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WWGD said:
Bhat is the price of clams? ;).
Including VAT?
 
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WWGD said:
Bhat is the price of clams? ;).
Check next time. Shrimp is $8/kilo. Clams would be less
Busy covered market stall with a vendor in black gloves behind trays of shrimp, clams and squid on ice, with shoppers browsing and a person in the foreground holding a plastic bag of greens.
Seafood market stall with blue trays holding live lobsters, clams and scallop-like shellfish on ice, with a metal scoop and small price cards; shoppers stand in the aisle behind.
 
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BillTre said:

Yeah, in the same vein:

 
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Bit of an odd duck I found at a small air museum well off the beaten path yesterday… a 50 year old homebuilt flying wing. FAA records say it’s a White Flying Plank II.
Yellow homebuilt aircraft with a swept-back flying wing body and white tail fin, registration N20WB painted on the side, stored indoors in a hangar beside a red aircraft and grey seats.
 
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WWGD said:
Bhat is the price of clams? ;).
USD/35 Baht. Baht/kilo
Market display of clams on ice in a blue tray, with a yellow price tag reading 100, and dark shelled snails in water below with a yellow price tag reading 250.
Market display of small brown and white sea snails heaped on crushed ice in a blue tray, with a yellow price sign reading 250 in Thai script.
Market stall with a yellow price sign reading 50 above heaps of dark green-shelled mussels, and a metal tray of opened mussels with orange flesh in the foreground.
Clams piled in a shallow metal tray at a market stall, with a red sign reading 50 placed on top of them.
A woman with red hair in a ponytail writes on a paper menu at an outdoor table by the sea, with a view of a mudflat and a wooden pier behind her.
Woman with red hair eating a plate of sliced mango and sticky rice at a white table by a tidal flat, with a bowl of soup and an orange drink nearby, a wooden stilt house and a distant pier over the water.
A woman with bright red hair, seen from behind, wearing a black sleeveless dress with colourful printed patterns, standing on a concrete promenade beside a muddy tidal flat with a wooden pier and a green-roofed building in the background.
A metal bowl of raw clams on an orange cutting board, with a small white bowl of yellowish liquid sitting among them.
 
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The recent wildfires that destroyed much of Jasper, Alberta reminded me of my very brief visit in May 2004, a rest stop (a half hour, maybe?) at the train station en route from Edmonton to Vancouver on VIA Rail's Canadian.

White station name board on a cream stucco wall beneath a green-shingled roof, reading VANCOUVER 534-9M, JASPER, MONTREAL 2408-8M, with a window below.

Exterior of Jasper Station in Alberta, a stone-and-stucco railway building with a dark green sloped roof, green-framed doors and windows, and a VIA Rail Canada sign.

Silver and blue VIA Rail passenger train cars with a red and white Canadian flag decal stopped at a station platform, snow-capped mountains rising behind the tracks under a partly cloudy sky.

Main street in a small mountain town with snow-capped peaks behind it, tall street lamps, parked cars, and a storefront sign reading CHABA THEATRE.
 
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(This begins a series of posts with pictures from my road trip from South Carolina to Connecticut and back, during August 2024. I posted them during the trip, then intermittently afterward. When the next post does not immediately follow the current one, there is a link at the end of the post.)

----

Now I no longer say "I never saw a purple cow..."

Small purple and dark grey roadside building with a large purple cow head on a tall pole beside it, a sign reading SKYVIEW on a post, and trees behind under a cloudy sky.


Location: along highway US-340, about 5 miles north of Waynesboro, Virginia. Until a few years ago, it was an ice cream parlor named the Purple Cow.
 
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My first thought was how often it gets hit by cars.
Because of its precarious, unprotected placement at the intersection of two roads, the White Post has been an unwitting victim of numerous vehicular accidents resulting in damage or near-destruction over the last 270+ years. Its status as a landmark on the National Register of Historic Places requires that the post be reconstructed each time precisely as it was.
 
This new seafood restaurant is next to a boat yard way way off main areas . I only visited because I have seen them building it .Ie no one is just going to walk by in this area. So they must have good connections.
Outdoor restaurant terrace with wooden tables and chairs on a wooden deck, shade sails overhead, a woman with raised arm on a jetty over calm sea, and a wooden fishing boat moored nearby.
Woman with red hair seated at a blue tiled table by the water, with two seafood dishes, a glass and a napkin in front of her. A green and white boat sits on land behind a rocky shoreline.
Woman with red hair seated at a blue tiled table by the sea, eating from plates of fried food and shrimp dishes, with a water bottle and a menu on the table.
 
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From the Lehigh Gorge Scenic Railway in Jim Thorpe PA yesterday.

Passengers board a maroon passenger train at a station platform beside a Victorian-style stone station building with a conical tower; a sign reads Boarding for Open Air Coach, and a uniformed conductor stands nearby.

View from a wooden bridge with a black chain-link railing over a river winding through a forested valley under a partly cloudy sky.

