Les Sleeth said:
I think I like this post of yours better than any other you've offered
Is that supposed to be a compliment or an insult?
I like your music example. I have noticed the same thing in jazz, where someone like Chet Baker or Miles Davis or John Scofield feels superior, and their music reflects that analytically too. But then there is Oscar Peterson, who was so techinically brilliant (IMHO) he at times allowed technicalness to predominate in his music . . . I thought his music suffered then. In contrast, look at the late, great Luther Vandross or James Taylor . . . simple music made beautiful by such strong feeling. So when it comes to enjoyment, and if I had to choose which to sacrifice (technical skill or feeling), I would choose to stick with feeling everytime.
You got me wrong, I wasn't talking about feeling in that sense. Plenty of bad music is full of feeling; such music is called "sentimental". Sentimental music often sounds amazing the first time you hear it, but repeated hearings make you want to forget you ever heard it. (off the top of my head I remember a song called "I want to know what love is" by a band called Foreigner - full of feeling, and banal beyond belief)
When we listen to music, we
are analyzing it whether we do it consciously or not. Whatever you feel when you listen to music, even sentimental music, is the result of intellectual effort and can be done consciously. Let me give you a simple example: almost every pop song has three stanzas (verses), with a bridge inserted between the second and the third. Everyone knows that, even if they have never stopped to count or do statistics about all the songs they ever heard. And you don't have to count the stanzas to know if a song has the right number of them, you can simply "feel" it. Most of the time a song with two stanzas will feel "too short", one with four will feel "too long", one without a bridge will feel "repetitive".
That was the kind of feeling I was talking about. I hope I've explained myself better now.
But to get back to why I disagree with your statement that feeling and intellect are the same, it's because they can operate independently.
I hope my description of the typical pop song has helped you understand that, at least in some cases, they are not independent at all but are in fact the same thing.
Could we do math by feeling?
Some people can tell the square root of any number, or the day of the week for any date, without thinking at all. You ask them "what day of the week will March 13, 2498 be and they instantly reply "Wednesday" simply because they "feel" Wednesday is the right answer.
Can we love with the intellect?
Probably not. I didn't say the intellect can do everything we do by "feeling", I said it's possible the opposite is true. If an autistic savant can know the square root of any number without doing mental step-by-step calculations, isn't it possible everyone could do the same if we were able to achieve the right mental state?