Understanding Normalized Filters and Their Impact on Waveform Distortion

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Discussion Overview

The discussion revolves around the concept of normalized filters, particularly low-pass filters (LPF), and their impact on waveform distortion due to phase shifts that vary with frequency. Participants explore the significance of normalization in filter design, the calculation of component values, and the relationship between frequency-dependent amplitude changes and output waveforms.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Debate/contested
  • Mathematical reasoning

Main Points Raised

  • Some participants express confusion about the meaning of 'normalized' in the context of filters and its significance in design.
  • It is noted that normalized parts values allow for a corner frequency of 1 rad/sec, and participants discuss how to scale these values for different corner frequencies.
  • There is a suggestion that frequency-dependent amplitude changes are linked to phase shifts, affecting the output waveform, particularly in the context of a bandpass filtered square wave.
  • Some participants propose that to preserve the wave shape, a filter must have a phase shift that increases linearly with frequency, acting as a delay.
  • One participant questions whether differing phase shifts for waves of different frequencies would result in them being out of phase at the output.
  • Another participant clarifies that if all components experience the same time delay, the filter acts like a delay line, minimizing wave-shape distortion.
  • There is a discussion about the implications of scaling component values and how it affects the corner frequency of the filter.

Areas of Agreement / Disagreement

Participants express varying levels of understanding regarding normalization and its application in filter design. While some agree on the importance of linear phase shifts for preserving waveform shape, others question the implications of differing phase shifts, indicating that the discussion remains unresolved on certain technical aspects.

Contextual Notes

Participants mention the potential for distortion in output waveforms due to frequency-dependent phase shifts, but the exact conditions under which this occurs are not fully clarified. The discussion includes assumptions about the relationship between phase shifts and time delays without definitive conclusions.

Who May Find This Useful

This discussion may be useful for individuals interested in filter design, waveform analysis, and the mathematical relationships between frequency, phase shifts, and output waveforms in signal processing.

jendrix
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Hello, I am learning about filters but I'm having trouble understanding what 'normalised' means and it's significance. I am using a LPF filter in a project and whilst there is software that will design it for you, I would also like to learn to calculate the values for myself and learn the significance of adjusting component values.

On a second note this got me wondering, if a filter incorporates a phase shift that changes as a function of frequency, wouldn't the input and output waveform change significantly?
 
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jendrix said:
if a filter incorporates a phase shift that changes as a function of frequency, wouldn't the input and output waveform change significantly?
Yes, if you filter a waveform having components of different frequencies it can undergo distortion so the output wave shape may look very different from the input waveshape. To preserve the wave shape requires use of a filter where phase shift increases with frequency, and in a linear fashion across the passband, to give equal TIME SHIFT for the various components. Such a filter acts as a delay.
 
jendrix said:
Hello, I am learning about filters but I'm having trouble understanding what 'normalised' means and it's significance. I am using a LPF filter in a project and whilst there is software that will design it for you, I would also like to learn to calculate the values for myself and learn the significance of adjusting component values.

On a second note this got me wondering, if a filter incorporates a phase shift that changes as a function of frequency, wouldn't the input and output waveform change significantly?

There are lowpass filter tables which give you "normalized" parts values, which means: The given values allow a corner frequency of 1 rad/sec.
Using a simple scaling process you can use these data for finding the parts values for any desired corner frequency (end of the pass band).

As to the second question: Of course, frequency-dependent amplitude changes are connected with a corresponding phase shift.
However, speaking of input and output waveforms, it is primarily the frequency-dependence of the various signal amplitudes within the spectrum of the applied wave which is responsible for the output waveform.
Example: A bandpass filtered square wave gives an output signal which looks - more or less - like a sinusoidal wave.
 
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jendrix said:
I would also like to learn to calculate the values for myself and learn the significance of adjusting component values.
Bravo for you ! Learn to calculate them yourself so you know when a computer code is putting out gibberish.

"Normalize" usually means dividing by a base , perhaps center frequency for a bandpass, so that the example they're using to demonstrate works in % or multiples of base instead of the actual number.
Analogous to the "Per Unit" method used in power systems analysis.

As LvW said - it's just scaling .
 
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LvW said:
There are lowpass filter tables which give you "normalized" parts values, which means: The given values allow a corner frequency of 1 rad/sec.
Using a simple scaling process you can use these data for finding the parts values for any desired corner frequency (end of the pass band).

As to the second question: Of course, frequency-dependent amplitude changes are connected with a corresponding phase shift.
However, speaking of input and output waveforms, it is primarily the frequency-dependence of the various signal amplitudes within the spectrum of the applied wave which is responsible for the output waveform.
Example: A bandpass filtered square wave gives an output signal which looks - more or less - like a sinusoidal wave.
Hello, I don't suppose you have any resources for this do you? It seems finding the component values yourself isn't typically done anymore but I would still like to understand the process.

Thanks
 
jim hardy said:
Bravo for you ! Learn to calculate them yourself so you know when a computer code is putting out gibberish.

"Normalize" usually means dividing by a base , perhaps center frequency for a bandpass, so that the example they're using to demonstrate works in % or multiples of base instead of the actual number.
Analogous to the "Per Unit" method used in power systems analysis.

As LvW said - it's just scaling .

I'm starting to understand, I have been researching a Butterworth filters for a project. It will be a low pass with a corner frequency of 100 rad/sec. I assume scaling up isn't as simple as taking the normalised values and multiplying by 100?

Thanks
 
You are close...

Consider a simple RC low pass filter. If you multiply the component values by 100 the corner frequency goes down not up.
 
NascentOxygen said:
Yes, if you filter a waveform having components of different frequencies it can undergo distortion so the output wave shape may look very different from the input waveshape. To preserve the wave shape requires use of a filter where phase shift increases with frequency, and in a linear fashion across the passband, to give equal TIME SHIFT for the various components. Such a filter acts as a delay.
I am still trying to get my head around this. My immediate instinct was that if two waves of differing frequencies experienced a different phase shift then they would be out of phase with each other at the output?

Is it because the time period of for example a 10Hz waveform with a phase shift of 90o would give a time delay of 25ms therefore if you had a second waveform at 15Hz you would need a larger phase shift to account for a time delay of 25ms?

Thanks
 
jendrix said:
Is it because the time period of for example a 10Hz waveform with a phase shift of 90o would give a time delay of 25ms therefore if you had a second waveform at 15Hz you would need a larger phase shift to account for a time delay of 25ms?
That's the idea. If everything experiences the exact same time delay, the filter acts like a delay line, and produces no wave-shape distortion. Of course, if you build a filter where all components in the input are passed across to the output with no alteration to their relative amplitudes and all experience a common time delay, it won't be doing much of what we commonly think of as "filtering".
 
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