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Got my first rolls of film through my Nikon F, and they just sent me the developed and scanned photos...

Photo of a tall beige high-rise tower with rows of windows, reflected in the dark glass facade of a neighbouring building under a blue sky.


Curved pedestrian bridge with white cable-stayed pylon and railings, leading toward a domed gold-topped government building across a river at sunset.


Silhouette of a wind turbine against a sunset sky, mirrored in still water with bare trees and buildings along the far shore.


Black red-winged blackbird with orange-red shoulder patches perched and singing on a bare, leafless branch against a pale blue sky.


I think I can say with certainty that it works great. Still need to get a better feel for the loading process, as I bungled that at least once and lost a few frames worth of exposures, but otherwise it's working flawlessly.
 
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Flyboy said:
Got my first rolls of film through my Nikon F
Slide (transparency) or negative film?

I think the last time I used either was about 20 years ago.

Added: According to the storage binders from my closet, and the scans on my archive hard disks, the last slides were in 1994, and the last negatives were in 2002. I bought my first digital camera in January 2003.
 
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jtbell said:
Slide (transparency) or negative film?

I think the last time I used either was about 20 years ago.

Added: According to the storage binders from my closet, and the scans on my archive hard disks, the last slides were in 1994, and the last negatives were in 2002. I bought my first digital camera in January 2003.
Negative film. Fujifilm 200 speed, to be precise.
 
Flyboy said:
Negative film. Fujifilm 200 speed, to be precise.
What resolution were the scans? IIRC my Nikon film scanner produces about 3000x2000 pixels from a 35mm frame, enough to show the grain in my negative film, which was usually Kodak 100 or 200 for outdoor shots. Indoors I used 800 or even 1600 which of course had bigger grain.
 
jtbell said:
What resolution were the scans? IIRC my Nikon film scanner produces about 3000x2000 pixels from a 35mm frame, enough to show the grain in my negative film, which was usually Kodak 100 or 200 for outdoor shots. Indoors I used 800 or even 1600 which of course had bigger grain.
I didn’t scan them myself, they were provided by the lab that did the development. But the images were quite sizable, somewhere in the size you mentioned.
 
Joan Jett on the bay. Google search a song agreed. Between the bay and Lam Pho seafood market in Naklua.
Outdoor stage concert at dusk: a performer with long dark hair singing into a microphone on a large screen above, and a guitarist on stage below, with seated crowd in the foreground behind a white barrier.
Crowd at an outdoor concert watching a large screen showing a performer with a microphone in a black t-shirt and jeans, with a drummer and guitarist on stage.
Crowd of people sitting on a stone plaza facing a stage with tall speaker towers and lighting truss at dusk, with the sea visible behind the stage.
Outdoor concert stage at dusk with a female singer in a dark t-shirt and jeans on a large screen above, a drummer behind a drum kit, a guitarist at the side, and a crowd of spectators in front.
 
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More from my Florida trip in December. I did something only a railfan would do: a day-trip from Orlando to Miami on the Brightline train service that began in September 2023. I rode the first segment between Fort Lauderdale and West Palm Beach shortly after it opened in January 2018. This trip took 3.5 hours each way, with about 2.5 hours in Miami.

Screenshot of a Brightline train ticket on a phone: Bell, Coach 4, seat 6D, Ticket #AHBPEL, boarding closes 8:45 AM Monday Dec 9, Orlando (ORL) 8:50 AM to Miami (MIA) 12:20 PM, with a QR code.
Screenshot of a Brightline train ticket on a phone: boarding closes 2:40 PM Monday Dec 9, Coach 3, seat 9A, QR code, Ticket #AHBPEL, departs 2:45 PM from MIA Miami, arrives 6:15 PM at ORL Orlando.


The Orlando station is at the airport, integrated with one of the airline terminals. I stayed at a hotel near the airport. I took a city bus to the airport (about a five-minute ride) so I wouldn't have to pay for parking, about $20 for a whole day IIRC. Not surprisingly, the station feels a lot like an airline lounge.

Interior of a modern airport lounge-style waiting area with blue armchairs, round white tables, and travelers seated and walking; a bar labeled MARY & MARY with TV screens sits in the background.


Instead of overlooking the runways, the large windows overlook the tracks.

Brightline train with yellow and orange livery stopped at an elevated platform beside a covered station with curved white ceiling and concrete columns.

Brightline train in yellow and black livery with number 121 on its front, standing at a covered platform beside an escalator and station building.


The tracks start out heading straight east through swamps to Cocoa, near Cape Canaveral. This section was newly built.

