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And it looks like my nephew, Kyle above won the Halibut derby
Outdoor event on a grassy park lawn by water: a man in a dark jacket and cap stands beside a woman in a blue shirt and orange beanie holding a giant ceremonial check, with tables of items behind them.
 
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Might as well post some pictures from the place where Mookie hangs out. This is the former "back shop" of the Southern Railway (now Norfolk Southern) in Spencer NC, now used by the North Carolina Transportation Museum for exhibits and hosting events like the model-train show that I visited on Sunday.

Brick building with tall multi-pane windows and a gabled roof beside a railway track, with a black diesel locomotive and a red steel gantry crane overhead, and pickup trucks parked on gravel.

Interior of a large, high-ceilinged industrial hall with steel trusses and skylights, where vendors' tables with boxed model trains and books line the aisle and visitors browse.
 
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The NCTM has more than trains. Here's an electric car from 1918. Instead of a steering wheel, it has a steering lever. Two of them, in fact. One in the usual place, and one for the backseat driver.

Dark blue 1918 Rauch & Lang BX-7 electric brougham on display indoors, with a museum placard titled Enterprising Electric and a wood-paneled wall behind it.

Interior of an antique electric car showing its front seats with yellow upholstery, a steering lever mounted in front of the driver's seat, a second lever on the rear bench, and wooden-panelled windows with a black frame.
 
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Macro in the park

I had fun the other day in the park...
...first I unexpectedly happened to see a dragonfly (or damselfly?) sitting on a flower:

Damselfly with dark body and clear wings perched on a pale yellow flower, with yellow stamens visible in the foreground and dark green leaves behind.


Damselfly with dark, pale-banded abdomen resting on a pale yellow rose flower, with yellow stamens visible at the bottom of the frame.

(shot with Konica 50mm f/1.7)

I think they are very cool and beautiful insects.

Later I fetched one of my macro lenses and went back to the park.
I didn't find any dragonfly/damselfly, but I found two flies...

Common green bottle fly

...sitting on a leaf:

Close-up of a metallic green bottle fly with reddish-brown compound eyes resting on a green leaf, its wings spread.


Close-up of a metallic green bottle fly with red compound eyes and transparent wings, resting on a green leaf and casting a shadow.


Calliphora vicina

...sitting on a tree trunk:

Close-up of a dark blue-black blowfly resting on a mossy, weathered wood surface, showing its large reddish-brown compound eye and transparent wings.


On a crop of the image there is a hint of the indivual ommatidia/photoreceptor units of the eye:

Close-up of a fly's head showing a large brown compound eye with visible facets, a smaller eye above, and dark bristly hairs on the body.


Macro photo of a dark blue-black fly resting on tree bark, showing its textured eyes, transparent wings and bristly legs, with its shadow cast to the left.

(shot with Canon nFD 100mm Macro + 50mm extension tube (ca))
 
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Really nice shots @DennisN!
Insect eye ommatidia (eye units) are really cool things.

Dragonflies hold their wings out perpendicular to their body axis, so probably a damselfly.
Local areas often have websites (wildlife, extension service, researchers, hobbyists) with pictures of local species for identification.

A damselflies in oregon returned this and other sites.
Same goes for birds, amphibians, reptiles, bees, etc.

Having photos makes identification easier and more accurate.
 
From a past job… the avionics team made this to log unusual/uncommon issues and their solutions to keep for future reference.
Hand holding a black three-ring binder with a clear cover sheet reading "Tribal Knowledge" in red stylized lettering, with metal shelving and workbench items in the background.
 
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Making good use of your tree:

Large dense tree with a wide, rounded canopy of green leaves shading a mud-walled hut, with a seated person at the base of a thick twisted trunk on sandy ground.
 
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The Southern Railway / Norfolk Southern roundhouse at the NCTM.

Panoramic view of a curved brick roundhouse with a row of arched openings, a water tower on the left, and a dark blue diesel locomotive with a yellow-and-blue vehicle parked in front of it.


Of course, the exhibits include steam locomotives.

Interior of a large brick and timber locomotive shed with rows of black steam locomotives on tracks, one with number 542 on its front, and information panels in front of them.


However, my favorite is this ugly beast, an electric locomotive of the Piedmont & Northern Railway.

Black electric locomotive numbered 5103 with 'PIEDMONT & NORTHERN' lettering on its side, displayed indoors in a roundhouse beside a steam locomotive, with an information panel in front.


