High School The Physics of Color Perception

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SUMMARY

The discussion centers on the perception of colors when viewing an image through a prism, specifically the appearance of magenta on one side and green and black on the other. Participants emphasize that the phenomenon is primarily due to human color perception rather than physical properties of light, referencing the Retinex Theory by Edwin Land, which explains how the brain interprets colors based on context. The conversation also touches on the importance of using pure colors in experiments and the impact of color balance in photography. Participants suggest that the differences in perceived colors may arise from the non-monochromatic nature of the colors displayed on screens.

PREREQUISITES
  • Understanding of light refraction and color mixing
  • Familiarity with Edwin Land's Retinex Theory
  • Knowledge of color perception and human vision
  • Basic skills in image editing and color analysis tools
NEXT STEPS
  • Explore the principles of light refraction and its effects on color perception
  • Study the Retinex Theory and its implications for color vision
  • Learn about color calibration techniques for monitors and cameras
  • Investigate the impact of non-monochromatic colors on visual perception
USEFUL FOR

Students of physics, visual artists, photographers, and anyone interested in the science of color perception and its practical applications in media and design.

  • #31
SecularSanity said:
So, do you still think the black line is just a gap between the spectra of two different sources which are physically separated? Do you have a prism on hand?
I think that any such phenomenon that seems to go against intuition will always have a good explanation. If you specify the conditions of your observations more completely then there will be no surprises. Try it with lasers and see if you are still seeing surprising results.
SecularSanity said:
Is the spectrum reversed when looking through a prism because the blue and red rays overlap before hitting our eyes or because they overlap when we trace them back?
If you look through just one prism then you will not see a spectrum; you will see just one narrow band of colour. The angles will be exactly what the familiar diagrams of prisms splitting light will show.
If you use a stack of very small prisms then what you will see will be upside down. This is what the elementary diagrams of rainbow formation show you. Again - no surprises.
 
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  • #32
sophiecentaur said:
I think that any such phenomenon that seems to go against intuition will always have a good explanation. If you specify the conditions of your observations more completely then there will be no surprises. Try it with lasers and see if you are still seeing surprising results.

If you look through just one prism then you will not see a spectrum; you will see just one narrow band of colour. The angles will be exactly what the familiar diagrams of prisms splitting light will show.
If you use a stack of very small prisms then what you will see will be upside down. This is what the elementary diagrams of rainbow formation show you. Again - no surprises.

First of all, I don’t think that there’s anything magical or funny about the prism. I just want to understand what it is that I’m seeing, that’s all. Someone else told me that with many (though not all) modern screens the blue phosphor has a more or less distinct second peak in green. He provided me with a helpful link.

http://fluxometer.com/

Would you agree that the blue contains some green and the black is caused by a gap (no color at all) due to the refraction difference between red and blue?

As far as the reversed spectrum is concerned, here’s an old thread from in here.

https://www.physicsforums.com/threads/reversed-spectrum-through-prism.379295/

Below is a link to a colorcube website. If you run your mouse over the top of the three images, it will show you what is seen with and without the prism.

http://www.colorcube.com/articles/prism/prism.htm

We know for sure that blue and red are reversed when looking through it. So, to keep it simple, let’s just stick with those two colors.

When looking through the prism what causes those two colors to be reversed? Do the rays overlap when we trace them back or do they overlap before entering our eye?
 
  • #33
Ibix said:
In addition to @sophiecentaur's comments, I think we really need to see a photo of the target on your screen, with and without the prism.

50237266382_a4859bb2ce.jpg

50240746661_cebf6a23a8.jpg
 
  • #34
OK. The very top left image is the most interesting because it's the nearest to ideal. It shows the nearest to a proper spectrum of the displayed white against a black background (ROYGB, at least). The fact that the black portion is now grey is because of unwanted light on other paths and it 'dilutes' the spectrum that's seen.

Top right you get Blue on the left and Cyan, next in where the blue and green mix. and the rightmost stripe is a sort of Magenta where the red mixes with the blue. Allowing for the imperfections of the experiment, it does what you'd expect.The other colours with a white line seem to do the 'right thing' but it's further and further away from ideal

To clear it up, you could do the same with red, green and blue lines on black to indicate the sort of spectrum the primaries have. But the same caveat applies because the TV system is not a spectrometer and just does its best to 'see things' the way you do.

IMO you have done as much as you can with a limited setup. You would need some proper monochromatic sources and a proper spectrometer if you want to confirm what we all know about refraction and dispersion.
 
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  • #35
Just to make things nice and clear, would answer my questions in post #32.

Thanks!

Much obliged!
 
  • #36
SecularSanity said:
Would you agree that the blue contains some green and the black is caused by a gap (no color at all) due to the refraction difference between red and blue?
I assume that's your question. There are many google links with the spectra of various primaries. Here's one. There is a small hump (linear scale) in the blue primary spectrum that takes it into the green. None of the primaries is (ever) monochromatic. It would just not be efficient enough.
As for the black stripe - it's just the logical result of the colours on either side and the spread of the components. The prism dispersion is consistent - just follow the rules.

Edit:
There is another factor which affects the outcome of display - camera - display chains. The spectral sensitivity of the three camera analysis filters. https://www.researchgate.net/figure/Ideal-camera-spectral-sensitivity-curves-for-a-Rec-709-b-Rec-2020_fig1_265550301has graphs of the analysis of colour cameras. They show a considerable amount of 'crosstalk' between the channels. The effect needs to be taken into account if you want to know the result of your setup. Remember, the TV system was never designed to be used for your experiment so, unsurprisingly, you got somewhat whacky results. Incidentally, the 'crosstalk' in the analysis is there deliberately to mimic the human optics and it's what allows our perception of colour with only three sensor analyses.
 
