Planobilly
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The discussion centers on troubleshooting issues with the Fender Hot Rod DeVille and Hot Rod Deluxe amplifiers. Key problems include distortion at all settings, ineffective Normal/Bright switch, low volume on channel 1, and overheating output tubes when a signal is injected. Participants recommend injecting a test tone into the output stage and checking voltages around the output tubes, specifically the 6L6 tubes, to identify faults. The consensus is that the output transformer may be faulty, as it could cause overheating and low output volume.
PREREQUISITESGuitar amplifier technicians, hobbyists repairing tube amplifiers, and anyone interested in understanding the troubleshooting process for Fender tube amps.
Planobilly said:I am now going back to square one to go through all the test points. I will report the findings one by one.
I now have no AC signal at TP5 pin 6 plate 1 of V1A There is DC 250 or so.
There is the 15mV Ac at TP4 which is grid1...so what could the signal from crossing to the plate? Cathode issue? R11??
I am gona put the scope on the grid and then on the plate...perhaps all that salt are in Key Largo has addled my brain...lol
so what could the signal from crossing to the plate? Cathode issue? R11??
I am gona put the scope on the grid and then on the plate..
Planobilly said:Looks like I got a lot of work to do to make this monster play
yet somehing gets through sometimes else you'd hear nothing...I now have no AC signal at TP5 pin 6 plate 1 of V1A There is DC 250 or so.
There is the 15mV Ac at TP4 which is grid1...so what could the signal from crossing to the plate? Cathode issue? R11??
Planobilly said:There are actually only two relays but are shown on the schematic as K1A and K1B and K2A and K2B.
hmmmPlanobilly said:I am playing the cd through my high quality speaker system and is is slightly distorted and not very loud.
Leo Fender’s problem was obvious: How to get the maximum from the available Jensen speakers without risking catastrophic failure. Because of the basic physics of output transformers, he was able to solve the problem and create many of the classic tones we now treasure at the same time. Fender knew that the low frequencies were the factor most responsible for speaker overheating. It’s elementary; the lower you go, the more difficult it is for the electronics to swallow. And here’s where the transformer comes into the equation. In an output transformer, the low frequency response is largely governed by the size or mass of the stack. The bigger the stack, the lower it will go without saturating. (That’s why an SVT weighs so much, its OT is the size of a Oldsmobile!).
What Leo did, his genius, was to deliberately inhibit the low frequency response of the amplifier by diminishing the actual size of the output transformer. Now the 40 watts of low end that the tubes are delivering will never get to the speaker because it’s saturating in a smaller OT. Doing this had the unintended benefit of creating the creamy compression that’s so sonically satisfying. There is a specific, sweet distortion to be found here, and it’s the type that’s only revealed when the amplifier is driving the output transformer into saturation. The sense of a tube amp “opening up” and producing a singing overdriven note is certainly a function of the transformer compressing and putting it’s signature on things.
yepPlanobilly said:Actually I guess the only thing that can cause a tube to over heat in current flow, what ever the cause of the current flow. Correct??
Planobilly said:What actually happens for example when the load/speaker is disconnected from a amp while it is running?
In those days speakers were likely vented because you get that 6db more sound per watt, and with tube amps watts were scarce.Valve amps were part of the vinyl era where deep bass caused the needle to jump off the record. Most HiFi valve amps had a rumble filter to reduce sub-bass. The majority of speakers were approx 6dB to 10dB more efficient and larger than most speakers boxes today. A few Watts was very loud.
Extreme high Voltages are generated across the primary winding if the speaker is disconnected while music is playing. Flashover between windings was a major problem with valve guitar amps.