View from the back of a maroon passenger train curving along a gravel track through a forested gorge, with a green sign reading WATCH FOR BLACK BEARS IN THIS AREA beside the tracks.

Brown and white dog with a harness sitting on a train seat, mouth open, next to a young girl in a pink top and a man in a white cap and sunglasses in a passenger car.
 
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From the Connecticut Trolley Museum in East Windsor, today:

Yellow and white open-sided vintage streetcar on rails, with visitors boarding and two uniformed conductors standing beside it on a grassy museum site.




A city bus c. 1970 modified by adding railroad wheels and other equipment so that it could run on both roads and railroad tracks. The plan was to run it on suburban streets to pick up passengers, then use rails to get into the city quickly. This turned out not to be practical, partly because the added weight impaired performance in "street mode".

Blue and silver GM Railbus 1712 parked in a museum hall, with a 'this is Railbus' sign above the windshield and a Railbus placard on the front; a black-and-white photo sits on an easel beside it.


This museum also houses the Connecticut Fire Museum, with a collection of vintage fire trucks.

Interior of a museum hall with several vintage red fire engines on display, including one with a visible 'E.W.F.D.' lettered front and another reading 'Milford Springs'; a blue and silver bus is at the right edge.


(skip to the next post in this series)
 
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What a Beauty
Restored red antique fire engine with brass fittings, ladders on the side and a bell on the front, displayed indoors in a museum hall with other vintage fire trucks behind it.
 
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jtbell said:
A city bus c. 1970 modified by adding railroad wheels and other equipment so that it could run on both roads and railroad tracks. The plan was to run it on suburban streets to pick up passengers, then use rails to get into the city quickly. This turned out not to be practical, partly because the added weight impaired performance in "street mode".
Interesting concept - perhaps a forerunner to the guided bus concept?
 
Sunset over a calm harbour with dark clouds above, a bright orange sun glow low on the horizon, a silhouetted shoreline on the left, a long pier, and a small boat with a canopy in the foreground.
Screenshot of the Picarta.ai geolocation page showing a sunset photo over water with a map of Southeast Asia below, marking a location on the Malay Peninsula with a red-yellow heat spot.
 
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Today I took the train to New Haven from Windsor Locks CT. Surely this is one of Amtrak's smallest stations.

Passengers boarding an Amtrak train at the Windsor Locks platform; an Amtrak locomotive sits beside a yellow-posted platform with a station sign reading Windsor Locks.


Yale is apparently in the middle of freshman orientation.

Street view of a red sandstone Yale building entrance with a banner reading "WELCOME TO YALE CLASS OF 2028", a moving truck and a white Yale pickup truck parked nearby.


However, I wasn't there to visit Yale. I was just killing some time while waiting for a bus to East Haven, home of the Shore Line Trolley Museum. Yes, another one of those! :smile:

Yellow vintage streetcar with the number 865 crossing a wooden trestle bridge over a tidal creek, with marsh grass and trees behind and overhead wires above.


The scenery is definitely better than at the other trolley museum that I visited yesterday. Nice views of salt marshes and expensive waterfront homes.

(skip to the next post in this series)
 
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The Shore Line Trolley Museum has a special exhibit: one of two surviving cars from a Port Authority Trans-Hudson (PATH) train that arrived at New York's World Trade Center from Hoboken during the 9/11/2001 attack. It was immediately evacuated, and was standing empty in the station when the WTC collapsed on top of it. The first two cars escaped the falling debris. This was the leading car. The second one is at the Trolley Museum of New York in Kingston.

White PATH railcar number 745 displayed indoors in a corrugated metal shed, with a sign reading World Trade Center PATH Station beside it.

Interior view of a PATH subway car with doors open, showing the destination sign reading HOB and WTC above the doorway and a yellow Watch the Gap sign on the door window.

Interior of an empty subway car with tan vinyl bench seats, grab handles overhead, and windows showing a station sign reading "World Trade Center" and "The New School".


This article is from 2016, when the museums received these cars from the Port Authority.

https://untappedcities.com/2016/09/...-from-911-will-open-to-public-for-first-time/

I remember these trains well from my day-trips to NYC when I lived in upstate NY for a couple of years in the 1980s. I sometimes parked in Jersey City or Hoboken and rode the PATH into the city.

(skip to the next post in this series)
 
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From a random photos topic on: forum.surfer.com Too funny
Black and white beach photo of sunbathers lying on towels in the sand while a woman in a long skirt holds a sign reading 'YOU ARE HEADED FOR HELL' above them, with parked cars and a camper van behind.
 
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I took my camera to downtown San Diego yesterday morning. There was one architecture shot I had planned, and I figured as long as I was down there, I'd try to practice my street photography.

Low-angle view looking straight up at a tall glass-curtain-wall skyscraper under a grey overcast sky, with reflective windows on neighbouring buildings framing the top of the frame.

Figure 1. Planned, architecture shot. The image is composed of 5 individual, partially overlapping photos stitched together in post and cropped.

Fig.1 shows the planned shot: the main reason I went to that particular location. I was hoping my 21 mm lens would be wide enough to get everything in the frame. It was not.

