Describing Color Intensity: What Model Should I Use?

In summary, the color with half the intensity of a dominant wavelength of 600 nm with maximal purity would look different than the dominant wavelength color, and would likely be described using an alternative coordinate system.
  • #1
posixbar
4
0
Forgive me if this is the incorrect section of the forum for a question like this.

If I already have used the CIE Chromaticity diagram to plot a color with dominant wavelength of 600 nm and maximal purity, how should I proceed to describe a color with half the intensity of said color -- i.e. a color with half the brightness of a dominant wavelength of 600 nm with maximal purity? What model, and how?
Obviously I can't use the CIE Chromaticity diagram as it doesn't describe luminance, what type of diagram should be used?
 
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  • #2
If you don't change the color, then the color is the same. Am I wrong?

Seems like you're only dimming the light.
 
  • #3
Dr Lots-o'watts said:
If you don't change the color, then the color is the same. Am I wrong?

Seems like you're only dimming the light.

I think that would depend on your definition of a color, if the definition includes the attribute brightness, then a color with a different brightness would implicitly have to be a different color.

However my question is simply, what does a color with half the brightness of a dominant wavelength of 600 nm with maximal purity look like, i.e. what does it look like in a digram -- and what type of diagram/model should I use in the first place?
This is rather confusing to me as as far as I understand 600 nm and maximal purity does not specify anything regarding the brightness -- then when I don't even know the brightness, how can I know what half the brightness would be? Is there some way I can calculate what the brightness must be based on this information alone?
 
  • #4
Working in laser physics, I tend to correlate color with wavelength. But I suppose that certain applications must associate color with both wavelength and brightness.
 
  • #5
Dr Lots-o'watts said:
Working in laser physics, I tend to correlate color with wavelength. But I suppose that certain applications must associate color with both wavelength and brightness.

I would imagine that in lasers particularly the brightness is very crucial, e.g. a laser class III wouldn't be that bright, but a class IV of the same frequency would be much brighter?
 
  • #6
Yeah, but physicists consider brightness to be a separate attribute from color, unlike people who work in digital art or computer graphics. The concept of a color space as it's used in computing doesn't really hold much meaning in physics.

I think you might be better off asking at a computer graphics forum.
 
  • #7
posixbar said:
I would imagine that in lasers particularly the brightness is very crucial, e.g. a laser class III wouldn't be that bright, but a class IV of the same frequency would be much brighter?

It doesn't take much within the visible spectrum to burn one's retina, and permanently. Thus, the use of the word "brightness" is largely amiss.

Instead, please refer to the much more common terms of frequency and power (watts).
 
  • #8
posixbar said:
If I already have used the CIE Chromaticity diagram to plot a color with dominant wavelength of 600 nm and maximal purity, how should I proceed to describe a color with half the intensity of said color -- i.e. a color with half the brightness of a dominant wavelength of 600 nm with maximal purity? What model, and how?
In addition to the 2 coordinates of the CIE diagram, you have a third variable: the intensity. This gives a total of 3 variables that fully describe what is going on, as should be the case for the human visual system.

It's an alternative coordinate system to, for example, the RGB system used in digital media. Much like spherical coordinates are an alternative to rectangular coordinates.
 
  • #9
Redbelly98 said:
In addition to the 2 coordinates of the CIE diagram, you have a third variable: the intensity. This gives a total of 3 variables that fully describe what is going on, as should be the case for the human visual system.

It's an alternative coordinate system to, for example, the RGB system used in digital media. Much like spherical coordinates are an alternative to rectangular coordinates.

I know, but since the intensity is unknown for the first color, wouldn't this make the intensity parameter also be unknown, except that it should be exactly half of whatever the first one is?
I don't think there is any way to calculate intensity from wavelength and purity as the only information?
 
  • #10
Right. Intensity as a physical concept is independent of wavelength. You would need to know the intensity of the first color, or something equivalent like beam power or photon rate.
 
  • #11
What diazona said.

I was not claiming that intensity depends on wavelength or color. Quite the opposite: it is a third, independent variable.
 

1. What is a color model?

A color model is a system that represents colors numerically, allowing them to be reproduced accurately on different devices and media. Examples of color models include RGB, CMYK, and HSL.

2. How does the RGB color model work?

The RGB color model works by combining red, green, and blue light in varying intensities to create a wide range of colors. Each color channel has a value between 0 and 255, with 0 being the absence of that color and 255 being the maximum intensity.

3. What is brightness in the context of color?

In the context of color, brightness refers to the perceived intensity of light. It is a subjective measure and can vary based on factors such as ambient lighting and individual perception.

4. How is brightness measured?

Brightness is typically measured in units called lumens, which quantify the amount of visible light emitted by a source. It can also be measured in relative units, such as percentages, when comparing the brightness of different colors or devices.

5. How does brightness affect color perception?

Brightness can greatly affect color perception. In general, brighter colors appear more vivid and intense, while darker colors appear more muted. Additionally, the brightness of the environment can impact how we perceive colors, with brighter surroundings making colors appear less intense.

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