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morrobay said:
Lake Superior from sister in Wisconsin
Wow, please tell her that it is beautiful. That's the kind of picture where you can feel being there. :smile:
 
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morrobay said:
Lake Superior from sister in Wisconsin
Definitely chillier than South Carolina today. We had a record high of 79F for the date. Normally it would be in the 50s.

Large shrub covered in white and pale pink camellia flowers with glossy green leaves, in front of a brick wall and blue sky.

Close-up of a pale pink camellia flower with a cluster of yellow stamens in the centre, surrounded by glossy dark green leaves on a shrub.
 
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Mittens update:

Mr. Mittens, My neighbor's cat, doesn't pop over as often. But he does visit occasionally, enough to stay in touch. He knows he's not going to get any food out of me. He has a loving and caring family just a couple doors down.

I managed to get a couple of photographs over the last month or so.

Tabby cat with a white chest standing between white wooden stair balusters, looking off to the side with yellow-green eyes in warm natural light.

Figure 1. Stealth-master Mittens. Natural light. He seamlessly blends into his surroundings.

Tabby cat with brown and grey striped fur lying on a light grey surface, looking toward the camera with narrowed eyes and whiskers spread out.

Figure 2. Mr. Mittens questioning his decisions after being roused from a peaceful, late morning slumber. Natural light. He's behind a bay-window curtain where he has a good view of traffic and birds.
 
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A couple of previously unedited shots from two years ago on the topic of snow and ice:

Three green shoots of daffodil-like plants emerging from snow in bright sunlight, with a blurred background of a fence and buildings.


Two young green daffodil shoots, one with several narrow leaves and one still tightly rolled, poking up through melting snow with dark leaf litter scattered around them.


Close-up of dark green leaves covered in a fine layer of frost, with some leaf edges browned and withered.


And two shots of a piece of ice I was playing around with in the sun two years ago...
(I remember I posted one shot of it before in this thread)

A piece of ice with a colorful background:

Close-up photo of a clear, jagged chunk of ice sitting on a mossy stone ledge, with a blurred blue sky and buildings behind it.


Just ice against the sky:

Close-up photo of a thick, translucent blue sheet of ice with a jagged edge, set against a clear blue sky and backlit by sunlight, with tiny air bubbles visible inside.
 
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22 degree halo tonight:

Night photo of a bright moon in a dark sky, surrounded by a large faint circular halo, with silhouetted bare trees and house rooftops at the edges.


At least, I'm pretty sure it's the 22 degree halo... the most amazing site that I would check with (Atoptics) is no more, unfortunately. Image taken with Nikon D810 + Zeiss 15/2.8 @ f/4.

Here's the star of the show (same lens, different exposure, 300% zoom):

Photo of the Moon, a slightly blurred, pale yellowish disc with faint surface markings against a dark night sky.
 
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collinsmark said:
Mr. Mittens, My neighbor's cat, doesn't pop over as often. But he does visit occasionally, enough to stay in touch. He knows he's not going to get any food out of me. He has a loving and caring family just a couple doors down.
I would have a hard time not feeding that cat. It makes me wonder if Mr. Mittens gets a scolding at home for some reason when he comes to visit you. I've known people who grew up within walking distance of their grandparents house. A good scolding at home was a sure motivator to go see Grandma and Grandpa.
 
Guitar modding continued...

DennisN said:
Here's the other one, a Squire Affinity 2012 (Black).

It's currently being modded, so what you see in the photo below is the guitar body without any pickups. You can see through the holes in the pickguard that I have shielded the interior with copper foil (this greatly reduces noise).

My custom surf/dream pop guitar is now assembled, and it's nicknamed "Surfbird".
Here it is:

Black electric guitar with a gold-plated bridge and gold pickup selector, shown upright on a stand against a white curtain; the headstock has a Squier logo and lockable tuners.


I still need to do neck adjustment, adjust string heights and then do intonation, and after that the guitar should be ready to go.

Schematics is highly recommended to do when you build custom guitars:

Hand-drawn wiring schematic titled Surfbird for a custom guitar, showing three pickups with wire colours, a pickup combinations table, a magnetic field table and tone and volume controls.


Some close-ups:

Three close-up photos of an electric guitar: the headstock with a Squier Strat logo and black tuners, the back of the headstock with lockable tuners, and the bridge with brass-coloured roller saddles.

Left: Roller string retainers on headstock (decreases friction and helps with holding tune while bending
& using the guitar vibrato arm). Right: Lockable tuners. Bottom: Bridge roller saddles (decreases friction and
helps with the same as the roller string retainers).


