Music Who is your favorite Jazz musician and what is your favorite song?

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The discussion centers around a shared appreciation for jazz music, with participants highlighting their favorite musicians and songs, particularly Herbie Hancock's "Maiden Voyage" and Weather Report's "Heavy Weather." Many contributors express their diverse musical backgrounds, mentioning influential artists like Pat Metheny, Miles Davis, and Jacques Loussier, while also reflecting on personal experiences with jazz in various settings, including military life. The conversation touches on the evolution of jazz and its intersection with other genres, as well as the subjective nature of music appreciation. Participants also debate the classification of certain songs as jazz, emphasizing the importance of emotional connection over strict definitions. Overall, the thread showcases a vibrant exchange of musical tastes and experiences within the jazz genre.
  • #151
Organ instrumental of Ray Charles' song.
 
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  • #152
Bobby Timmons wrote a lot of tunes and melodies in his short life too. Many others covered his songs.
 
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  • #153
Chris Potter plays Anthropology.

 
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  • #154
Someday My Prince Will Come by Yuka Yanagihara.

Not wild about the improv but she plays the theme beautifully.

 
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  • #155
Charlie Parker -- Cherokee. It was his favorite tune.

 
  • #156
Did I already mention Candy Dulfer and 'Lily was here'?

 
  • #157
Had to listen to the above music without looking at the video. To be able to listen to the music and not have my eyes distract my ears. :smile:
Jazz. Isn't it great it can be soft and dreamy like the above post or like so many other sounds? Limitless variety, seems. Did not know this band was the same one as in posts 126 and 127, covering classical there. Kenny Ball and his Jazzmen.

 
  • #158
Scott Hamilton -- Cherokee

 
  • #159
drum solo at 4:20.
 
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  • #160
 
  • #161
I think this bass viol player is great.

 
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  • #162
difalcojr said:
drum solo at 4:20.

Drum solo here too. The greatest drummer introduced by one of the greatest vocalists of all time.

 
  • #163
Fabulous solo on Donna Lee by guitarist Pat Martino.

Trumpeter Howard McGee played with Bird for a short time. You wonder why he didn't gain more fame.

 
  • #164
Not many singers could do this

 
  • #165
Check out the vibes

 
  • #166
Hopefully this will play. Just a short one but towards the end he breaks a stick so he somersaults it so he is not playing with the broken end, is not satisfied so he ditches it grabs another stick, somersaults that too and carries on!

 
  • #167
This is from maybe twenty years ago. I went all the way to Seattle to see this band. I felt Hiromi should go solo, which she often does these days.

 
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  • #168
Cleo Laine -- Dunsinane Blues (After Macbeth)


Cleo Laine sings Shakespeare, 'The Compleat Works'​

 
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  • #169
  • #170
He's in a league of his own! Hard to see, for sure, he's moving so fast. Seems like he changes hand positions on the sticks a lot too. Chokes up on the bat like baseball.
 
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  • #171
Hornbein said:
This is from maybe twenty years ago. I went all the way to Seattle to see this band. I felt Hiromi should go solo, which she often does these days.



Yeah, she's quite something. I love this performance:

 
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  • #172
difalcojr said:
He's in a league of his own! Hard to see, for sure, he's moving so fast. Seems like he changes hand positions on the sticks a lot too. Chokes up on the bat like baseball.
I broke a stick during a warm up the other week and I wish I had it on camera. I actually thought about this video, 2-3 seconds, should I try and somersault it? 2-3 seconds? Tried to somersault it 3-4 seconds, reached for a new stick, (4 seconds) whilst the guys knew something weird was going on because I was missing things out!
What I was playing was far simpler than the Buddy track too!
Everything he did was instant and instinctive.
The pattern he does whilst reaching for the stick is a 3 over 4 pattern, it's not a triplet, it is quavers but a pattern of repeated bass drum the two on the snare. Not the easiest to do whilst reaching for a stick!
 
  • #173
I am a student here in this. Interesting. Looks like he twirls them like a baton a lot. Is it true that every drum solo he plays is different, never quite the same?
 
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  • #174
Arjan82 said:
Yeah, she's quite something. I love this performance:


She is absolutely incredible, I am only a few minutes in! Amazing talent.
 
  • #175
difalcojr said:
I am a student here in this. Interesting. Looks like he twirls them like a baton a lot. Is it true that every drum solo he plays is different, never quite the same?
He had themes and overall structure but what was great about him, he was regarded as the best drummer on the planet by his peers early doors. In terms of technique and creativity no one could touch him, even in his twenties so by the 1940s.
He could have stayed that way but he didn't, he continually pushed himself like all the great artists do.
The rock funk stuff he was doing in the early 70s is just unbelievable.
He adapted, improved and substituted pure speed for interesting interplay between his hands and feet.
It makes me laugh when web posters say, "the next Buddy Rich, he can play this impossible lick from the 1965 solo!"
Ok, impressed. So this guy has great techniques and can reproduce that sound (kind of) for 5 seconds.
Buddy did that off the cuff as part of his overall solo, some days it was different but still impossible. Link all those impossible parts together and you are Buddy Rich?
No, you managed to IMITATE a solo via intense listening and practice.
BR did it on the spot, just that night.
 
  • #176
morrobay said:
Classic ^ And latin/conga drums version.

