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what is it?
Originally posted by loop quantum gravity
so questions like is this theory aestetic or is this equation beautiful are a concern to the theory?
Originally posted by loop quantum gravity
what is it?
Originally posted by quantumcarl
This is a complex question.
As with beauty, value is in the eye of the beholder.
Intrinsic values... anyone!?
I read a bit of that article and skipped down a bit to the hedonism section and read that too before deciding that I dislike the authors POV/philosophy.Originally posted by Guybrush Threepwood
I don't know. here's some serious definition...I was just reading that
http://www.wikipedia.org/wiki/Value_theory
the question isn't the complex one but the subject in question might be.Originally posted by quantumcarl
This is a complex question.
Originally posted by Royce
Is this an invitation for me to to continue by beauty is or can be intrinsic.
My point is/was that unlike the falling tree in the woods not making any sound... Beauty remains after the beholder leaves. Nothing changes and when another beholder comes by s/he too can see and appreciate the beauty.
By the way I thing "value" should be a subtopic of quality. Value implys usefulness and cost or desire to own or partake. It I think is strictly in the eye or wallet. Mankind values something and give it value. Quality of which beauty is a type of quality is or can be intrinsic. IMHO
Originally posted by wuliheron
Value and beauty are subtopics of virtue. We are the belief makers, and virtue is its own reward.![]()
That is why this subject is so hard for people, not because it is intrinsically more complex than others, but because it cuts to the bone.
Originally posted by Royce
If beauty is appreciated by multiple species doesn't this imply that it is not just us that bestow the virtue of beauty upon something or that beauty is strictly in the eye of the beholder?
Originally posted by Royce
In my day it was Fay Wray. I have been trying to think of a good example that was at least defendable. I thought that maybe I have overstated my case. I have seen animals, dogs and cats smell flowers and look at them for long periods and this is what I had in mind but I can't defend it as obviously admiring beauty though it seemed that that was what they were doing at the time.
I recently watched a program about a captive young female gorilla that had been taught sign language. She looked over photographs of captive male Gorillas. The point was for her to pick a potential mate. She barely glanced at most of them but came upon one that "caught her fancy". She would not even look a the rest of the photos. The story has a happy ending in that the choosen male was brought to her and put into her compound. She was the aggressor as she already knew that he was the one that she wanted. They eventually bred and she had a baby gorilla and they all lived happily ever after. Is this a good example of another species reognizing and appreciating beauty, at least what is beauty to a gorilla?
Another example that I thought of was birds and various mammels, pack rats, etc, collecting shiny objects that are of no use to them. Or the sex specific colors and markings of various birds and animals. They may be beautiful to us but is it beauty to them? If not why spend all that time and energy to have those markings and to show them off so predominately? I don't know if any of these are really valid examples but they are what I had in mind when I wrote it. Can anybody help me with this, come up with better examples?
Originally posted by Royce
We all seem to agree to a point. That point is IMO where the recognition and appreciation of beauty for what ever reason or cause is in fact separate from the characteristic itself of whatever we are sensing i.e. seeing hearing tasting feeling etc. The appreciation is subjective. The characteristics that make the object beautiful to us are intrinsic, objective and material. Can we call those characteristics beauty, quality, virtue in and of themselves? I think so. They, the characteristics do not change or go away when we no longer look at the object. When we come back or another person comes along those characteristics that make the object beautiful are still there to be appreciated all over again.
Admittedly I am a romantic. To me the thing that makes something beautiful is not our ability to see it but a property of the thing itself and thus it is intrinsic. Is a scientific formula or law elegant and beautiful of itself, of its own properties, or is it simply because we choose to call those properties beautiful and elegant? That I think is the crux of the matter.
I choose to be a romantic and choose to believe that there is real beauty in the universe not just something that I deem to be beautiful because it reminds me of something to eat or procreate with.
"The characteristics that make the object beautiful to us are intrinsic, objective and material. Can we call those characteristics beauty, quality, virtue in and of themselves?"
Originally posted by Royce
The question remains is the rose beautiful in and of itself or is it beautiful only because we say so. The latter is arrogance beyond belief IMO. The former is more natural and going with the flow. Allowing the universe to be beautiful and contain beauty and appreciating it and life that much more because of it.