Blue sky with scattered white cumulus clouds over a Florida wetland: a shallow pond ringed by palms, pines and scrub, with a dead tree at left, seen through a moving window.


From Cocoa, trains use the Florida East Coast Railway tracks to Miami. They pass through or near the centers of the towns along the line (although with no stations until WPB), with occasional crossings of river inlets.

Wide view across a calm blue waterway lined with palm trees and low houses under a partly cloudy sky; a small white motorboat sits on the water to the left and a red channel marker is visible.


Just south of the Fort Lauderdale station, I crossed the New River, where I walked many times while visiting my parents there during the 1970s-2000s.

Wide canal with calm water flowing toward a high-rise residential tower on the left, with sailboats and moored boats, a grassy waterfront with trees on the right, and a rusty railing in the foreground.


And I passed the Fort Lauderdale airport, which I've used a few times, although I usually drove down there.

Airliner on approach over an airport field, with a tall red-and-white pole and a fenced area in the foreground, hangars and parked aircraft beyond, under a partly cloudy blue sky.
 
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Some spring shots from today...

Growing...
Close-up of a slender brown twig with fresh, pale green young leaves unfurling at its tips and small leaf buds along the stem, against a blurred background.


Colorful spring leaves:
Close-up of a young rose stem with reddish-brown bark bearing new compound leaves with serrated, bronze-edged green leaflets, set against a blurred background of other spring branches.


More spring leaves:
Backlit twig with fresh, bright green young leaves with reddish-tinged edges, set against a dark blurred background with out-of-focus bokeh circles.


Spring daffodil:
Close-up photo of white and yellow daffodils backlit in sunlight, with dark green leaves in the foreground and a blurred dark background.


Unknown plants (at least to me) coming up:
Close-up photo of young green leaves sprouting from the ground in low sunlight, with a blurred dark background and small white flowers in the foreground.


Stinking hellebore:
Photo of a hellebore plant with green nodding flower buds and dark-edged leaves growing from a gap beside a concrete edge, backlit by sunlight.


(Gear: Sony A7R + Helios 44M7 58mm + CPL filter)
 
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The proverbial shortcut through the pass.

Dirt road winding down a desert canyon between rocky cliffs and scrubby green vegetation, with distant mountain ridges under a clear sky.
 
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But it sure beats rappelling down some of the surrounding landscape!
 
I really had trouble adjusting the image. Here! Fence Lizard. Note how the coloration of the piece of wood so closely matches the lizard.

Recorded image with Google Photos(actually starting with the Camera app on the mobile device), and downloaded to computer. I then opened the image in whatever the application that Windows by default provides and struggled trying to put the borders closer and magnify. I really have poor skill with what I hoped would be easy-to-do-cropping.

A fence lizard with mottled brown and grey camouflage pattern lying flat on a weathered grey wooden board beneath a red plastic planter.
 
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Two dark round planters on a wooden deck, filled with soil, with red irrigation tubing running between them and green leafy plants growing in each.

Getting the pots ready for spring planting.
 
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The adjsustment which @gmax137 used motivated me to try something like it.

Took different photograph a few seconds different from the other one, and downldd to computer. Opened the file in MS Paint. Made a size change to resize, 115% or 15% increase for vertical and horizontal. Then made a reagion selection for "cropping", opened a "new" empty file of MS Paint and pasted what I had just made into this "new" empty file. Then saved with a new file name. Here is that fence lizard again.
Small photo of a fence lizard on a grey weathered wooden surface beside a reddish-brown board.

something is not working. I see three dimmed buttons below composition field.

Image is in the post but way toooo small.
 
Spring is here, and so is the pine pollen.

Rear windshield of a car covered in fine yellow-green pollen dust, with paw-print shapes and smeared marks visible in the coating.


Looks like we had a visitor, probably a cat, on top of the car.
 
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jtbell said:
Looks like we had a visitor, probably a cat, on top of the car.
Just call him the Pollenator.
 
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Some other local sources of pollen:

Clusters of pale yellow, fully double rose-like flowers on a shrub with green leaves, with more yellow blooms blurred in the background.

White flowering dogwood branch with four-petaled white blooms, each with a yellow-green central cluster, against green shrubbery and bare twigs.
 
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symbolipoint said:
The adjsustment which @gmax137 used motivated me to try something like it.

