Why is there so much Star Trek on Spike?

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The discussion centers on the presence of Star Trek on the Spike channel, which some perceive as incongruous given the channel's "manly" branding. The conversation reflects on how perceptions of Star Trek have evolved, with some arguing that it is more "nerdy" than "manly." There is a nostalgic reference to the demographics of Star Trek fans in the past, highlighting a significant male majority. The dialogue also touches on the programming choices of Spike, suggesting that Star Trek's low rerun costs and popularity make it a viable option for attracting viewers and ad revenue. Comparisons are made to other sci-fi series like Babylon 5, which is praised for its character development and complex plots, contrasting with Star Trek's more formulaic storytelling. The conversation further explores the broader landscape of television, mentioning the production of various shows in Canada and the challenges faced by Canadian television content. Overall, the thread reflects a mix of nostalgia, critique of programming choices, and a celebration of sci-fi culture.
  • #31
baywax said:
Of course there is the most frightening Canadian horror show of all time that played in Vegas for 5 years... Celine Dion
I won't be able to sleep tonight. Thanks a lot! :eek:
 
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  • #32
turbo-1 said:
I won't be able to sleep tonight. Thanks a lot! :eek:

Heee hee heee...

The reason I know all these shows is because I worked at CBC Studios for a while... until the Conservatives took it apart. The reason it is an interesting idea is that it was the precursor to Public Television. No commercials... that is until recently.

I forgot to mention "Beach Combers"... another long running CBC show you'll never see where you are.

Can't wait to see "Obama in the White House".

Just a note... there's a show in town now being produced by the makers of "Day After Tommorow" and "10,000 BC" called "2012". Its based on the Mayan Calandar and how it ends in 2012 and their interpretation of the events that take place to end things then. Its a huge budget. Major programming for motion capture with a 3 million dollar motion capture camera crane. This is all interwoven with final shooting for the "Night At The Museum 2" sets. Stories I'm not telling until they're all out of town!
 
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