Originally posted by hypnagogue
Royce, I think I would appreciate your position more if you could logically distinguish it from the perception of so called secondary qualities such as color. All the arguments you have made thus far could be applied equally well to the position that color is not a subjective phenomenon but exists inherently in the objects we attribute it to. But there are many arguments against the idea that color is not a subjective phenomenon, and likewise these arguments can be put forth against your position in order to maintain that beauty, too, is a secondary quality or subjective phenomenon. So what arguments can you make for beauty existing inherently in objects we perceive to be beautiful that cannot also be made for color existing inherently in objects we perceive to be colorful?
Originally posted by Royce
Quantumcarl, you statement seems to contradict itself in my mind. You say that beauty is in the eye of the beholder yet later say that ethics, of which beauty is a part of, is intrinsic.
Are you agreeing with my position or did I misunderstand your post?
Possibly ou are saying that beauty is in the eye of the beholder but that eye being able to see and appreciate beauty is due to billions of years of evolution and thus intrinsic? Please explain.
Originally posted by Royce
I have been thinking about this for the last couple of days since you brought it up. This is what I have come up with so far. There are two different aspects of color physically. one is the color of light itself determined by the frequence or wave length of the light which is determined by the energy level of the photon wave particles. We percieve the various frequencies that we can see as different colors
We may say, think, feel that one color is particularly beautiful to us because of its purity and hue. That of course is sujective; however it is that purity and frequency that is the physical properies of that light that make it, for us, beautiful. Those properities do not change and are inherent and intrinsic to that light that we call beautiful. It is the physical properties that determine the beauty of the light. We see the light and recognize and appreciate its beauty.
The other aspect of color is reflected or refracted color by an object such as humming birds or wings of a butterfly. It is the property of the structure of the wings or feathers that determine the color that is reflected or refracted that we see and call beautiful; thus, it is again the physical intrinsic propery of the reflecting surface that determine what we see, perceive, It is what we call beautiful.
Color is determined by physical properties of objects emitting, filtering as in colored glass, reflecting as in a rose or refracting as in the featers of a bird or scales of a butterfly's wing. We see and perceive these colors and may call them beautiful. That which makes one color beautiful and the other not is usually due to the purity and frequency of the color which is determined by the physical properties of the medium from which that color originates. It is the light or color that is beautiful. It is the properties of the origin tha determine the color of the light. Thos properties are intrinsic and thus the beauty is intrinsic.
How did I do so far?
Originally posted by Royce
The frequency of the light does not change from person to person but the color perceived not only may change but most likely does change from person to person.
Yet we by convention call light of a certain frequence/wavelength blue. It is a characteristic property of light at that given wavelength that we define as blue. There are those who are color blind and cannot see blue at all or cannot distinguish it from green. This does not change the color of the light nor does it change it's charateristic propery of blue.
Originally posted by hypnagogue
It is worth noting here that you could make the exact same argument for colors existing in nature, although it is widely accepted in philosophy that colors do not exist in objective reality but rather are mental representational modes (subjective qualities) for perceiving that reality. The same could easily go for beauty-- in fact I think it makes more sense to think of it this way.
This of course does not devalue beauty in any way, to say it is mental and not objectively existent. But I get the impression that your argument itself arises from just such an aesthetic sensibility of yours that leads you to think that objective beauty would be in some sense more meaningful or valid or beautiful than mentally created beauty. To me it's irrelevant-- beauty is still beauty in all its glorious beautifulness, and it doesn't really matter where it comes from. After all, when you're actually experiencing it, you don't have to stop to wonder where it's coming from to really enjoy it.
(Hmmm... I would have probably have put 'limitations' in quotes).First, the monkeys recognized transpositions of children's songs like "Old McDonald Had a Farm" and other diatonic melodies, but they did not recognize transpositions of non-diatonic melodies. Infants and adults have similar limitations, as reflected in their tendency to confuse transpositions of non-diatonic melodies with renditions that preserve the pitch contour but not the intervals of the original.
Tom Mattson said:Asked like a true math nerd.
It doesn't have to be about an equation. There are other aesthetic problems that overlap with technical disciplines as well. For instance, Civil Engineering and Architecture. The new apartment complex you built may be solid as a rock, but if it's butt ugly no one is going to want to live in it.
Here's some fuel for discussion:
Aesthetic Judgement
Ethics, the other half of Value Theory, has obvious relevance to engineering and science.
