B How does polyphonic singing affect our perception of beat frequency?

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Polyphonic singing creates complex soundscapes where beat frequencies are often indistinguishable due to the non-linear nature of human hearing. The discussion highlights that frequency differences in overtones are multiples of the fundamental frequency, making them hard to identify as distinct beats. Participants noted that the sound can be perceived as "mushy" and confusing, complicating the recognition of any beat frequencies. The conversation also touched on the challenges of analyzing these sounds with spectrum analyzers, suggesting that the ear experiences a rich timbre rather than clear beats. Overall, the intricacies of overtone singing lead to a unique auditory experience that defies simple beat frequency perception.
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Might be more banter than discussion but this I thought interesting. Going to capture the spectra and post it.

Didn't think was legit, but legit.

Posted as a physics student motivator for teachers introducing overtones, harmonics etc.

Why we hear no beat frequency??

 
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houlahound said:
Didn't think was legit, but legit.
Wikipedia has some nice samples of different styles of overtone signing.
houlahound said:
Why we hear no beat frequency??
Why would we hear a beat frequency? In what conditions are beats produced?
 
houlahound said:
Why we hear no beat frequency??
Which "beat frequency" would you expect? You have a fundamental and you have one of the overtones she accentuates. There is, as far as I can hear, at least an octave between the two main frequencies she is singing. Any difference or sum that you might hear, due to some non linearity somewhere (in your ears?) would be lost in the mush. There could be beats between the harmonics of the fundamental and the frequencies of the overtones but how would expect to recognise them? Overall, the sound is pretty mushy and confusing.
Even a spectrum analyser would probably be hard pressed to dig out any identifiable products. I guess you could identify the two frequencies and then look at frequencies corresponding to possible beats. It's probably true to say that your ear is 'experiencing' something in the timbre of the notes. I always think that my ears are particularly non-linear and I generate all sorts of shash with multiple sources. Hearing aids don't help that particularly. Noisy Pub conversations as a real challenge.
 
Top left in the video was a click opportunity to get a much more interesting visual explanation with all the spectra. Dynamic (check around 2:00) ! Miraculous voice control !

No beats? Frequency differences are multiples of the fundamental frequency so they are indistinguishable.
 
BvU said:
No beats? Frequency differences are multiples of the fundamental frequency so they are indistinguishable.
It's not Harmonic Singing. Overtones of any complicated resonator are not harmonically related. (Not even for a real string). There will be some dramatic differences for a human vocal tract and that's why it sounds so unearthly.
 
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BvU said:
Top left in the video was a click opportunity to get a much more interesting visual explanation with all the spectra.
Thanks link, better spectra than what I could get.

Anyone know what software, I'm wanting it.

Neat frequency filter option.
 
I think it's easist first to watch a short vidio clip I find these videos very relaxing to watch .. I got to thinking is this being done in the most efficient way? The sand has to be suspended in the water to move it to the outlet ... The faster the water , the more turbulance and the sand stays suspended, so it seems to me the rule of thumb is the hose be aimed towards the outlet at all times .. Many times the workers hit the sand directly which will greatly reduce the water...
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