The P&N was the most successful and the last survivor of the few electric interurban railroads of the deep South. It converted to diesel power in the early 1950s, but this locomotive continued to run until 1958 on street trackage in central Charlotte that was too light for the P&N's diesel locomotives. It has both a pantograph and a trolley pole, for different types of overhead wire.

Black-and-white photo of an electric locomotive on a city street, with a pantograph on its roof, two men standing on its rear platform, and a bus and cars nearby.


The P&N survived as an independent diesel railroad until 1969. Different sections are now operated by CSX or independent shortlines, or have been abandoned.
 
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More macro... I've had so much fun with this the last couple of days... :smile:
...it's fun to go around and look for small things we don't usually pay attention to...

Ants

- this was really, really tricky. These were incredibly small and move around like crazy.
Here I found some ants on a stem being occupied with something (ant business, I assume, I didn't ask them :smile:), so they were reasonably still.

Macro photo of two black ants on a brown plant stem, with a small dark insect between them, against a blurred green background.


Grove snail (Cepaea nemoralis)
Close-up macro photo of a grove snail shell, showing a brown and cream spiral with dark banding on a rusty orange, textured surface.


Ladybug (Coccinella septempunctata)

- lovely small creatures in my opinion. This one was taking a stroll on a big Allium plant.
Macro photo of a red seven-spotted ladybug with black spots crawling over white allium flower buds and green seed heads.


...and the Allium plants were also frequently visited by bees...

Here is one caught in the process of nectar extraction:

Honeybee feeding on a white allium flower, with pollen-dusted stamens and its wings folded along its back, shown in close-up macro detail.


A shot where details of the wings can be seen:

Macro photo of a honey bee on white star-shaped flowers of an Allium plant, viewed from above with wings spread and pollen on its legs and body.


Another shot I liked:
Close-up macro photo of a honey bee with fuzzy brown and black body, pollen-dusted head and legs, feeding on a white flower cluster with green buds.


(all shot with Canon nFD 100mm Macro + 50mm extension tube (ca))
 
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DennisN said:
(ant business, I assume, I didn't ask them :smile:), so they were reasonably still.
Aphid "herding?"
 
DennisN said:
More macro... I've had so much fun with this the last couple of days... :smile:
...it's fun to go around and look for small things we don't usually pay attention to...

[...]


(all shot with Canon nFD 100mm Macro + 50mm extension tube (ca))
Well done! Do you know what f/# you were shooting at?
 
Andy Resnick said:
Well done! Do you know what f/# you were shooting at?
Thanks!

I shot mostly at around f/16 to f/22 to get more depth of field. Some may have been shot at f/11 too, but I don't remember :smile:. As you very well know the depth of field gets ridiculously thin when using macro lenses, so I've followed the advice on Ken Rockwells page "How to Shoot Macro" and shot at higher f-stops.

Furthermore I shot with high ISO (4000) and short exposure times to get more likelihood of sharper photos (I varied the exposure times to get the right amount of light). And not all photos got sharp! :biggrin:

I didn't do quite "spray and pray", but I took quite many shots since I knew there would be quite a few duds :smile:. And the weight of the gear is almost 1 kg (camera + macro lens) so this can get exhausting after a while, which impacts the stability of the arms and hands. It becomes a bit of a workout.

Here are the exposure times and ISOs of the photos:

Ants: Exposure: 1/800 s, ISO 4000
Grove snail & Ladybug: Exposure: 1/500s, ISO 4000
Bees: Exposure: 1/500s - 1/1000s, ISO 4000

Edit:

Furthermore I shot with focus peaking enabled (I always do). It helps VERY much, particularly when shooting macro. And the focus peaking on my Sony cameras is very good, which I'm thankful for :smile: .
 
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Surprise gifts from Thai girlfriend . With spray and pray as always
Several small green cacti with dense spines growing together in a black plastic pot, set against a blue surface decorated with seashells.
Back view of a woman with blonde hair tied in a pink scrunchie, holding a potted green cactus on a saucer while a shelf of seashells sits in front of her.
Close-up of a green cactus with ribbed body and clusters of short pale spines with longer brownish-yellow spines radiating outward.
Person seated on a balcony with a blue patterned cloth behind them, holding a small potted cactus up toward a wire mesh railing with seashells hanging on it, and a potted cactus and plants nearby.
 
