How can I create an active noise control stereo using simple terms?

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Discussion Overview

The discussion revolves around the creation of an active noise control stereo system, akin to noise-cancelling headphones but designed for larger speakers. Participants seek to understand the principles and practicalities involved in implementing such a system, as well as related concepts in sound production and recognition.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Homework-related

Main Points Raised

  • One participant expresses a desire to create an active noise control stereo and requests assistance in simple terms due to a lack of technical knowledge.
  • Another participant suggests reviewing introductory materials on active noise cancellation, indicating that foundational knowledge may be beneficial.
  • A question is posed regarding the importance of the angle between the speakers and the sound source in active noise control, implying that placement may affect performance.
  • A follow-up response emphasizes the significance of placement for both the noise source and the noise-cancelling speakers, while also introducing quiz questions related to sound speed and frequency ranges.
  • A participant with a background in music and physics inquires about how speakers reproduce different tone colors of instruments, specifically how they differentiate between sounds from a violin and a trumpet playing the same note.
  • Another participant responds by explaining that a good quality speaker reproduces the waveform from the instrument, and that different instruments produce distinct waveforms that our ears recognize.

Areas of Agreement / Disagreement

The discussion includes multiple viewpoints on the creation of an active noise control stereo and the principles of sound reproduction. There is no consensus on specific methods or technical details, and questions remain regarding the effectiveness of speaker placement and the nuances of sound differentiation.

Contextual Notes

Participants have not resolved the technical aspects of active noise control, including the specific requirements for speaker placement and the implications of sound waveforms in instrument recognition. The discussion reflects a range of knowledge levels and assumptions about sound principles.

T.O.E Dream
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I want to create an active noise stereo which works like the headphones except it's a big speaker. I need your help on how i would go about doing this? I ain't no electrical engineer or anything, in fact I have no knowledge whatsoever so try to help me using simple terms.
 
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T.O.E Dream said:
I want to create an active noise stereo which works like the headphones except it's a big speaker. I need your help on how i would go about doing this? I ain't no electrical engineer or anything, in fact I have no knowledge whatsoever so try to help me using simple terms.

Have you been through the intro page at wikipedia, and followed some of the links at the end of the article?

http://en.wikipedia.org/wiki/Active_noise_cancellation

.
 
A question about active noise control. Does there need to be a specific angle at which the speakers must be at with the sound source?
 
T.O.E Dream said:
A question about active noise control. Does there need to be a specific angle at which the speakers must be at with the sound source?

Yes, I believe that placement of both the noise source, the noise cancelling speaker(s) and the listener(s) are important. Can you tell us why that would be? BTW, do you know the speed of sound in air? And what is the normal range of frequencies of audio sounds that we hear? What are the corresponding wavelengths of sound in air? (Quiz questions for you)
 
im a musician who is also studying physics at high school, and we have come to the part where we talk about how speakers work and so on, but what i asked and my teacher couldn't sanswer was, how does a speaker produce the different tone colours of instruments.
if a violin plays a concert C and then a trumpet plays a concert C, how does the speaker change the tone of the sound so we recognise it as the respective instrument??
 
A good quality speaker will just reproduce the waveform that comes from the instrument.

Because the waveforms are different from each other, our ears recognise the instrument by its different waveform.

This is the waveform of a saxaphone:
http://hyperphysics.phy-astr.gsu.edu/HBASE/Music/saxw.html#c3
saxw1.gif


This is the waveform of a clarinet
http://hyperphysics.phy-astr.gsu.edu/hbase/Music/clarw.html
claw1.gif


Note that the speaker cone can only be in one position at a time, so it only traces one waveform, even if it is reproducing all the instruments of the orchestra.
 

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