Discussion Overview
The discussion revolves around the piece "As Slow As Possible," which features an extremely slow chord progression that changes infrequently. Participants explore the nature of this composition, its classification as classical music, and the broader implications of such a work in the context of contemporary music and aesthetics.
Discussion Character
- Exploratory
- Debate/contested
- Conceptual clarification
Main Points Raised
- Some participants note that the chord change from D# A# E to G# E is significant, with the next change scheduled for February 5, 2022.
- Several participants question the purpose and meaning behind the piece, with some expressing skepticism about its classification as classical music.
- There are inquiries about the experience of listening to the piece at different speeds, with some suggesting that it could be perceived differently when sped up.
- One participant compares the sound of the piece to the noise of traffic, suggesting it lacks musicality.
- Another participant reflects on John Cage's appreciation for ambient sounds, relating it to the current discussion about the piece.
- Questions arise regarding the melody and harmony in the piece, with some suggesting that the lower notes serve more as ambient sound rather than traditional melody.
- There is a mention of Brian Eno's admiration for John Cage, indicating a perspective that challenges conventional notions of music and noise.
Areas of Agreement / Disagreement
Participants express a range of opinions, with no clear consensus on the value or classification of the piece. Some appreciate its uniqueness, while others find it lacking in musicality. The discussion remains unresolved regarding the piece's significance and the nature of its sound.
Contextual Notes
Participants express varying assumptions about what constitutes music and how it should be experienced, highlighting a lack of agreement on definitions and interpretations.