HBO Will Make Asimov's Foundation

  • Thread starter Greg Bernhardt
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In summary, it looks like HBO is teaming up with Interstellar writer and Person Of Interest showrunner Jonathan Nolan to adapt the highly revered and beloved Foundation books into a TV series. Wow.
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  • #2
UGH ... by the writer who did Intersteller? That does not bode well.
 
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  • #3
phinds said:
UGH ... by the writer who did Intersteller? That does not bode well.
HBO rarely makes junk though. I am interested even though I barely made it through the first book. Love the first half, disliked the second.
 
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  • #4
I found it all enormously entertaining but I was young when I read it. Might not be as enthralled today, but I always thought Asimov was one of the best Sci Fic writers.
 
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  • #5
I liked the original foundation series though like pretty much everyone who read it I was frustrated that it didn't cover the full thousand years the foundation was meant to endure through. Because of that it felt like a story half told. The second half was a great disappointment, why on Earth Asimov decided to tie all his franchises together I have no idea. It felt cheap, like fan fic more than anything with an unsatisfying story. And it still didn't cover the whole thousand years!
 
  • #6
It's ages since I read this. It would be a strange TV series that dumps it's entire cast and starts anew repeatedly during it's run.
 
  • #7
There ought to be some way of establishing continuity through the series. The Time Vault?

It seems that a big problem may be making it dramatic on TV, since there isn't a lot of action -- no big space battles or ground battles for that matter. However, there's a non-action genre that has been popular for decades: the soap opera. This includes prime-time power-politics soap operas like Dynasty and Dallas. I think that those could make good models, especially with fleshing out the characters to give them more personality.

Something that may raise hackles with some viewers is the series's treatment of religion. Early in the original novels, the Foundation cloaks its technology in a religion that it uses to manipulate the inhabitants and the leaders of the nearby planetary systems. This includes installing a supposedly very holy "ultrawave relay" in a refurbished Imperial cruiser.

It is a kill switch.
 
  • #8
I am excited about this, sci-fi in the HBO format could be a revolutionary concept, if it is done right!

lpetrich said:
Something that may raise hackles with some viewers is the series's treatment of religion. Early in the original novels, the Foundation cloaks its technology in a religion that it uses to manipulate the inhabitants and the leaders of the nearby planetary systems. This includes installing a supposedly very holy "ultrawave relay" in a refurbished Imperial cruiser.

The long running stargate-franchise wasn't exactly religion-friendly either.

EDIT: Nolan worries me though, Hathaways "love transcends all" minispeech was perhaps the worst movie moment of 2014, perhaps even of the 2010's so far.
 
  • #9
In stargate using religion as a way to control an empire was something done by the bad guys. In the foundation universe it's the supposed good guys. Although that is an interesting part of the foundation series: they are arguably very imperialistic. Not just in the methods of controlling various cultures (through religion, trade, technology etc) but also in the goal of restoring an Empire.
 
  • #10
In Stargate, like in Star Trek but not quite so over-the-top, as opposed to in real life, a lot of moral decisions are "black and white", and the result is almost always that sticking to a few principles (honesty, etc), turns things out for the best. In other words, there is rarely any difference between doing the right thing and doing the best thing.

That is why I prefer Stargate Atlantis over Stargate SG1. The Atlantis team tends to screw up and make things worse half of the time, they're not that ridicoulosly lucky all the time and some of their plans even backfire spectacularly.

In The Foundation, at least in the beginning Terminus is a weak world, and therefore have to rely on trickery and cunning to have a chance of survival. The Empire, while not "fair" or "egalitarian" in our sense of the word, represents order while the continual dissolution of human civilization would mean chaos, starvation and wars. Sometimes there is no white and it is all about choosing the lighter shade of gray.
 
  • #11
If it makes people smarter, great.
 
