Different subsidiary notes with varying amplitudes

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Two identical guitars can produce notes of the same pitch but differ in quality due to variations in their subsidiary notes and waveforms. The quality of sound is influenced by the harmonics or overtones generated during vibration, which depend on how the string is plucked. Different plucking techniques, such as the position on the string and the force applied, lead to distinct harmonic frequencies. Fourier analysis can illustrate how these factors affect the sound produced. Ultimately, the interplay of these elements results in the unique tonal qualities of each instrument.
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Homework Statement



1. Two identical guitars are played by two persons to give notes of the same pitch. Will they differ in quality? Give a reason.

2. How do you account for the fact that 2 string instruments can be used to give notes of the same pitch and loudness but different quality?



The Attempt at a Solution



I thin the answer for both questions is that they have different subsidiary notes with varying amplitudes. They have different wave forms. Isnt it?
 
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ritwik06 said:

Homework Statement



1. Two identical guitars are played by two persons to give notes of the same pitch. Will they differ in quality? Give a reason.

2. How do you account for the fact that 2 string instruments can be used to give notes of the same pitch and loudness but different quality?



The Attempt at a Solution



I thin the answer for both questions is that they have different subsidiary notes with varying amplitudes. They have different wave forms. Isnt it?
What factor determines the quality of the sound produced by the vibrating string?

What is it about plucking a guitar string that determines which of these frequencies are exited and in what proportion? Think of the shape of the string just before it is released and think of Fourier analysis of that shape.

AM
 
Andrew Mason said:
What factor determines the quality of the sound produced by the vibrating string?

I have already trold that in my answer.
Andrew Mason said:
What is it about plucking a guitar string that determines which of these frequencies are exited and in what proportion? Think of the shape of the string just before it is released and think of Fourier analysis of that shape.

AM

I don't think much detail is there in our course about it. Will youlease help me with a simpler answer?
 
ritwik06 said:
I have already trold that in my answer.
I am not sure what you mean by subsidiary tones. Quality is determined by harmonics (or overtones, or harmonic frequencies). The quality of the sound depends on the number and respective amplitudes of the higher harmonic frequencies.

I don't think much detail is there in our course about it. Will youlease help me with a simpler answer?
The difference in plucking of the string - the difference in the shape of the string just before letting it go - leads to different harmonics (quality). If the string is plucked near the middle of the string, it will excite different frequencies than if plucked nearer one end. Also, if it is plucked with a soft finger, it sounds different than if plucked with a pick - because the different plucking techniques create different shapes (hence different harmonics). This is easy to show using Fourier analysis.

AM
 
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