"Watermelon Man". That one would not play for some reason. Found a good live version from the NY Harlem Cultural Festival at Mount Morris Park in 1969. 50,000 people! It is located at around 45:30. Manual play.

 
  • #177
It plays fine here? Just Youtube- search Watermelon man, Mongo Santa Maria . All kinds of recordings
 
  • #178
Couple more by one of San Francisco's own.



 
  • #179
  • #180
Riyoko Takagi -- My Favorite Things
Such sophisticated harmony.
 
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  • #181
Les McCann & Eddie Harris. "Compared to What". 1969. Montreaux Jazz Festival. Jazz still king.
("Trying to make it real.....compared to what?" Like me and my lens model.)

 
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  • #183
John Coltrane's complete Impulse Studio Recordings. 8 cd set. Abstract.
 
  • #184
Please post one, two, or a few of Coltrane's ones that you like. If you want. There's only one recording on this thread now, one with him and Sonny Rollins. What years were those Impulse Studio recordings?

A Coltrane 8-abum set from the years 1958-62, from the "Blue Train" album to the "Ballads" album is available too. $11.95 (4 CDs) from Hamilton Books.
https://www.hamiltonbook.com/john-coltrane-the-classic-albums-collection-compact-disc
 
  • #185
I found the 8 cd set on ebay used just now. These recordings should be his last recordings, I believe. Not as good or abstract but still good is his recordings with the Miles Davis Quintet.
 
  • #186
Also, for anyone both interested and adventurous is the jazz of Cecil Taylor. I suggest starting with the 1968 "Unit Structures" or his later Unit's "Winged Serpent". Cacophonous but structured. These recordings are chaotic: unpredictable yet deterministic.
 
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  • #187
 
  • #188
difalcojr said:
Please post one, two, or a few of Coltrane's ones that you like.

Naima. Note that he doesn't improvise at all.

 
  • #189
Passed Brubeck in Central Park and said : Mr Brubeck I presume. He looked like he was high/tripping so I walked on.
 
  • #190
He did have a goofy look on his face sometimes, I thought, too, in photos, but he sure seemed very straight-laced too. Maybe he was going over a composition in his mind at high volume and didn't notice you.
Here's Henry Mancini, think this would be classified as jazz.
 
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  • #191
morrobay said:
Passed Brubeck in Central Park and said : Mr Brubeck I presume. He looked like he was high/tripping so I walked on.
He may have indeed been "unsquare", though, as you say, that day. Or thinking about his "raggy" waltz. Smooth saxophone.
 
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  • #192
 
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  • #193
 
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  • #194
Good ones! There's Senri and Juna and others again. Great name, sound! New jazz is excellent.

Couple versions of an old one:


 
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  • #195
  • #196
difalcojr said:
You know, you've sold me on the Japanese jazz/fusion sound. They are terrific. So, I went online looking for a CD of The Jazz Avengers. Here's what I found: $28.26 for an audio CD. Are you kidding me?! I won't pay that. I'll just listen to all your good posts online. How come the price is so high, I wonder?
https://www.amazon.com/JAZZ-AVENGERS-THE-JAZZ-AVENGERS/dp/B0BT5P2811?tag=pfamazon01-20
Japan spends the highest percentage of GDP on music of any nation. (China the least.) I think it's because they understand that the musicians need the money. If they don't pay then the music dries up.

I spent $75 on a Bandmaid CD and thought it well worth it.

It's harder to make it as a musician than as a doctor or lawyer, and the Jazz Avengers have 8 of them. I say $28.26 is a good deal. I'm going to Tokyo in May and among other things will go see them. I'll buy a CD direct from them and never listen to it.
 
  • #197
Yes, I guess you are right, it is not that much, all things considered. I guess I just expected it to be lower. They have to divvy up the income 8 ways too like you say. Still, lower cost could mean more sales. A nice long U.S. tour, maybe, to increase the audience. I shall reconsider the price for the CD.
I don't know Bandmaid, but you must really like them. Will have to look that group up. Atill love to listen to a good CD over and over and over, sometimes, like a record.
 
  • #198
Hornbein said:
Japan spends the highest percentage of GDP on music of any nation. (China the least.) I think it's because they understand that the musicians need the money. If they don't pay then the music dries up.

I spent $75 on a Bandmaid CD and thought it well worth it.

It's harder to make it as a musician than as a doctor or lawyer, and the Jazz Avengers have 8 of them. I say $28.26 is a good deal. I'm going to Tokyo in May and among other things will go see them. I'll buy a CD direct from them and never listen to it.
Yes, you are 100% right because I would not think to pay that amount for a book, and I value both about the same. And the best way to hear them play more is to support them, absolutely. So, I am gonna order it. You convinced me, thanks. You were right also that it is a good price, for the other listings online are all about ten dollars higher. I was just being a cheapskate a bit and sore at inflation a lot. Greedy humans.
Records were $2.50 fifty years ago, up 10X or less in the period to today. Gasoline (petrol) was $0.25 per gallon (ca. 4 liters) fifty years ago, today up 20X to that price! Both industries were making good profits at those prices fifty years ago. Same products. You should see how much candy has gone up in U.S. lately!
 
  • #199
couple versions: big band and single saxophone



 
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  • #200
difalcojr said:
couple versions: big band and single saxophone




A very fun classic. No one swings harder than the Basie band.
 
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