Close-up of a black electric guitar body showing a humbucker pickup with gold trim near the top, a chrome lipstick-style pickup in the middle, and a second humbucker near the bottom; to the right, gold top-hat volume and tone knobs on a black pickguard.

Left: The three pickups (two Rockabilly single coils (GFS Surf 90) and one lipstick pickup); five pickup combinations are possible with my wiring. Right: The volume and tone controls with two top hat bell knobs, otherwise usually seen on Gibson guitars.

------------------------------------------------------------------------------------


I'm having fun, so I will probably do another custom guitar...

I'm planning on doing a Telecaster-style guitar, since I haven't got one of those, but it will likely become a little "bastard" that doesn't look like a standard Telecaster; it will be a "Weirdocaster" :smile:.

I'm thinking of fitting two Telecaster pickups into a Stratocaster body, along with a couple
of dual hot rail pickups. This will make it into a Telecaster which also has a vibrato system (standard
Telecasters haven't got any), and the extra dual hot rail pickups will make it possible for it
to double as a Stratocaster. So it will become sort of a lovebaby of a Tele and a Strat. The wiring will probably be quite tricky to do, but no pain, no gain. :smile:

Collage of three photos: an unfinished natural wood electric guitar body with neck on a stand, two black single-coil pickups with wires, and a white stratocaster-style pickguard with pencilled layout lines.

Left: I've got an empty Stratocaster body and a neck, but unfortunately I will have to drill/carve out more space for the pickups. Top: Two Telecaster pickups (neck & bridge) I've got lying around. Bottom: I will have to do a custom pickguard, since my pickup combination will be very unusual.

A little extra guitar nerdiness, if I may...

Telecaster bodies are rather heavy (except Telecaster Thinlines) and not as comfortable as Stratocasters in my opinion, for instance Stratocasters have belly cuts (image) while Telecasters are usually completely flat (image). And I'm keen on comfortability and ergonomics, so I prefer Stratocaster bodies.

There are good reasons why Stratocasters are such extremely popular guitars, and it's not because Jimi Hendrix played one :smile:.

Guitarist in a colorful tie-dye shirt and patterned headband plays a white electric guitar on stage, with Marshall amplifiers behind him.


They may not be very sexy guitars, but the design is simply great; they are very comfortable and ergonomic, they are versatile and they usually sound from good to great. And if I'm not mistaken there are two Stratocasters on stage on the first photo @pinball1970 posted before, in front of what I guess is a Marshall cabinet and amp (?).

I've only played one guitar that I have found more comfortable than Stratocasters, and it's a PRS copy (a Harley Benton CST-24T) I bought cheap second hand which is incredibly comfortable. It's not a great guitar, but pretty good, and fun to play.
 
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DennisN said:
And if I'm not mistaken there are two Stratocasters on stage on the first photo @pinball1970 posted before, in front of what I guess is a Marshall cabinet and amp (?).
It is Purple/Richie so yes on the strat. I'll check the amps and feedback.
 
What is best in life. Kids doing well in school.
Photo of a printed university transcript for Fall 2024 Quarter showing four courses, all with final grade A: CS 250, DISCRETE STRUCTURES I; HON 407, SEM: LIVING IN ANTHROPOCENE; KOR 101, FIRST-YEAR KOREAN TM1; PH 311, INTRO TO MODERN PHYSICS I.
 
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We have a new neighbor down the street, at least it's the first time I've seen it outdoors.

A white long-haired cat with amber eyes and pink nose walking across dry brown grass with fallen leaves, viewed from above.
 
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Two tele shots of paddlers from a couple of years ago when I was down by the sea testing tele lenses. The paddlers were pretty far away from me; I used a manual Tokina 400mm lens and a tripod here.

Silhouette of a woman with her hair in a bun kneeling on a paddleboard, holding a paddle, on sunlit water with bright sparkling reflections.


Silhouette of a person standing on a paddleboard, holding a paddle, against bright sunlit water with glittering reflections.
 
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A couple of previously unedited flower shots...

Persian cornflower
Close-up of a pink-purple cornflower bloom with spiky petals on a slender green stem, set against a dark background.


Poppy anemones
Several purple-blue poppy anemone flowers with dark centres and dark green feathery foliage, with pink flowers and a green slatted bench blurred in the background.


Poppy anemones
Purple poppy anemone flowers in a garden bed backlit by sunlight, with pink and purple flowering stems and green trees behind.


Wood cranesbill
Photo of a purple wood cranesbill flower on a slender stem with serrated green leaves, lit against a dark green blurred background.