Thermodynamics is the branch of science which describes the macro scale properties of a fluid. One of the principle results of the study of thermodynamics is the conservation of energy; within a system, energy is neither created nor destroyed but may be converted from one form to another. We shall derive Bernoulli's equation by starting with the conservation of energy equation. The most general form for the conservation of energy is given on the Navier-Stokes equation page. This formula includes the effects of unsteady flows and viscous interactions. Assuming a steady, inviscid flow we have a simplified conservation of energy equation in terms of the enthalpy of the fluid:
ht2 - ht1 = q - wsh
where ht is the total enthalpy of the fluid, q is the heat transfer into the fluid, and wsh is the useful work done by the fluid.
Assuming no heat transfer into the fluid, and no work doen by the fluid, we have:
ht2 = ht1
From the definition of total enthalpy:
e2 + (p * v)2 + (.5 * V^2)2 = e1 + (p * v)1 + (.5 * V^2)1
where e is the internal energy, p is the pressure, v is the specific volume, and V is the velocity of the fluid. From the first law of thermodynamics if there is no work and no heat transfer, the internal energy remains the same:
(p * v)2 + (.5 * V^2)2 = (p * v)1 + (.5 * V^2)1
The specific volume is the inverse of the fluid density r:
(p / r)2 + (.5 * V^2)2 = (p / r)1 + (.5 * V^2)1
Assuming that the flow is incompressible, the density is a constant. Multiplying the energy equation by the constant density:
(ps)2 + (.5 * r * V^2)2 = (ps)1 + (.5 * r * V^2)1 = a constant = pt
This is Bernoulli's equation. If we make different assumptions in the derivation, we can derive other forms of the equation.
quantumcarl said:Wuli, I am interested in your alegory between ethics and harmony...
here is an equation that fits some of that metaphore, maybe!...
"It is clear that increasing the interest in problem of harmony and golden section in modern science has found its reflection in modern philosophy in form of new original philosophical concepts. The Byelorussian philosopher Eduard Soroko who advanced in the 80th the highly interesting concept of "structural harmony of systems" developed one of the similar concepts. This concept and the "Law of Structural Harmony of Systems" following from it rightfully can be considered as one of the greatest philosophical achievements of the 20th century.
Soroko's main idea is to consider real systems since "dialectical point of view". As is well known any natural object can be presented as the dialectical unity of the two opposite sides A and B. This dialectical connection may be expressed in the following form:
A + B = U (universum). (1)
The equality of (1) is the most general expression of the so-called conservation law.
Here A and B are distinctions inside of the unity, logically non-crossing classes or substratum states of any whole. There exists the only condition that A and B should be measured with the same measure and be by members of the ratio underlying inside the unity.
The examples of (1) may be probability and improbability of events, mass and energy, nucleus of atom and its envelope, substance and field, anode and cathode, animals and plants, spirit and material origin in the value system, profit and cost price, etc.
The expression of (1) may be reduced to the following normalized form:
`A +`B = 1, (2)
where `A and `B are the relative "weights" of the parts A and B forming some unity.
The partial case of (1) is the "law of information conservation":
I + H = log N, (3)
where I is the information quantity and H is the entropy of the system having N states.
The normalized form of law (3) is the following:
R +`H = 1, (4)
where is the relative redundancy, is the relative entropy.
Let's consider the process of system self-organization. This one is reduced to the passage of the system into some "harmonious" state called the state of the thermodynamic equilibrium. There exists some correlation or proportion between the sides A and B of the dialectical contradiction of (1) in the state of the thermodynamic equilibrium. This correlation has a strictly regular character and is a cause of the system stability. Soroko turns to the principle of multiple relations to find a character of connection between A and B in the state of the thermodynamic equilibrium. This principle is well known in chemistry as "Dalton's law" and in crystallography as the "law of rational parameters".
Soroko advances the hypothesis that the principle of multiple relations is the general principle of the Universe. That is why there exists in accordance with this principle the following correlation between the components R and R è`H in the equality of (4):
log R = (s + 1) log`H (5)
or
log`H = (s + 1) log R. (6)
The expressions of (5), (6) may be represented in the exponential form:
R = (`H )s+1; (7)
`H = Rs+1, (8)
where the number s is called the range of multiplicity and takes the following values: 0, 1, 2, 3, ... .
Inserting the expressions of (7), (8) into the equality of (4) we get the following algebraic equations respectively:
(`H )s+1 +`H - 1 = 0; (9)
Rs+1 - R - 1 = 0. (10)
Marking in y the variables `H and R in the equations of (9), (10) we get the following algebraic equation:
ys+1 + y - 1 = 0. (11)
Let's introduce the new variable for the equation of (11). Inserting the expression of into (11) we get the following algebraic equation:
xs+1 - xs - 1 = 0. (12)
We can see that the latter equation coincides with the algebraic equation of the golden p-proprtion. The real root of the equation of (11) is inverse value to the golden p-proportion, i.e.
