Flipped RGB colours in a TV

  • Thread starter DaveC426913
  • Start date
  • #36
And was switching between studios preserving frame sync really ever done?
How were the signals generated by the cameras in different studios synced in the first place?
 
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  • #37
pbuk said:
However the Central Apparatus Room was on the second floor of the 'central wedge'
Does that mean that the cables were not originally routed via the hub? I can't find hard evidence either way about what equipment was actually there. I will ask around.
 
  • #38
I have found a document that answers all these questions about Television Centre and more: http://www.tech-ops.co.uk/tech_guide.pdf (sorry about the hijack).

In summary:
  • There was indeed a central sync generator in the CAR which was fed to each studio.
  • Feeds from each studio went to the CAR where switching was performed and fed to the broadcast system.
  • There were separate feeds from each studio to the tele-recording suite under the central hub.
Also from http://tech-ops.co.uk/next/wp-content/uploads/2018/09/IEE-BBCTVC-and-Its-Technical-Facilities.pdf (what a mine of interesting stuff!)
1716417949771.png
 
Last edited:
  • #39
pbuk said:
I have found a document that answers all these questions about Television Centre and more: http://www.tech-ops.co.uk/tech_guide.pdf (sorry about the hijack).

In summary:
  • There was indeed a central sync generator in the CAR which was fed to each studio.
  • Feeds from each studio went to the CAR where switching was performed and fed to the broadcast system.
  • There were separate feeds from each studio to the tele-recording suite under the central hub.
Also from http://tech-ops.co.uk/next/wp-content/uploads/2018/09/IEE-BBCTVC-and-Its-Technical-Facilities.pdf (what a mine of interesting stuff!)
View attachment 345753
Excellent sleuthing, young man. So now we are up to date with the history of TC. Doing it 'that way round' makes a lot of sense . Everything was analogue in those days and long video delays were a lot of trouble so at least starting with good timing at each source was handy. I wonder how that layout design was arrived at (i.e. technical input). The result was a pretty iconic building which is identifiable from the air.
 

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