A red tulip
Single dark purple tulip bloom on a green stem, surrounded by feathery green foliage and blurred greenery in a garden.


...and an ivy (well, it's not a flower, is it? :smile:):

Climbing plant with green and yellowing leaves growing along the base of a textured concrete wall beside a paved path, with a blurred building and trees behind.
 
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Testing a SECS/GEM Host interface emulator on a processing tool.
Photo of a monitor showing a GEM Interface screen with Host Mode, Equipment ID, Parameters, Interface and GEM Default States panels, plus sent and received message counters.

Documentation pictures
Photo of a dense cluster of industrial equipment with stainless steel vacuum fittings, flexible metal hoses, yellow and blue cables, and a small blue-backlit display panel mounted on a grey housing.

Photo of a blue backlit character LCD showing 'I RS 1472:M 1575:M ^', 'RX bytes 835 NAK 0', 'TX bytes 1198 NAK 0' and 'Seq 67 Blks R34 T33'.

Green printed circuit board mounted in a white plastic enclosure, with ribbon cables, a crystal oscillator labelled OSC 10MHZ, silkscreen text including 28455998_Y38_250108 and PVP_0 and PVP_90, and a blue cable at the top right.

Testing the prototype RS232 tester.
 
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Shopping with Thai girlfriend. Father Chinese that's why her white skin . Two main ethnicities here: The wealthy Chinese Thai elites centered in Bangkok .That includes: the royalty, and high ranking military and government. Then the Lao Thais that make up the farming populations upcountry. As well as the factory and service worker across the country. By the way she is not part of the Chinese/Thai elite. Gold ? About $375 for that small necklace. Just looking.(All gold shops are Chinese/Thai)
A woman in a black face mask and plaid sleeveless dress stands at a glass display counter filled with gold necklaces and bracelets in a jewelry shop, with a calculator on the counter.
Woman in a black top and jeans holding up a dark wine bottle in a store, with shelves of wine and spirits behind her and boxed Franzia California Red 3 L wine in the foreground.
A woman with reddish-brown hair in a white tank top sits at a blue tiled table holding up a phone to photograph plates of food, with a bowl, water bottle and drinks nearby against a dark waterside backdrop.
 
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Napoli
Too much happened there and it's still too close so for now just some clouds and lights, before-, after- and between rains:
Dusk view over a dense city of low rooftops toward a bay, with a tall cylindrical tower in the centre, a mountain under cloud on the left and a cloudy sky above.

Hazy view over a coastal city and bay at dusk, with dramatic cumulus clouds lit gold above, a harbour pier with moored boats, and red-roofed buildings in the foreground.

Dusk view over a dense city of multi-storey buildings with dark storm clouds above and a glowing orange sunset horizon behind hills.

Dusk view over a coastal city and harbour, with a white bell tower in the foreground, lit streets and port areas, a breakwater into the sea, and dark storm clouds overhead.

Dark, heavy storm clouds over a calm sea with sunlight glinting on the water, rocky breakwater in the foreground and a hilly coastline on the right.


And: Pompeii is BIG.

Ps.: did anybody else noticed that at the end of a long, busy and exciting day somehow the morning suddenly feels kind of distant: not yet a yesterday, but like some kind of 'another today' already?
Really strange feeling.

Ps.: in case there is somebody here from Napoli, can I get a recipe for that traditional potato-pasta-cheese meal, please?... Somehow, on the Land of the Hundred Pizzeria Every Street the first restaurant we tried just did not serve any pizza, and the second outright declared 'no pizza' at the door. And, both was good...
 
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Rive said:
Napoli
Too much happened there
At least Vesuvius stayed quiet, right? :wink:
 
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jtbell said:
At least Vesuvius stayed quiet, right? :wink:
And hopefully, the Phlegraean Fields which are probably even more dangerous. Not that Santorini was an opening of something severe.
 
A couple of European rabbits shot a couple of years ago:

A brown European rabbit sitting upright in green grass with its ears raised, seen from the side and slightly behind.


A brown European rabbit sits upright in tall green grass with seed heads, lit by warm sunlight from the left.


A brown and grey wild rabbit with orange-tinged neck and long ears sits upright in green grass and weeds, looking to the right.


(Gear: Sony A6000 + Sony 55-210mm*)

* Gosh, I would really love to have an autofocus zoom that goes up to at least 300mm, but they are really expensive. :H :cry:

 
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More snowflakes...

Close-up photograph of a six-branched snowflake crystal with a dark, blurred background, showing detailed branch structure and sparkling ice facets.

