Modulation vs. Beating Confusion - Comments

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Discussion Overview

The discussion revolves around the concepts of modulation and beating, particularly in the context of signal processing and audio perception. Participants explore the distinctions and similarities between these two phenomena, addressing their linear and non-linear characteristics, and how they relate to mixing and frequency generation.

Discussion Character

  • Debate/contested
  • Technical explanation
  • Conceptual clarification

Main Points Raised

  • Some participants propose that modulation can be both linear and non-linear, while others argue that beating is inherently linear and mixing is non-linear.
  • One participant mentions that the ear's non-linear response necessitates modulation, referencing audio processing techniques.
  • Another participant highlights that mixing involves multiplication of signals, whereas beating involves addition, suggesting a fundamental difference in their processes.
  • Some participants assert that the term "beat" was historically used interchangeably with mixing, but emphasize that the processes are distinct, particularly in the context of audio signal generation.
  • A participant discusses the frequency domain perspective, suggesting that beating does not create new frequencies, contrasting it with mixing, which does.
  • There is a contention regarding the interpretation of a statement from an article about superheterodyne receivers, with some arguing that the summed signals from beating do not represent true modulation.
  • One participant expresses concern that the definitions of modulation and beating are semantically confused, while another insists that modulation should not encompass beating.

Areas of Agreement / Disagreement

Participants exhibit significant disagreement regarding the definitions and relationships between modulation, beating, and mixing. No consensus is reached on whether beating should be considered a form of modulation or how these concepts should be defined in relation to each other.

Contextual Notes

Participants note that the discussion is complicated by differing definitions and interpretations of terms, which may affect the clarity of the arguments presented.

  • #31
Baluncore said:
The BFO generates a replacement for a suppressed or missing carrier. The frequency of the BFO is on one shoulder of the IF channel. The IF signal is usually multiplied by the BFO, but in a simple system the BFO is linearly added to the IF signal prior to a diode detector. A capacitor to ground forms the LPF needed to remove the IFs from the audio difference frequency before the audio amplifier input. The diode in that situation is not just an envelope detector, it is also a non-linear mixer.
I think you have an important point on what functions are called vs what that do.

Is it (the simple diode detector circuit) also a non-linear mixer when it demodulates the exact same signal (as on a spectrum analyzer) that's received as modulated AM when it's normally called and explained as an Envelope detector?
 
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  • #32
nsaspook said:
Is it (the simple diode detector circuit) also a non-linear mixer when it demodulates the exact same signal (as on a spectrum analyzer) that's received as modulated AM when it's normally called and explained as an Envelope detector?

Yes it is. You cannot demodulate without a carrier. Envelope detector is a bit of a misnomer. The audio signal follows exactly what the envelope is but the carrier is required. Think of it this way. A detector used in this manner is a device that intentionally generates intermodulation distortion. Several signals come into the detector (sidebands and carrier) and they intermodulate to form the audio.
 
  • #33
Averagesupernova said:
Yes it is. You cannot demodulate without a carrier. Envelope detector is a bit of a misnomer. The audio signal follows exactly what the envelope is but the carrier is required. Think of it this way. A detector used in this manner is a device that intentionally generates intermodulation distortion. Several signals come into the detector (sidebands and carrier) and they intermodulate to form the audio.

A envelope detector will generate audio from an voice SSB signal RF envelope, it just won't be intelligible as human speech until there is a carrier added to modify the envelope.

"Intermodulation distortion" Yes it does but that's not the same as saying it's a mixer.

https://en.wikipedia.org/wiki/Intermodulation
IMD is also distinct from intentional modulation (such as a frequency mixer in superheterodyne receivers) where signals to be modulated are presented to an intentional nonlinear element (multiplied). See non-linearmixers such as mixer diodes and even single-transistor oscillator-mixer circuits. However, while the intermodulation products of the received signal with the local oscillator signal are intended, superheterodyne mixers can, at the same time, also produce unwanted intermodulation effects from strong signals near in frequency to the desired signal that fall within the passband of the receiver.
 
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  • #34
Not sure what your last post is getting at nsaspook. I find you contradict yourself.
 
  • #35
Averagesupernova said:
Not sure what your last post is getting at nsaspook. I find you contradict yourself.

Sorry if that's happening.

I'm saying, just like the entry on Wiki that the generated intermodulation distortion from the diode envelope detector is not the same as heterodyne mixing.
 
  • #36
I read the whole article and I have come to the exact opposite conclusion you have. Granted when we speak of intermod we generally are referring to UNWANTED signals being generated. But I think that should be obvious in this discussion.
 
  • #37
Averagesupernova said:
I read the whole article and I have come to the exact opposite conclusion you have. Granted when we speak of intermod we generally are referring to UNWANTED signals being generated. But I think that should be obvious in this discussion.

Granted on Distortion being unimportant.

To me it's obvious the diode rectifies an AC signal creating a pulsed DC signal that's filtered (to remove the RF frequencies) to smooth the final resulting audio signal.
 
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