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From Japanese restaurant along Pattaya Beach rd
Circular rattan frame wrapped in pink flowers and green leaves, with a purple cushioned seat, framing a view of a palm tree, a street and a beach with umbrellas.
 
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I passed by one of the pawnshops in the city and saw they had an old camera, so I entered the shop and asked if I could have a look at it. I could, and I was told it was a Leica. "Oh, then it's probably expensive", I said... I asked if I could photograph it, and they allowed me to:

Silver rangefinder camera with black leatherette body, lens marked SUMMARON 1:2.8/35, beside a large silver telephoto lens with black base and scale markings 1.5, 1.75, 2.


Silver Leitz lens viewed from above, with the barrel engraved "Ernst Leitz GmbH Wetzlar" and aperture markings 8, 11, 16, 22, 32 on the ring.


It's a Leica M2.
It's an analog camera (film).
It is vintage.
So it can't be that expensive, right?
Well...
...the price is $2200. :))

Also, here's another shot of the eye of one of my cats:

Close-up of a cat's amber-gold eye with a vertically slit black pupil and a small bright highlight, surrounded by light grey fur.
 
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A weather vane:

Silhouette of a weather vane against a cloudy sky, with an arrow pointing left and a flag-shaped tail on the right, mounted on a tall vertical pole with ornamental letters reading N, E, S, W around the centre.
 
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DennisN said:
...the price is $2200. :))
That's actually a reasonable price (assuming it's for everything in your image)- you are paying for the lenses, not the camera body. That summaron is (supposedly) fantastic.
 
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DennisN said:
I passed by one of the pawnshops in the city and saw they had an old camera, so I entered the shop and asked if I could have a look at it. I could, and I was told it was a Leica. "Oh, then it's probably expensive", I said... I asked if I could photograph it, and they allowed me to:

View attachment 346081

View attachment 346083

It's a Leica M2.
It's an analog camera (film).
It is vintage.
So it can't be that expensive, right?
Well...
...the price is $2200. :))

Coincidentally, I've been thinking about Leica a lot lately. But let me step back for a moment.

I'll start fresh. I love this thread. It's truly inspiring. Many of the pictures recently posted here -- particularly those photographs taken by actual PF members -- are breathtaking. And this thread documents those photographers' gradual improvements. (I won't mention any names specifically, but you all know who you are.) If you start at page 1 you can experience the continual tales of people on their unmistakable, productive journey toward mastering the art of photography. And the progression is as clear as day. This thread tells stories.

It's inspiring me to join in the fun.

For those that don't know me, I used to be kind of a shutterbug, back around 15 or more years ago. But due to a lot of frustration with my equipment, and more even more with my deteriorating bad leg, I ended up neglecting the hobby altogether (terrestrial photography, that is). It's difficult to lug a heavy, bulky camera bag up a hill when you can barely walk, even with a cane.

But now I have a new leg (hip replacement surgery). And this thread inspires me to get out of the house and take part. My 20 year-old Nikon, however, might not share my excitement.

So I'm pondering some of those new, fancy mirrorless systems. And since I'm at it, now would be a good time to switch to a new manufacturer. Don't get me wrong, my Nikon and Nikkor glass have served me well in their time. But if I'm starting anew, and I was ever going to make the switch, now's the time to make the switch.

So I've been thinking a lot about Leica lately. If you told me 15 years ago that I would be considering being a Leica person in the future, I would have called you crazy. Canon, maybe. Even Sony perhaps. But Leica?! Are you insane? But, well, here we are.

I'm going to be kinda hush about this for a while though until I get a camera in my hand. I haven't settled on anything 100% just yet, and I don't want to jinx it.

In the mean time, I'm enjoying everyone else's excelent photos. :smile:
 
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collinsmark said:
So I've been thinking a lot about Leica lately. If you told me 15 years ago that I would be considering being a Leica person in the future, I would have called you crazy. Canon, maybe. Even Sony perhaps. But Leica?! Are you insane? But, well, here we are.

Cool! I can't advise you on what system to go for, as I have no particular experience of various camera systems. But there are good photography/gear youtube channels out there; two favorites of mine which I have mentioned in this thread are Zenography and Simon's Utak. But there are others, and if I remember correctly there are even dedicated Leica channels.

