danielhaish said:
so if this two wave would get closer to each other we would observe them as green wave which have frequency of 526Thz .
This sentence is worrying me. That could mean that you are using the" Yellow and Blue 'make' Green" thing that we start our colour experiences with . This is true when you mix paints or pigments and it works by Subtractive Mixing with primary coloured pigments. You are proposing Additive Mixing of coloured spectral monochromatic light But with coloured light
or with pigments, the colours we see are a total psychological effect in human colour vision. Electromagnetic waves of any frequencies do not affect each other.
To get a clue about colour vision you need to read about it.
This wiki article has a lot of what you need to know.
The fairly well accepted model for human colour vision says that we have just three sets of colour sensors. One that is sensitive to a broad range of spectral reddish colours, one that is sensitive to the greenish range and one that is sensitive to blues. Thinking of the sensors as having colour filters, those filters are actually very broad and actually overlap a lot (see the wiki link). When we look at any colour (including a monochromatic source) all three sensors may get a signal and we assess the colour on the basis of the ratios of the three signals.
Spectral Yellow will stimulate your red and green sensors mainly and Spectral Blue will stimulate (almost exclusively) your blue sensor ( and the green sensor very slightly).
So what will your brain make of that? Because there is some blue and some yellow, the green sensor will register some green because the 400THz is well within its filter passband and the blue sensor will see the Blue - so probably a greenish colour BUT also the Red sensor will detect a fair bit of that Yellow wavelength and the brain will interpret the colour (some red some green and some blue signals) as Green and White - or a de-saturated greenish colour.
The primary colours that are used in TV
additive mixing are Red Green and Blue and you can obtain a whole range of perceived colours by using the appropriate quantities of each. If you want to understand paints etc. then search for Subtractive Colour Mixing, which is much more complicated and best avoided until you get the above.