Took different photograph a few seconds different from the other one, and downldd to computer. Opened the file in MS Paint. Made a size change to resize, 115% or 15% increase for vertical and horizontal. Then made a reagion selection for "cropping", opened a "new" empty file of MS Paint and pasted what I had just made into this "new" empty file. Then saved with a new file name. Here is that fence lizard again.
View attachment 359095
something is not working. I see three dimmed buttons below composition field.

Image is in the post but way toooo small.
I'm no expert but a couple of things:
Instead of copy/paste, I just "Save As" my changed image and give it a new filename. Paint will ask what file type you want to save as, for this I pick jpeg.

I always thought the resizing option is how to change the file size. I use it to reduce the file size, for posting to PF or any other on-screen version I make it maybe 30 or 25%, this greatly reduces the file size without affecting the screen level of detail. Did you make it 115 percent or 15%? I'm not sure what making it more than 100 percent really does.

I looked at your latest image file, in "Properties" it shows 2.16 KB; this is very low and I think that's why the image looks tiny. I don't know why your image is just the upper left corner of a bigger "blank" space. That seems weird to me. Is it a "print screen" image, maybe?
 
Quote of gmax137
Did you make it 115 percent or 15%? I'm not sure what making it more than 100 percent really does.

I looked at your latest image file, in "Properties" it shows 2.16 KB; this is very low and I think that's why the image looks tiny. I don't know why your image is just the upper left corner of a bigger "blank" space. That seems weird to me. Is it a "print screen" image, maybe?
100% means no size change. I chose to put as 115%, meaning size increase by 15%. I expected but did not obtain a increase in visible size that I hoped for . I need to learn to use a different tool.

I never use "Print Screen". I had used it a few times, more than a decade ago but no more.

I KNOW I put some few images into posts on PF a few times and had very little trouble. I feel like trying again just for the technical exercise.
 
This is the upscale enclave between Pattaya bay and Naklua bay: Wong Amat
Tall residential tower with blue glass facade and white balcony rows rising against a clear blue sky, with palm trees in the foreground.
Ornately carved dark wooden temple with tiered spires and scaffolding on its left side, seen across turquoise sea and a rocky shoreline with a sandy beach.
A woman in a dark blue swimsuit with her hair tied back wades waist-deep into the calm, sunlit sea, with a clear horizon behind her.
 
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Experimentation time...

Yesterday I tried something I hadn't tried before; shooting close-ups with long tele lenses.
(an article here about it: Shooting Telephoto Macros (OM System))

I did it just for fun to see how it would go, and that's one of the most fun things about the photography hobby; there are so many different ways to take photos.

I shot with a 400 mm lens, and that's a bit ridiculous, but if you are experimenting why not do something weird? :smile:

My initial thought was that the subjects would become very isolated due to a low depth of field and very blurry backgrounds, and that turned out to be true. But there are practical and ergonomical downsides using such a large and "powerful" lens, but more about that after the photos.

All in all it was fun to try, the backgrounds usually easily got very blurry and it was quite a different experience shooting this way.

Close-up of a flowering plant with clusters of small yellow-green blooms on slender stems, narrow green leaves tinged yellow and red, and blurred dark background.


Close-up of a shrub with clusters of yellow-green flower heads on slender stems, with narrow green leaves and bare twigs, against a blurred grey background.


Close-up of a tree trunk covered in yellow-green and grey-blue lichen, with a blurred reddish-brown brick background.


Close-up of a thin, curving branch with fresh pale green leaf buds and young leaves, with a blurred dark and brown background and a faint grey feather caught on the left.


Close-up of a small plant with textured, heart-shaped green leaves and tiny white flowers, growing among dark stems and blurred background foliage.


(Gear for all photos: Sony A6000 + Tokina 400mm f/5.6)

Downsides:

400 mm lenses tend to be heavy, and the one I used weighs almost 1 kg, so it's not very easy, practical nor fun shooting handheld :smile:, so I used a tripod. And the minimum focus distance for this lens is 400 mm 400 cm, that is, 4 meters (!), so I had to be at least 4 meters away from the subject :biggrin:. I think this type of photography is usually done with lenses with focal lengths between ca 100-135 mm, lenses which tend to be smaller than 400 mm lenses.
 
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I did take some pictures in Miami, but I had only about 2.5 hours between trains from and to Orlando, so I mostly walked around inside and just outside the MiamiCentral station development. Yes, they run the words together. Thatseemstobethethingnowadays. :rolleyes:

When I was here about 7 years ago, It was still under construction: two tall blocks of apartments with the station and shops at the base.