Close-up photo of a snowflake crystal with a hexagonal central plate and branching dendritic arms, set against a dark background.

Close-up photo of a branched snowflake crystal on a dark background, showing hexagonal plate and column-shaped arms with fine ridged facets.


First 2 are re-sized, bottom one is a 1:1 crop. Nikon D810+ 55mm Micro Nikkor f/5.6, 1/400 shutter, auto ISO (EV + 3.0)
 
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Andy Resnick said:
More snowflakes...
Gorgeous!
 
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BillTre said:
Try any filters or different light sources?
No, just overhead flood lights. I lay on the ground and searched (TTL) for flakes oriented at 'just the right angle' to give specular reflection.
 
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Somewhere Oz c.o. Hannah who we miss dearly. I will be bugging her for more as she travels around with her other half.

Sunset over a calm sea with dark clouds above, their undersides lit orange and red, fading to pale yellow and orange at the horizon.
 
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Seen on a bike/hike trail today:

Paved trail through woods with a person jogging away from the camera; two green trail signs, one reading 'WHEN MEETING HUMANS' and one reading 'LOWER YOUR LUMENS'.

Green trail sign on two wooden posts in a wooded area, with white capital letters reading WHEN MEETING HUMANS.


I guess headlights on bikes have gotten as bright as the ones on modern motor vehicles.
 
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Total solar eclipse with the dark Moon disc surrounded by a white corona, and bright pink solar prominences and a diamond-ring-like flash visible along the lower right edge.

From the recent eclipse taken in southern Missouri.
 
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Late last October I was all set to regularly venture out with my new mirrorless and rangefinder cameras (and new leg) and get back into photography, rejoin local society in a way that was difficult before (with the bad leg), mingle, that sort of thing. But soon after, in early November, something happened that left me ashamed of, and mortified by, oh I don't know, about half the population of my country (US), more or less. So I didn't.

But moping on my couch replaying old video games for the dozenth time wasn't really solving anything.

So, a couple nights ago, near the end of an unseasonably chilly, Friday night, after being up with the telescopes through the wee hours, I had some energy left and decided to finally get out of the house and take some pictures. And what better place to start over once again than Balboa Park.

I showered, got dressed, and packed up my rangefinder and a couple lenses. I wore a warm leather jacket and a leather cowboy hat (the hat idea was recommended by my dermatologist), anticipating a chilly day. By the time I got to the park, I had missed golden hour, but it was still just early enough to find a parking space on a Saturday morning.

Large Moreton Bay fig tree with thick, pale grey buttress roots spreading across fallen brown leaves on the ground, with branches arching overhead.

Figure 1. Moreton Bay Fig tree, mid-morning. This tree was planted as a small tree in 1914 in preparation for Balboa Park's 1915 Panama-California Exposition.

After taking a few shots of the fig tree, I decided to hike over to the other side of the Cabrillo Bridge, on the opposite side of the park. There was a vantage point I had in mind for a photo.

To my surprise during that trek, I realized that what was a chilly night was quickly becoming an unseasonably warm and sunny day. I'm talkin' tank-top, sandals, and shorts weather. And here I am lugging around my camera gear and bundled up in my warm clothes. Oh, well, too late to stop now, I thought.

The new leg is a godsend, but I do still have a significant limp. And the three months of nearly idle atrophy on the couch doesn't help matters. The walk across the park wasn't as easy as I had expected. So in addition to the warm weather surprise, I mostly realized how out of shape I am. Nevertheless, I pressed on.

Eventually I reached the other side of the bridge where an unpaved, dirt trail-head started. I hiked down the trail a few tens of meters to find disappointment: the vantage point I was counting on for the photo was obstructed by overgrowth.

I wasn't about to let some thicket of trees and weeds stop me. I've come this far. Off the trail and into the brush I ventured.

I crouched under some branches and weaved my way through some bushes and poop (human -- not recommended), and eventually pushed my way through to a partial view of the Cabrillo Bridge and California Tower.

Photo of a long concrete arcade bridge with a row of tall arches, framed by tree branches in the foreground, with a bell tower rising against a clear blue sky behind it.

Figure 2. Cabrillo Bridge and California Tower. Late-morning.

The vantage point for the shot wasn't what I was hoping for. Not just because of the poop; it doesn't really do the bridge justice. Next time I'll try some different vantage points possibly at different times of the day.

I zigzaged back through the weeds and poop, back under the low branches and climbed up the steep hill to the road.

On the way up I noticed a marked increase in pedestrian traffic on the road above. This is normal, given the time of day. I was quite winded by that point, being so out of shape.

