist in our Universe. I made one and posted a video to the Internet. This is all based on William Kingdon Clifford's math from the 19th century. It works like this. A 4D planet has two perpendicular planes of rotation. The intersection of such a plane with the surface of the planet is a great circle. We can define latitude as the arctan( distance from one plane/distance from the other plane). The set of all points...
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