(13)
where ts is the root of the equation of (12).
In accordance with Soroko's concept, the roots of the equation of (11), which is equivalent to the equation of (13), expresses the law of the structural harmony of systems.
Summing up Soroko had formulated the following "Law of Structural Harmony of Systems":
"Generalized golden sections are invariants, which allow natural systems in process of their self-organization to find harmonious structure, stationary regime of their existence, structural and functional stability".
What peculiarity has "Soroko's Law"? Starting since Phyphagor the scientists were connected the concept of a Harmony with the only golden proportion "Soroko's Law" claimed that the harmonies state corresponding to the classical golden proportion is no only for the same system. "Soroko's Law" allows an infinite number of the "harmonies" states corresponding to the numbers ts or the inverse numbers (s = 1, 2, 3, ...), which are the real roots of the general algebraic equations of (11), (12)."
ibgib said:So, could this concept of dialectal POV's be applied to the arguments about the definition of value theory? In other words, could each argument for or against any other arguments be considered itself to be a natural object? Especially, if the object is composed in terms of information?
So "beautiful" could be considered a property inherent in the object.Royce said:I reiterate my position. Beauty is an intrinsic property. The ability to recognize and/or appreciate beauty is dependent on individual perception and is subjective.
"Beauty" would in that case be a relationship between observer and observed object.Royce said:the perception of (beauty) is subjective and varied just as in color or anyother subjective perception of an intrinsic characteristic property.
The implication of this is surely that it is socially useful to maintain a shared concept of "blue"-ness. A colourblind person could maintain for their entire life that an object is blue even if no-one who isn't colourblind would agree with them. In that colourblind person's head, that object might be blue, but in nobody else's. Would the object then be blue or not? No doubt, you would say not. If the rest of the world's population were to die, and that person were to remain alive to maintain that the object (its colour unaltered) was blue, would it then be blue? It would be strange to maintain that it was not, since there would be only one observer and they claimed it was blue. Yet the only thing that would have changed would have been the removal of the other points of view, to the extent that if the survivor were to find some way of reanimating one of the dead, the object would once again no longer be definitively blue. The existence of the observations remains crucial.Royce said:I have no way of knowing that what I perceive as blue when I 'see' a certain wavelength of light is the same blue that you perceive when seeing the same wavelength. The frequency of the light does not change from person to person but the color perceived not only may change but most likely does change from person to person.
Yet we by convention call light of a certain frequence/wavelength blue.
You could always ask. Since "blue" is just an arbitrary label, there would be little advantage in agreeing that one single object is "blue". But with enough examples we could no doubt reach some common ground. It might not mean that we would share exactly the same concept of "blue"-ness, of course. But it would be enough to enable us to communicate about it.Royce said:I have no way of knowing that what I perceive as blue when I 'see' a certain wavelength of light is the same blue that you perceive when seeing the same wavelength.
But given that you consider certain things beautiful, and I consider certain things beautiful, and no doubt we would only agree to a limited extent about what is or isn't in that category, how can we hold a shared concept of, to paraphrase George Bush Sr., "the beauty thing"?Royce said:Beauty is a characteristic intrinsic property, the perception of which is subjective and varied just as in color or any other subjective perception of an intrinsic characteristic property.
No (with reservations). Beauty in an object must depend on each observation, because, I am willing to contend, it is meaningless to state that an object is beautiful before it has been observed, and equally meaningless to state that it is beautiful when there is no longer any possibility that it can ever be observed again and is no longer known to any potential observer. And the next beholder might be a delinquent philistine and therefore might not see beauty in the object. That wouldn't have changed your own belief that the object IS beautiful, but it would only be so when beheld in your own memory.Royce said:Beauty remains after the beholder leaves.
No-one has ever accused humanity of not being arrogant, I'm afraid. But on the other hand, I've never heard anyone describe a rose as ugly. I suspect this could still be a case of universally shared terms of reference. Why, I don't know, except to say that we all seem to like roses. And agreement on that point has been the basis of countless beautiful friendships. That shared opinion can't be coincidence.The question remains is the rose beautiful in and of itself or is it beautiful only because we say so. The latter is arrogance beyond belief IMO. The former is more natural and going with the flow. Allowing the universe to be beautiful and contain beauty and appreciating it and life that much more because of it.