Standing Waves: Synchronization between a Tube & a Stick

Click For Summary
SUMMARY

The discussion centers on the synchronization of standing waves between a wooden stick and a vertical tube, specifically in the context of a marimba instrument. The stick oscillates with a frequency of 87.0 Hz and a length of 0.4 m, resulting in a wave speed of 34.8 m/s. To achieve resonance, the tube must accommodate the frequency of the stick, utilizing the formula f = nv/4L, where n represents the harmonic number. The challenge lies in understanding the relationship between the standing wave patterns of the stick and the tube, particularly regarding the number of antinodes and nodes.

PREREQUISITES
  • Understanding of standing waves and their properties
  • Familiarity with wave speed calculations (v = λf)
  • Knowledge of resonance in tubes with one end open and one end closed
  • Basic concepts of harmonics and their representation (n = 1, 3, 5...)
NEXT STEPS
  • Study the principles of resonance in musical instruments, focusing on tubes and bars
  • Learn about the relationship between frequency, wavelength, and wave speed in different mediums
  • Explore the concept of harmonics in open and closed tubes, specifically how they affect sound quality
  • Investigate practical applications of standing waves in musical acoustics and instrument design
USEFUL FOR

Musicians, acoustics engineers, physics students, and educators interested in the principles of sound production and resonance in musical instruments.

Const@ntine
Messages
285
Reaction score
18

Homework Statement



A wooden stick, part of a musical instrument, which produces a musical sound when hit, oscillates by creating a transverse standing wave, with three antinodes and two nodes (3 "valleys", 2 "ground levels"). The lowest note has a frequency of f = 87.0 Hz, and is produced by a stick of L = 0.4 m

a) Find the speed of the transverse waves in that stick.

b) A vertical tube is hanging bellow the centre of the stick and boosts the intensity of the sound. If only the top part is open, how much of the tube's length must synchronize with the stick from (a) ?

Homework Equations



f = n*λ/4L, n =1,3,5,7,9...

The Attempt at a Solution



a) Okay, so the Standing Wave has the form of the Picture bellow:

h8QhTo0.jpg


So, 4*(λ/4) = L <=> λ = 0.4 m
v = λ*f
f = 87.0 Hz
___________________________
v = 34.8 m/s

b) Alright, I'm completely lost here. From what I'm getting, the tube follows the one end open/one end closed model. But doesn't the stick, that is inserted into the tube essentially "close" the open part as well? Even if that wasn't the case, all the formulas I know have to do with just a tube/stick/string, meaning that in this case where I have two kinds of material, I don't really know what to do.

Furthermore, I don't really get how I'm supposed to approach this. It's not like I can put in the frequency and the speed to find the length or anything. Also, as far as "synchonization" goes, my book has no exercises on the subject, and just a small paragraph that explains the phenomenon, no formulas or anything. What I know about synchronization comes from the osciallation part, which is widly different from the waves, and has no bearing at this exercise. I'm really at a loss here.

Any help is appreciated!
 
Physics news on Phys.org
From the description, it sounds something like a xylophone bar (the stick) with attachment points at the two nodes. If the stick is horizontal, and the hollow tube sits below it, to resonate with the frequency and make it sound louder.
I don't think the stick is inside or in any way blocking up the tube opening.
 
scottdave said:
From the description, it sounds something like a xylophone bar (the stick) with attachment points at the two nodes. If the stick is horizontal, and the hollow tube sits below it, to resonate with the frequency and make it sound louder.
I don't think the stick is inside or in any way blocking up the tube opening.

It says it's a "Mariba", so I assume the tube it's talking about is the thing underneath the stick:

3Ls6z.jpg

I have no idea wha to do here though. I went to the chapter about tubes bellow sticks, but the theory doesn't fit. The problem says that the tube hangs bellow the centre, whereas in the chapter it says that the tube has to move to achieve different standing waves. But if the tube is in the centre/middle fo the stick, the standing wave does not fit the shape of the one in the problem (3 antinodes, 2 nodes).
 
Darthkostis said:
It says it's a "Mariba", so I assume the tube it's talking about is the thing underneath the stick:
The problem says that the tube hangs bellow the centre, whereas in the chapter it says that the tube has to move to achieve different standing waves. But if the tube is in the centre/middle fo the stick, the standing wave does not fit the shape of the one in the problem (3 antinodes, 2 nodes).
The tube does not have to move to have resonance within it. Take a look at this video, by Steve Mould.

Your vibrating marimba bar is the source, like the speaker at the end of his tube.
 
scottdave said:
The tube does not have to move to have resonance within it. Take a look at this video, by Steve Mould.

Your vibrating marimba bar is the source, like the speaker at the end of his tube.


I focused on that, and tackled it this way: The stick is justa source of sound, right? So, I just have sound being inserted into a tube with one end open, one end closed. Right away, I know that I will have to use this formula: f = nv/4L, n = 1,3,5,7,9,...

Now, here's where I get stuck. See, the book gives me the result "0.986 m", the question being "how much of the tube's length must resonate with the stick". To get that result, I need to put in n = 1, v =343 m/s & f = 87.0 Hz. I understand that we use the speed of sound, because the stick is essentially just a source, and what the wave that travels inside the tube does so through the air, not some other material. As for the frequency, it's the frequency the stick has, so if I want the two of them to resonate, that's what I should have in the tube as well, right? What perplexes me is the n. In my book, for n = 1, the wave in the closed tube has 1 node and 1 antinode. But the wave in the stick has 3 antinodes and 2 nodes. If they are to resonate, shouldn't the two waves have the same shape?
 
The mode with which the tube resonates, will not be the same as the bar, but the wave, which has bounced off the bottom and come back to the top should reinforce the antinode to make it stronger.
 
scottdave said:
The mode with which the tube resonates, will not be the same as the bar, but the wave, which has bounced off the bottom and come back to the top should reinforce the antinode to make it stronger.

Okay, that makes sense. But why couldn't the tube have, dunno, 3 antinodes, or 5, for example? In each case, the "end point" of the wave at the open part is always an antinode. Why does n have to be 1, thus producing just one antinode at the open part, and a node at the bottom/closed part? The book doesn't specify anything, which is why I'm asking.
 

Similar threads

  • · Replies 1 ·
Replies
1
Views
2K
  • · Replies 5 ·
Replies
5
Views
3K
  • · Replies 1 ·
Replies
1
Views
2K
  • · Replies 7 ·
Replies
7
Views
2K
  • · Replies 2 ·
Replies
2
Views
2K
  • · Replies 14 ·
Replies
14
Views
2K
  • · Replies 6 ·
Replies
6
Views
2K
  • · Replies 4 ·
Replies
4
Views
4K
  • · Replies 16 ·
Replies
16
Views
2K
Replies
2
Views
2K