This is a simplification based on rigidity, with rigidity always being a simplification, in principle. This was posed because even the analysis of this case was going astray at points in the thread.I believe chestermiller addressed this in his detailed post on a hanging, flaccid noodle. Trying to formulate this result conceptually, I would say as follows:
All objects are really fluid (rigidity is the the limit of extreme viscosity). In this sense, pressure all around the noodle is significant and the noodle exterior portion treated as fluid propagates the outside pressure to the aperture, while the noodle interior portion propagates the interior pressure. There is thus a pressure difference across the aperture within the noodle. This leads to 'flow' of the noodle, with cohesion propagating this force as tension over the length of the noodle.
Note, this more complete model even explains various dynamics. For example, the rate of acceleration of a rigid rod would be given by pressure difference times aperture area divided by mass of the whole rod, and this acceleration would remain constant in the absence of friction until the whole rod crossed the aperture. In the case of a noodle, the acceleration would be greater because the whole of interior noodle does not have to be moved, and as the portion moving into the cavity increases in speed, the noodle inside will buckle; thus not all of it needs to be moved. Thus the acceleration will be pressure times aperture area divided by (mass of noodle outside the aperture plus some fractional part of mass inside the noodle that would be complex to model). Thus, until friction becomes significant, the rate of acceleration of noodle will tend to increase.
Consider also a hanging noodle with weight attached such that the whole thing is static (similar to chestermiller's analysis except that the weight outside isn't all due to noodle). In this static case, the exterior noodle is under tension such that at the aperture the tension matches the force from pressure difference. When the weight is cut, a tension release wave propagates at the speed of sound to the aperture at which point the noodle begins to move.