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  • #12
Wiki: "As the Mule comes closer to finding it, the mysterious Second Foundation comes briefly out of hiding to face the threat directly. It is revealed to be a collection of the most intelligent humans in the galaxy, the descendants of Seldon's psychohistorians."
Okay --- I do remember it. Gonna be a lot of money for a flop.
 
  • #13
I shudder. When the Hollywood screenwriters are finished with it, it is going to be a movie with lots of explosions and all the intelligent bits are going to be dropped. Remember what they did to "Starship Troopers"?

"Violence is the last refuge of the incompetent."
Salvor Hardin (in the first Foundation volume).
 
  • #14
Svein said:
I shudder. When the Hollywood screenwriters are finished with it, it is going to be a movie with lots of explosions and all the intelligent bits are going to be dropped. Remember what they did to "Starship Troopers"?

I think Starship Troopers was done that way on purpose.
 
  • #15
Drakkith said:
I think Starship Troopers was done that way on purpose.
Yes. Thud and blunder - what you would expect for Hollywood (they are making movies for the intelligence level of the producer's pet dog).
 
  • #16
Svein said:
Yes. Thud and blunder - what you would expect for Hollywood (they are making movies for the intelligence level of the producer's pet dog).
No, they make it for the intelligence level of the average America, who, after all, believes in ghosts, aliens, angels and other assorted crap. They do this to make money and they MAKE money. Starship Troopers was a success, but a pretty modest one since it didn't bring back a whole lot more than its production costs (which were fairly high) and it won an Academy Award for special effects.

Intelligent movies are hard to make and often lose money. Hollywood is not in the business of losing money.
 
  • #17
Hold on a second.
I found Starship Troopers the film much more intelligently done than the book. The book was a ham-fisted glorification of military mentality. The film is, as noted by Drakkith, intentionally subversive (look, living under a totalitarian regime is fun!).
 
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  • #18
Bandersnatch said:
I found Starship Troopers the film much more intelligently done than the book. The book was a ham-fisted glorification of military mentality. The film is, as noted by Drakkith, intentionally subversive (look, living under a totalitarian regime is fun!).
Oh, another one who did not understand the book. The book is about growing up and taking responsibility. Of course Heinlein introduces controversial ideas, how else do you get people to react - and if possible - think?
 
  • #19
Svein said:
Oh, another one who did not understand the book. The book is about growing up and taking responsibility. Of course Heinlein introduces controversial ideas, how else do you get people to react - and if possible - think?

Oh, don't you patronise me there, mister.

Heinlein's idea of growing up is that of 'enlist in the army, they'll make a man out of you'. If that's considered profound or even smart then I'll gladly stick with the Hollywood idiots, thank you very much.
 
  • #20
Heinlein was, a little surprisingly for a science fiction writer, very "conservative". The society in the movie was, properly I think, described as "fascist". The book was not far off that either. Heinlein was the one who, in the book, introduced the idea of having to serve in the military in order to be allowed to vote or run for office.
 
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  • #22
Svein said:
Yes. Thud and blunder - what you would expect for Hollywood (they are making movies for the intelligence level of the producer's pet dog).

That's not what I mean.I think it was purposely subverted just to counter Heinlein's portrayal of society. Not just to 'dumb it down'. The entire theme of the movie is counter to the book.

In the book Heinlein goes into detail about why things happen and why the should happen that way. For example, Rico's entire officer training in the book elaborates on what an officer is and how the chain of command works. Most importantly it explains why it works that way. The book stresses being a responsible citizen (and soldier) and being part of a larger society throughout, along with being responsible towards those under you, whether you're in the military or not. That's why Heinlein has scenes such as the execution of the murderer in Rico's basic training, his lashing for the training incident (which would have resulted in the death of a squadmate had it been real life), the incident where Rico overhears the conversation between his training CO and Sergeant, etc. Heinlein makes a point that responsibility goes both ways, and explains that the reason federal service is required to participate in the government is that those people have shown a willingness to put aside their own personal gain for the benefit of society.

