Shploop, if you are putting your trust in the acoustical science technical descriptions at this website:
http://www.performing-musician.com/pm/may09/articles/technotes.htm
then your project is doomed. For instance, the phrase “placing a microphone on a reflecting surface it will become twice as sensitive...” is false. The sensitivity of a microphone is not affected at all by its location. There are plenty more technical errors in the paragraphs as well.
Regretfully, you have been sucked into the vortex of “pseudo science” on the internet. Your project concept remains interesting and seems promising, but your chances of successful completion are seriously hampered by misinformation.
The term “passively amplify” is NOT normally used in acoustics. I think you mean “concentrate” sound energy. If yes, then there are at least three ways to concentrate sound waves: A parabolic concentrator, parametric beamforming, and an acoustic lens.
Already in this thread we’ve seen photographs of parabolic concentrators, a straightforward method to concentrate sound, either to gather sound energy from a distance and concentrate it at the acoustic focal point, or the reverse.
Here is an example of one technique: “Acoustic beamforming of a parametric speaker comprising ultrasonic transducers Abstract: A directional audible sound can be generated in air by means of the nonlinear interaction between intense amplitude modulated (AM) ultrasonic waves, which attracts much attention in the audio industry. In the case of sound reproduction by a parametric speaker comprising an array of ultrasonic transducers, a novel algorithm with Chebyshev window has been proposed to control the sidelobe level of the beam pattern by utilizing the acoustic nonlinearity and array signal processing technique.” Just as a note of interest, certain kinds of sonar use the “beamforming effect” to receive acoustic energy underwater and determine the relative bearing of the source.
And here is a good overview:
http://en.wikipedia.org/wiki/Parametric_array
As for an acoustic lens, here is an article with one example:
http://blogs.scientificamerican.com...ets-of-sound-that-may-lead-to-sonic-scalpels/
If you would learn basic acoustics, including reflection, refraction, and constructive and destructive interference of sound waves you would become better equipped to attempt to engineer a system that would advance your goals. Here are some suggested sources that may help you realize your project objective:
http://www.acoustics101.com/
http://www.ecophon.com/en/Acoustics/Room-Acoustic-Design/
http://en.wikipedia.org/wiki/Acoustic_resonance
http://en.wikipedia.org/wiki/Interference_(wave_propagation )
https://ccrma.stanford.edu/~jos/pasp/Acoustic_Energy_Density.html
http://en.wikipedia.org/wiki/Sound_energy_density
Here is one of the best sites to study all aspects of acoustics, full of excellent animations to help the student grasp the fundamentals intuitively: “Acoustics and Vibration Animations”, by Dan Russell, Ph.D., Professor of Acoustics & Director of Distance Education
Graduate Program in Acoustics, The Pennsylvania State University
http://www.acs.psu.edu/drussell/demos.html
Audacity® is free, open source, cross-platform software for recording and editing sounds. You will want this in your toolbox:
http://audacity.sourceforge.net/
The Scientist and Engineer's Guide to Digital Signal Processing
By Steven W. Smith, Ph.D.
See Chapter 22, especially where the spectral profile of human voice is considered.
http://www.dspguide.com/ch22/6.htm
Two examples of infrasound in nature used for communication where the transmission medium is air: elephants and peacocks!
http://www.birds.cornell.edu/brp/elephant/sections/dictionary/infrasound.html
http://www.sciencenews.org/view/generic/id/341606/title/Peacocks_ruffle_feathers,_make_a_rumble
See especially the section on “methods of field recording” at Cornell Lab of Ornithology, The Macaulay Library is the world's largest and oldest scientific archive of biodiversity audio and video recordings of Birds, Mammals, Reptiles, Amphibians, Arthropods, and Fishes. At the bottom of the web page see the methods of Field Recording, Audio Equipment, Audio Techniques, Video Techniques, and Workshops
http://macaulaylibrary.org/
“Our goal in Speech Technology Research is twofold: to make speaking to your phones and computers ubiquitous and seamless, and to help make videos on the web accessible and searchable.”
http://research.google.com/pubs/SpeechProcessing.html
Speech synthesis is the artificial production of human speech. A computer system used for this purpose is called a speech synthesizer, and can be implemented in software or hardware. A text-to-speech (TTS) system converts normal language text into speech; other systems render symbolic linguistic representations like phonetic transcriptions into speech.
http://en.wikipedia.org/wiki/Speech_synthesis
Work at the Audio Laboratory, Department of Electronic, University of York, UK in this area includes music performances using formant synthesis in music technology teaching and articulatory synthesis in 2 and 3 dimensions based on MRI images of the vocal tract.
http://www.davidmhoward.com/voiceSynthesis.htm
As for human languages, I suggest you consider the different modern living languages, including those primitive tongues that use “clicks” to transfer meaning to others. For example, see:
http://en.wikipedia.org/wiki/Natural_language
And this:
http://dir.yahoo.com/Social_Science/Linguistics_and_Human_Languages/
Finally, The Acoustic Society of America’s website is loaded with information, much or it related to your interests.
http://www.acoustics.org/
Edit: You posted three minutes before me and gave a more complete description of your goal(S), finally. It would have facilitated more utilitarian responses from members here if you had given a complete description of your project in the beginning.