And some sites worth mentioning:

DxoMark: https://www.dxomark.com/
(for ranking of e.g. cameras and sensors)

DpReview (Digital Photography Review): https://www.dpreview.com/
(though it's not active anymore, it can be useful as an archive)

PentaxForums: https://www.pentaxforums.com/userreviews/
(for reviews and specifications of vintage lenses)

collinsmark said:
For those that don't know me, I used to be kind of a shutterbug, back around 15 or more years ago. But due to a lot of frustration with my equipment, and more even more with my deteriorating bad leg, I ended up neglecting the hobby altogether (terrestrial photography, that is). It's difficult to lug a heavy, bulky camera bag up a hill when you can barely walk, even with a cane.

But now I have a new leg (hip replacement surgery). And this thread inspires me to get out of the house and take part. My 20 year-old Nikon, however, might not share my excitement.

I'll put in a couple of my own thoughts and recent experiences:

I got me a Sony A6000 mirrorless camera in 2021 after quite a lot of research. The reasons were (1) I like photography and (2) and wanted to do more astrophotography. I was more than pleased with it, it was an excellent buy. Now I also got a full-frame (Sony A7R). If I were to upgrade, I might go for a more recent camera (i.e. Sony A7 Mark 2+), but I am holding my horses at the moment.

I like small and lightweight gear because I like to be comfortable. In fact it is almost a necessity for me.
And one thing that I've truly found out is that I do not like to bring a lot of equipment with me. At all. Because of this I try to make my kit (i.e. photography bag) minimal.

And I'm almost always only bringing one lens with me when I go shooting. One. "One lens only" :biggrin: (and the youtuber Zenography says "bring maximum three lenses with you"). Furthermore I like lightweight lenses, but I also love vintage lenses, so this becomes conflicting since vintage lenses are often heavier.

Of course there are occasions when I wish I had another lens with me, but there have also been occasions when my shoulders hurt :biggrin:.

Also, there are excellent compact cameras out there, and I wouldn't mind having one myself, actually.
I haven't done much research on this though.

As a bonus just to maybe thrill you (and perhaps @Andy Resnick :biggrin:) I'll share a short but very cool video I recently saw about creative lens modifications:

5 Illegal LENS Modifications (Mathieu Stern)
Edit: They're not illegal of course, the youtuber was just being funny :smile:.


I LOVE stuff like that :biggrin:. Cheap, fun and creative.
 
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DennisN said:
Thanks!

I shot mostly at around f/16 to f/22 to get more depth of field. Some may have been shot at f/11 too, but I don't remember :smile:.[...]

Furthermore I shot with focus peaking enabled (I always do). It helps VERY much, particularly when shooting macro. And the focus peaking on my Sony cameras is very good, which I'm thankful for :smile: .
Thanks for the info! Here's what I managed yesterday (55mm micro-nikkor + M2 spacer), close focus (1:1 reproduction ratio), f/11, 1/320s, auto ISO (EXIF sez 1600):

Close-up photo of two green hairy flower buds with pink-red inner petal edges, with more buds blurred in the background.


One of the qualities I really like about this lens is the vibrant color. Also, it was free. And like I said earlier, the optical quality is very good, here's a crop that has been scaled 200%:

Close-up of a pink flower's reproductive parts: orange, pollen-dusted anthers with dark red-purple tips curve over a pale stigma and yellowish stamen against a pink petal.


(same lens/camera settings as above)

I am definitely jealous, not having focus peaking- although I can always get *something* in focus, getting prcisely what I want to be in focus is rather difficult. Cheers!
 
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Andy Resnick said:
although I can always get *something* in focus, getting prcisely what I want to be in focus is rather difficult
Hehe, I know that feeling all too well when using macro lenses. :smile:
 
Andy Resnick said:
Thanks for the info! Here's what I managed yesterday (55mm micro-nikkor + M2 spacer), close focus (1:1 reproduction ratio), f/11, 1/320s, auto ISO (EXIF sez 1600):

View attachment 346197

One of the qualities I really like about this lens is the vibrant color. Also, it was free. And like I said earlier, the optical quality is very good, here's a crop that has been scaled 200%:

View attachment 346198

(same lens/camera settings as above)

I am definitely jealous, not having focus peaking- although I can always get *something* in focus, getting prcisely what I want to be in focus is rather difficult. Cheers!
That looks like botanic porn.
 
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