Now, none of this means Heinlein is correct of course, but the film almost goes the complete opposite. It satirizes/parodies the theme of the book, turning it around and comically portraying it as 'blind obedience' and carelessness about human life and suffering. You don't see Heinlein having anyone get a knife thrown through their hand just to make a point about 'if you take out the enemy's hand they can't push a button', or executing troopers that have been taken by the bugs. There are no news clips of people saying "I'm doing my part!" and stomping on cockroaches.

Still, I love the movie almost as much as I love the book, despite them being very different.
 
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  • #23
vemvare said:
EDIT: Nolan worries me though, Hathaways "love transcends all" minispeech was perhaps the worst movie moment of 2014, perhaps even of the 2010's so far.

But it was meant to be the worst movie moment of 2014.
 
  • #24
Wow, looking forward to this. Foundation is one of my favorite books, and I agree that HBO tends to make quality shows.

Any estimate on the release date?
 
  • #25
phinds said:
UGH ... by the writer who did Intersteller? That does not bode well.

Counterpoint. It bodes extremely well.
 
  • #26
vemvare said:
In The Foundation, at least in the beginning Terminus is a weak world, and therefore have to rely on trickery and cunning to have a chance of survival. The Empire, while not "fair" or "egalitarian" in our sense of the word, represents order while the continual dissolution of human civilization would mean chaos, starvation and wars. Sometimes there is no white and it is all about choosing the lighter shade of gray.

A significant theme in the Foundation novels is the scale of the Galactic Empire, and even its "microcosm" on Trantor. Terms like "fair" and "egalitarian," which stretch to their limits on a planet of just 6 billion people, may be parochial to an absurd degree across a backdrop of millions of star systems, trillions of municipalities and a total population numbering 10 to the God knows what power.
 
  • #27
HallsofIvy said:
Heinlein was, a little surprisingly for a science fiction writer, very "conservative". The society in the movie was, properly I think, described as "fascist". The book was not far off that either. Heinlein was the one who, in the book, introduced the idea of having to serve in the military in order to be allowed to vote or run for office.

Not sure how the political system depicted in Starship Troopers qualifies "facist." Not unless we're yet again redefining the term to mean something anathema to the left-wing that's presented uncritically.
 
  • #28
Bandersnatch said:
Heinlein's idea of growing up is that of 'enlist in the army, they'll make a man out of you'. If that's considered profound or even smart then I'll gladly stick with the Hollywood idiots, thank you very much.

Counterpoint. Angsty, anti-establishment screeds were and are a dime a dozen. Enough so that Starship Troopers basically kicked off an entire subgenre all by itself.
 
  • #29
Pete Cortez said:
Not sure how the political system depicted in Starship Troopers qualifies "facist." Not unless we're yet again redefining the term to mean something anathema to the left-wing that's presented uncritically.
It was a militaristic government with limited citizen participation. That's not a "redefinition".
 
  • #30
HallsofIvy said:
It was a militaristic government with limited citizen participation. That's not a "redefinition".

I don't recall any scholarly definition of "fascism" that reads "a militaristic government with limited citizen participation." Also, don't agree that veteran monopoly of the franchise qualifies as "militarism." Starship Troopers fully depicts only one conflict and barely hints at another, neither of which indicates that the state is engaged in frequent, aggressive military adventure.
 
  • #31
Pete Cortez said:
A significant theme in the Foundation novels is the scale of the Galactic Empire, and even its "microcosm" on Trantor. Terms like "fair" and "egalitarian," which stretch to their limits on a planet of just 6 billion people, may be parochial to an absurd degree across a backdrop of millions of star systems, trillions of municipalities and a total population numbering 10 to the God knows what power.

And yet Asimov lacks sense of scale. Start with comparing the first two stories, Encyclopedists with Mayors. Can you see where the relative scale of Terminus to Anacreon, and Anacreon to Empire, is completely inconsistent with the descriptions?
 
  • #32
I am really interested in that. HBO creates good serials which i personal love.
 
