The Dangers of Overrating: Why It's Worse Than Underestimating

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The discussion centers on the comparison between overrated and underestimated abilities, with a consensus that being overrated is perceived as worse. When someone is underestimated, there is an opportunity to prove them wrong, whereas being overrated sets unrealistic expectations that can be uncomfortable. Participants share personal experiences, particularly in performance settings, where high expectations can create pressure. One individual reflects on their journey in music, noting that they initially felt burdened by others' high praise but eventually embraced their own standards for performance. The conversation highlights the complexities of public perception and personal validation in creative fields.
Lisa!
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which 1 is worse?
As for me I think overrating is worse. At least when people underestimate your abilities, you have the chance to try hard to prove them wrong.
 
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If something is overrated, it's not good.
 
People misoverrate me. :biggrin:
 
Rach3 said:
People misoverrate me. :biggrin:

As opposed to when people "misunderestimated" Bush? :smile:
 
Think I overestimating than worst underestimating.
 
overating is worse
 
If you underestimate how much something is overrated, your estimate is less than others. If you overrate how much something is underestimated, your estimate is also less than others. Therefore, the two commute.

What was the question again?
 
Don't you feel uncomfortable when people overrate your abilities?
 
Lisa! said:
Don't you feel uncomfortable when people overrate your abilities?
Only when the measure of my abilities is subjective. I used to host open-mike blues jams at a local tavern, as well as play in some blues-rock bands. When someone would come in while we were setting up equipment and start gushing about how great their friend so-and-so said my version of Black Magic Woman, Brown-eyed Girl, etc, is, that sets the bar at a certain level. If they heard that I "nailed" Elmore James' "Can't Hold Out", that would take it out of the cover-band arena and more toward a blues purist. Either way, you don't know by what standards you will be measured. That kind of thing bothered me for a while, but after a few years, I figured "I'm playing and singing these songs for ME, and if other people like it, fine. If they don't, that's fine, too - I'm still getting paid. I'll do the songs the way I feel them."

Of course, it's a lot easier if the people come in with low expectations and you can keep them on the dance floor for hours (less beer breaks).
 

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