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RiseAgainst
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Why do companies like Apple use DRM on music, if people pay for it shouldn't they own it. Will DRM ever go away?
It is going away on music, Amazon don't do it, Walmart stopped and Apple are dropping it.RiseAgainst said:Will DRM ever go away?
But if you only buy an album once and don't replace it on a new technology every few years what will all the rock stars do?FredGarvin said:I don't mind paying for music, but once I pay for it, I should be able to play it on any of my players, not just the one it is registered to.
mgb_phys said:Britney won't have sufficient funds to keep a Gulfstream IV, so she replaces it with a smaller Gulfstream III, which doesn't have a remote control for its surround sound DVD system).
mgb_phys said:Established stars negotiate their own contracts (see Apple vs Apple) andup and coming stars are now more likely to have a blog and their own downloads than be hoping to be discovered by a label.
RiseAgainst said:If the musicians are going to negotiate their own contracts does that mean that they are going to start leaving these huge labels and sign to smaller labels or start their own. Because then the fall of the RIAA and DRM would lead to the fall of huge labels and the overpricing of music.
moe darklight said:I have 320 albums on my itunes. I cannot afford 320 albums. I only own a few, but am slowly buying the ones I like, or going to see shows. If it weren't for the internet, I would never have risked buying many of these albums... or even known they existed. I'll bet you my bottom dollar that the boys of Oxbow prefer me owning their album "illegally" for a while and eventually buying it, than me not even knowing who they are.
moe darklight said:Many indie bands have become well known thanks to what began as pirating of their music.
Humorous note: There is no album "The Flashlight"— it sounds like they mixed that up with his pseudonym, "The Flashbulb."Benn: Luckily, my record contracts were always negotiated well. Once things started moving with small labels I was approached by some larger ones, but there was always some seedy stipulation that prevented me from ever signing.
Still, with a 50/50 contract, I’d be selling 2,000 albums and would get $250 for it somehow. Many people that i’d meet at my shows would say that they bought my music on iTunes, yet I’ve never signed any sort of agreement allowing iTunes to host my music, and I’ve certainly never seen a dime of money for my albums hosted there.
So I started investigating the numbers from the label, which led me to some shocking revelations about how little the artist and label was getting in comparison to the retailers. When I got around to asking about iTunes, the owner of Sublight Records pleaded with me to “leave it be”. Everyone else made an extraordinary effort to ignore my calls and emails.
When I finally got a hold of the digital distributor (I must note that “digital distributor” is the most pathetic job title I’ve ever heard), I was told that once the files are in the iTunes system, it literally couldn’t be removed or taken down for a year. So, either Apple has created a self-aware doomsday machine that cannot be stopped or reasoned with, or everyone involved is just enjoying the gravy train of ripping off artists like myself and using Apple’s backbone of attorneys as an intimidation factor.
Even after having a lawyer working for me on this matter, this is the one and only response we’ve EVER been able to get from Apple:
Dear Benn,
I understand that you are writing to the iTunes Store because you are upset about finding your own album “The Flashlight” and some of your other album as well on the iTunes Store, and that you feel that you are owned
royalties for this music that his being purchased. I am sorry that you have to found this upsetting. My name is Wendy, and I would be happy to link you to right people to talk to about this issue
So, who’s the pirate I should go after? A kid who downloads my album because it isn’t available in non-DRM format and costs $30 on Amazon? Or a huge multi-billion dollar corporation that has been selling thousands of dollars worth of my music and not even acknowledging it?
DRM stands for Digital Rights Management, and it is a technology used to protect digital content from being copied or distributed without proper authorization. In the music industry, DRM is often used to prevent music from being illegally downloaded or shared.
DRM has been a controversial topic in the music industry because it restricts the way consumers can use and access their purchased music. Many argue that it hinders fair use and limits the portability of music across different devices.
The impact of DRM on sales and revenue of the music industry is debatable. Some argue that it helps protect the industry from piracy, while others believe it can actually decrease sales due to the limitations it imposes on consumers. Additionally, the cost of implementing and maintaining DRM systems can also affect revenue.
One alternative to DRM in the music industry is watermarking, which embeds identifying information in the music file to track and discourage illegal sharing. Another alternative is to offer music through subscription services, where consumers pay a monthly fee for unlimited access to a library of music.
The use of DRM in the music industry has decreased in recent years, with many major music platforms and record labels abandoning it. However, there may still be a place for DRM in certain cases, such as protecting unreleased or exclusive content. Ultimately, the future of DRM in the music industry remains uncertain and will depend on the needs and preferences of both consumers and industry players.