  • #33
snorkack said:
And yet Asimov lacks sense of scale. Start with comparing the first two stories, Encyclopedists with Mayors. Can you see where the relative scale of Terminus to Anacreon, and Anacreon to Empire, is completely inconsistent with the descriptions?

I'm afraid not, though I may be making allowances insofar as my imagination permits. Could you be more specific? Perhaps I'm not following the analogy correctly.
 
  • #34
Well, first the relative scale of Anacreon to Empire.
Let´s review the characters mentioned in Foundation.
We hear of the leadership of Terminus (Pirenne and his four other Trustees, and Salvor with Yohan).
Their main antagonists are Anacreon: the unseen and unnamed King, and his personal representative the Subprefect of Pluema. And then there are the other now independent prefects of Periphery: Salvor starts saying at least 20 nearest to border, and individually mentioned nearby ones are Smyrno, Konom and Daribow - and in the original introduction, Loris.
And then there is the unseen and unnamed Emperor far away on Trantor. Who does not have forces nearby - these were taken over by the rebelling Anacreon and others - and who does not care to hold the Periphery. When the central government does react, a member of Trantor government travels to Terminus - but it is not a military commander with a navy from inner Galaxy to suppress the rebels, but Lord Chancellor Dorwin, to recognize the independence of the Kingdoms.
No other players, right?
Now see a quote from the very first chapter of Bridle and Saddle:
Salvor Hardin said:
For thirty years now, since the breakup of communications here at the edge of the Galaxy, the whole universe of Terminus had consisted of itself and the four surrounding kingdoms.

How the mighty had fallen! Kingdoms! They were prefects in the old days, all part of the same province, which in turn had been part of a sector, which in turn had been part of a quadrant, which in turn had been part of the allembracing Galactic Empire. And now that the Empire had lost control over the farther reaches of the Galaxy, these little splinter groups of planets became kingdoms with comic-opera kings and nobles, and petty, meaningless wars, and a life that went on pathetically among the ruins.
So. If Prefect of Anacreon was rebelling, Emperor and Lord Dorwin might not have cared to lose a distant and poor prefecture if the rich interior of Galaxy was safe so far.
BUT, what the hell were the governors of the Province, the Sector and the Quadrant doing?
If Empire was giving up Periphery including Anacreon Province then the job of the governor of the province would have vanished. HE should have tried something to save his job and suppress the rebellions of his subordinate prefects. Or alternatively, it could have been opportunity for him - to turn the whole province into one independent Kingdom, of his own - in which case he also had the motive to suppress the rebellion of his subordinate Prefects.

We never hear of these middle level governors, in Foundation or later. The scale of Empire requires such levels. Where are they?
 
  • #35
I imagine there's a lot left unsaid about what happened during the generational period prior to Dorwin's inconsequential visit to Terminus. We only have hints, for example, the conversation between Pirenne and and Hardin in the Encyclopedists:

“On us? Are you forgetting that we are under the direct control of the Emperor himself? We are not part of the Prefect of Anacreon or of any other prefect. Memorize that! We are part of the Emperor's personal domain, and no one touches us. The Empire can protect its own."

"Then why didn't it prevent the Royal Governor of Anacreon from kicking over the traces? And only Anacreon?

At least twenty of the outermost prefects of the Galaxy, the entire Periphery as a matter of fact, have begun steering things their own way. I tell you I feel damned uncertain of the Empire and its ability to protect us."


"Hokum! Royal Governors, Kings – what's the difference? The Empire is always shot through with a certain amount of politics and with different men pulling this way and that. Governors have rebelled, and, for that matter, Emperors have been deposed, or assassinated before this. But what has that to do with the Empire itself? Forget it, Hardin. It's none of our business. We are first of all and last of all-scientists. And our concern is the Encyclopedia.”

We're also making some enormous assumptions about the state of late Imperial governance in Terminus' neck of the woods. How nominal, for example, was Imperial rule out in this backwater before Seldon's people left Trantor?
 

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