Exterior view of the MiamiCentral station development: a white, angular concrete station canopy in front of two tall residential towers with balconies, parked cars in the foreground, and a glass office building at left under a blue sky with clouds.


Directional signs on a pole outside MiamiCentral, listing Brightline Station, Station Parking, Food Hall, Park-Line and Metromover with up arrows, beside an orange pillar and a striped paved walkway.

Street view of the Brightline station entrance at MiamiCentral, with a sign post listing Station Parking, Metrorail and Rental Car Pickup, and a white SUV parked nearby.

The Brightline station is similar in style to the one in Orlando, but larger.

Interior of a station atrium with two tall dark City Guide kiosk panels reading Brightline CITY GUIDE, a wide escalator and stairway, and a glass balcony overlooking a lower concourse.


You scan the QR code on your ticket (either paper or on your phone) to enter the waiting lounge.

Passenger with a rolling suitcase scanning a ticket at a turnstile gate beneath a large yellow wall with the Brightline logo, inside a station concourse.

Busy modern station waiting lounge with rows of white and grey seating, travellers with luggage, potted plants, a wall-mounted screen and tall windows along the right side.


Beanbags for the kids:

Framed sign on a stand reading "brightline Welcome! This area is reserved for use by Bright Kids Only. Thank you", beside blue and green bean bag chairs and a sleeping bag-style cushion on carpet near large windows.


There's even an art gallery.

Interior hall of a station with a striped tiled floor, bright colorful painted artworks on the walls, large sculptures, and a sign reading MIAMI in colorful letters, with a yellow-walled elevator area beyond.
 
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A pileated woodpecker has been chopping on this dead tree all winter. Since the tree is 65 feet from our picture window, we have had a good view. Only about 1/4 of the tree is shown, the rest has just as many holes. What you see on the ground is a thick layer of wood chips. For those not familiar with pileated woodpeckers, they are about the size of a crow and sound like some kid with a hatchet is going crazy near the house.
Tall dead tree trunk with pale, peeling bark and many dark excavated holes, standing among evergreen and bare trees beside a paved path with leaf litter and wood chips on the ground.
 
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DennisN said:
Experimentation time...

Yesterday I tried something I hadn't tried before; shooting close-ups with long tele lenses.
(an article here about it: Shooting Telephoto Macros (OM System))
I try that occasionally, just to remind myself of the optical effect. I'll put a Nikon M2 extension tube on the back of my 400/2.8 (or even better, on the back of the 400/2.8 + 2x tele!) which changes the focus range from 2 meters -> inf to 2 meters -> 2 meters + a couple of centimeters. The images are slightly different than shooting without the M2, but not radically so... I'll post some results here (if I remember to).
 
Andy Resnick said:
400/2.8 + 2x tele!
Thanks for the idea, I have to try that! 🙂 (that is, tele lens + teleconverter).
 
Here's some comparison shots I took a few weeks ago, when the first flowers popped up. I'm comparing my 55mm Micro Nikkor w/ M2 and 400/2.8 Nikkor (w/ M2), both set to close focus and both stopped down quite a bit (IIRC, 55mm @ f/11 and 400mm @ f/16), otherwise the depth of focus is sub-mm. First, the 55mm (whole frame and 1:1 crop)

Close-up photo of a pale lilac crocus in bloom, with bright orange stigmas and yellow stamens at the centre, and blurred brown leaf litter behind it.


Extreme close-up of an orange crocus stigma with three fringed, frilled lobes, set against a blurred pale purple background.


and the 400mm:

Two pale lavender crocus flowers with orange stigmas emerging from dry brown leaf litter among thin green shoots, with a blurred background.


Close-up of a lilac-white crocus with purple veins on the petals, showing an orange-tipped stigma and yellow stamens in the centre, with a blurred brown background.


While the whole-frame 400mm definitely has a certain 'macro appearance', I could probably achieve that same effect much more easily by using a different lens (say, 105/1.4 Nikkor).

There is a 200/4 Micro Nikkor I've had my eye on, but I'm insufficiently motivated to actually look for a good used one since I don't really need it for anything. If someone offered me one for $10, tho.... :)
 
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DennisN said:
Thanks for the idea, I have to try that! 🙂 (that is, tele lens + teleconverter).
For me, the combination is essential for astrophotography. I've seen people stack 2x and 1.6x teleconverters to extend the focal length to 9600mm or so:

https://cameraville.co/blog/teleconverter-stacking-9600mm-five-2x-extenders

but honestly, it's a little silly (never mind the f/# decreases proportionally). And the optical axis eventually starts to sag due to gravity...
 
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