Now mind you, I've barely stepped foot into the sunlight in months (astronomy hours and all) so my pale skin was as pasty as pasty gets. My white beard was getting pretty mangy. I haven't had a haircut in nearly forever; it just hangs long and scraggly. The warm jacket and leather cowboy hat didn't help with the heat; sweat was oozing down my brow, holding onto leaves and prickles from the brush. Also there were bags under my eyes due to not sleeping the night before.

So when I suddenly crawled up and out of the bushes onto the sidewalk like some sort of undead Lemmy, I can tell you that I got some serious looks. As I hobbled back to the main section of the park, people stayed out of my way, often crossing to the other side of the road. ...Which is great!

The first thing I did was limp back to my car to drop off my jacket. Parking was all full-up by that point. My traversing the lot and not leaving with my car peeved a few drivers who were playing the parking game.

Second order of business was to find some water. Dehydration was kicking in. Sitting at a restaurant's bar I drank some coffee and after the fifth glass of water I felt much better. It gave me some time to cool off, casually chimp the photos I took earlier, and make plans for what's next. The servers were quite nice but I think they felt sorry for me. Just as I was leaving I overheard a couple of them talking about me. "The guy in the hat looks like he's had a rough day, huh," one smirked. The other replied, "I think he looks kinda punk."

That was the nicest compliment I've overheard in years.

Next up was the newly renovated Botanical Building. This building had been under construction/renovation for what must have been about 3 years. They finally finished the phase 1 of the project, and it's reopened to the public.

Ornate domed glass conservatory with a white facade and arched windows, reflected in a long rectangular pool, with palm trees and visitors on the lawn.

Figure 3. Botanical Building. Mid-day. Built in 1915, this building recently completed renovations.

By the way, that pond in the picture is the Lilly Pond: The same pond as in the pictures I posted back in July (e.g., post 2061), but from the opposite direction. The July post photos were taken from the white bridge facing south. This photo here is from the other side facing north.

I kinda wanted to head inside the Botanical Building, but I decided to save that for another day.

Instead I paid a relaxing first visit to the Museum of Photographic Arts (MoPA), which also happens to be in Balboa Park. (https://mopa.org)

Then I headed back to the parking lot (a.k.a., carpark). On the way back, there was somebody else's car that looked kind of interesting, parallel parked on the street.

Front three-quarter view of a cream-colored vintage automobile with chrome headlamps, a brown mesh radiator grille and a gold winged figure ornament on the hood.

Figure 4. Somebody else's car. Mid-day.

I've never been much of a car person. I've always said I'd rather have a fast computer rather than a fast car. Still, some cars are pretty photogenic. So there's that.

Close-up of the front fender and wire-spoke wheels of a cream-colored vintage automobile, with whitewall tyres, a gold-toned hub cap and a gold mascot on the radiator cap.

Figure 5. Torus shaped objects. Mid-day.

That wraps it up for this outing. I purchased an annual pass for all the museums in Balboa Park, so I'm sure I'll be back before long.
 
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Last fall I visited the Southeastern Railway Museum, near Atlanta. One of the more interesting exhibits is not a rail vehicle, but an Atlanta city bus.

Orange and cream 1949 Atlanta trolleybus numbered 1732 with a Chamblee-style route sign reading CHAMBLEE, parked inside a metal-roofed garage beside other buses.

Cream and orange 1949 electric trolleybus with trolley poles at the rear, parked inside a metal-roofed exhibit hall beside a silver railcar.


Note the trolley poles at the rear. It's an electric trolleybus (trackless trolley) built in 1949. Around that time, Atlanta replaced all its streetcars (trams) with these. In 1963 they were in turn replaced with diesel buses.

Interior view of the driver's cab of a bus, showing a black steering wheel, dashboard controls, a red seat, pedals and a window with a parked bus visible outside.


This notice is above the right front window, next to the door.

Printed bus notice reading NO SMOKING, PLEASE USE CENTER EXIT, WHITE PASSENGERS SEAT FROM FRONT, COLORED PASSENGERS FROM REAR, on a glossy panel.


A seat-back sign separates the two sections.

Interior of a vintage bus with rows of maroon seats and chrome grab poles, with a green sign reading FOR WHITE PATRONS ONLY on a seat back.

Interior of a vintage city bus with green ceiling, metal stanchion poles and red-and-black seats, with a sign on a seat back reading "FOR COLORED PATRONS ONLY" and printed notices and a photo mounted nearby.


I was reminded of this while watching a TV documentary last night that includes a photo of a World War I era Atlanta streetcar with a similar seat-back sign.
 
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