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  • #37
sophiecentaur said:
OK. The very top left image is the most interesting because it's the nearest to ideal. It shows the nearest to a proper spectrum of the displayed white against a black background (ROYGB, at least). The fact that the black portion is now grey is because of unwanted light on other paths and it 'dilutes' the spectrum that's seen.

Top right you get Blue on the left and Cyan, next in where the blue and green mix. and the rightmost stripe is a sort of Magenta where the red mixes with the blue. Allowing for the imperfections of the experiment, it does what you'd expect.The other colours with a white line seem to do the 'right thing' but it's further and further away from ideal

To clear it up, you could do the same with red, green and blue lines on black to indicate the sort of spectrum the primaries have. But the same caveat applies because the TV system is not a spectrometer and just does its best to 'see things' the way you do.

IMO you have done as much as you can with a limited setup. You would need some proper monochromatic sources and a proper spectrometer if you want to confirm what we all know about refraction and dispersion.

Are you saying that in the blue square, on the left-hand side of the white line, the blue fades into the blue, and then disappears, and on the right-hand side of the white line the blue fades into the red and green creating magenta and cyan?

If so, then in the red square, on the left-hand side of the white line, the blue fades into the red creating magenta and on the right-hand side the red fades into the green creating yellow?

Is that correct?

50240746661_cebf6a23a8_w.jpg
 
  • #38
SecularSanity said:
Are you saying that in the blue square, on the left-hand side of the white line, the blue fades into the blue, and then disappears, and on the right-hand side of the white line the blue fades into the red and green creating magenta and cyan?
Sorry, I don't quite get what you are asking; specifics don't really get us anywhere. All I am saying is that the different components of the colours of the blocks are deviated by different amounts. The diagram of white on black shows by how much. If you take any colour of blocks, the final result will be a combination of what spills over from the next door block or stripe and what is shifter away from the edge of the target block. I went through the easiest example and the same principle applies everywhere.

It's 'and exercise for the student to complete'; I haven't the inclination to do it but if you are really interested, do it with strips of paper with RGB etc. written on them - to represent what the initial dispersion causes; one strip is the target and one strip is the shifted colour. Shift one against the other and it will show you what to expect when each element of the two rows of RGBs are added together. But the actual spectra of the primaries and the actual sensitivity curves will mess it up a bit so don't expect a perfect answer.

The whole idea of Science is to try to regularise the system and identify as few basic rules as possible; I have written sufficient for you to carry on independently,
 
  • #39
sophiecentaur said:
Sorry, I don't quite get what you are asking; specifics don't really get us anywhere. All I am saying is that the different components of the colours of the blocks are deviated by different amounts. The diagram of white on black shows by how much. If you take any colour of blocks, the final result will be a combination of what spills over from the next door block or stripe and what is shifter away from the edge of the target block. I went through the easiest example and the same principle applies everywhere.

It's 'and exercise for the student to complete'; I haven't the inclination to do it but if you are really interested, do it with strips of paper with RGB etc. written on them - to represent what the initial dispersion causes; one strip is the target and one strip is the shifted colour. Shift one against the other and it will show you what to expect when each element of the two rows of RGBs are added together. But the actual spectra of the primaries and the actual sensitivity curves will mess it up a bit so don't expect a perfect answer.

The whole idea of Science is to try to regularise the system and identify as few basic rules as possible; I have written sufficient for you to carry on independently,

Sorry to keep bringing this up, but no, you haven't been very clear.

I asked David Briggs who runs this website.

Here’s his response.

Thanks very much for your question, I must admit I was stumped for a while by that green colour! But if you look at my images through your prism you might see as I do that whereas the red dot is refracted cleanly, the blue dot appears doubled, with a green partner that is less strongly refracted. I had a look on fluxometer.com (fantastic site!) and sure enough on many (though not all) modern screens the blue phosphor has a more or less distinct second peak in green. (You can choose other devices on the right and then just click on the "B" to the right of 1200K). I was able to make a reasonable simulation of what I see through my prism by shifting the Green and Blue components of your image to the left and then adding a duplicate of the blue channel in dull green and aligned with the green image.

Briggs 1.JPG Briggs 2.JPG

Thanks once again for your intriguing question! If you haven't already seen it, you might like to take a look at my new site of online resources on colour at https://sites.google.com/site/djcbriggs/colour-online.%5b/quote

I asked him the additional question that I posted above in post #28.

Here’s his reply.

In viewing your last image through a prism I do see the effect of the green stripe on the red and blue backgrounds, but the stripe appears yellow and cyan respectively because of additive mixing with the coincident red and blue light.

For anyone else who might want to ask questions, I sometimes get too busy to answer emails so if they're on Facebook they might have a better chance of getting an answer if they ask on my Dimensions of Colour Facebook page. https://www.facebook.com/DimensionsOfColour/%5b/quote

That sounds great, but the only problem is, is that I looked at a device that's showing no peak in the green, and I'm still seeing green. *shrug
 
  • #40
SecularSanity said:
That sounds great, but the only problem is, is that I looked at a device that's showing no peak in the green, and I'm still seeing green. *shrug
He has answered you absolutely, ifaics. He points out that you are getting Additive Mixing and that is producing a Green sensation in your eye. Perceived Green doesn't have to be spectral green wavelength.
I don't know what your "device" is but if it's a spectrometer of any sort, it won't mimic your colour vision. This point has been made / implied several times above. Perhaps you will see this now it's been pointed out explicitly.
 

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