So I did the next best thing and sat on the curb, put all the camera settings in manual, and took several overlapping shots, each covering a section of the intended view.

Photoshop's stitching algorithm wasn't perfect, but you'd need to pixel peep to see the flaws, so I'm OK with it, I guess.

Now onto the street photography.

Three pigeons on a wet city street beside a puddle that reflects a tall building and the sky.

Figure 2. Pigeons in puddle.

Three pigeons standing and drinking from a shallow puddle in a red-curbed gutter beside an asphalt street, with an orange traffic cone on the sidewalk at right.

Figure 3. Pigeons in puddle, different angle.

I haven't done any street photography since I was in my late teens. And I wasn't all that good at it anyway. So to get the re-education going, I started with some birds (Figs 2,3). I hesitated at first, confident that I would frighten them off. My fears were unfounded, however. The pigeons immediately welcomed me into their flock. They considered me one of their own.

In retrospect, I should have taken a few shots way down low, only a couple of centimeters from the ground, but I didn't think of it at the time. Well, live and learn. There'll be a next time.

Red and silver fire hydrant standpipe with valves and gauges in front of a blue wall mural reading BELONG above two stencil figures' legs.

Figure 4. I don't know what that contraption is or why it belongs here. But, there it is.

Storefront window reflecting a street scene; the reflection shows trees and buildings across the road. Inside the window, a dark car with a sign reading Bespoke HAIR, and a silver car parked behind it.

Figure 5. The interior lighting and the outdoor reflection worked really well together here.

Street scene of a blue utility cabinet with a painted mural of a man in an orange cap and yellow collar, beside a worker in yellow pulling a cart on a sidewalk.

Figure 6. Omg.

This guy was hauling a bunch of stuff stacked up on a hand cart. Just as I approached the corner (the same corner where I took the photo), something happened to his cart, and everything toppled over. Thinking about it now, I feel bad not asking if he needed help. He looks like he's having a bad day.

Large mural on a building wall showing a man with a paintbrush painting a white canvas, with a newspaper-style masthead reading America's Finest, next to street-level shops including Coffee Talk, Blazin Smoke Shop and Pho Press.

Figure 7. No actual humans in this image. I thought the buildings looked interesting and quaint.

I really wanted to stop in at the coffee shop, but I didn't have a lot of time. I couldn't find a good parking spot when I arrived downtown, so I parked in a pay lot for $10. And it was only good for two hours.

Next time I think I'll travel light, drive to the nearest trolley station and take the trolley the rest of the way. That should give me more time.

Street photo of a young person with short hair in a grey t-shirt and cargo pants, hand raised to their forehead, in front of a building with a large black-and-white billboard reading "EMBRACE THE ATHLETE WITHIN YOU."

Figure 8. Some mornings can be a struggle.

Bronze sculpture of two seated nude male figures on a circular tiered fountain, with water cascading down its sides and a glass-fronted building behind.

Figure 9. Some fountain outside of the Wells Fargo building. I needed the practice with slow-ish shutter speeds.

To be continued ...
 
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... Continuing on,

City sidewalk beside a street with a yellow Downtown City Center banner on a lamp post; a person in a hooded coat leans over a shopping cart in front of a storefront with red awnings.

Figure 10. The juxtaposition of this guy and the "walk" sign in the background caught my eye.

Person in a dark top walking a large tan dog across a city street crosswalk, with tall residential high-rise balconies and parked cars behind them.

Figure 11. San Diego is a very dog/pet friendly town. While not all stores/shops/bars/restaurants allow dogs, many do. As long as you know where to go, you can take your dog anywhere.

Covered pedestrian walkway lined with white wooden posts and a slatted roof, with a person in dark clothing walking away along the narrow path beside a street with parked cars.

Figure 12. Temporary walkway next to a construction site.

Two red wooden paneled doors side by side on a grey wall beneath a white sign reading Southern Hotel, with a red-brick hexagonal paved walkway in front.

Figure 13. These doors remind me of a classic riddle.
 
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Last weekend I was at the American Philatelic Society's big annual national stamp show, this time in Hartford, Connecticut. A couple of items from the exhibits:

First, a piece of mail salvaged from the wreck of the airship Hindenburg in 1937.

Museum display label reading New Jersey, Recovered from the Wreck of the Hindenburg, with a water-stained envelope under plastic, a Mulheim postmark, and a Lakehurst, New Jersey, May 6, 1937 caption.


Unfortunately, reflections from the plexiglas covering of the exhibit frames and the plastic sleeves enclosing the items make photography challenging.

Earlier this year I showed you some mail that was intended for the return flight to Germany but had to be sent by other means.

Those of you who hunt may know about the "duck stamps" that show payment of fees for waterfowl hunting licenses. The designs come from an annual competition among wildlife artists.

Framed U.S. Migratory Bird Hunting and Conservation Stamp, $15, void after June 30, 1993, showing a Spectacled Eider flying over a rocky coastline; caption reads 1992-93 Spectacled Eiders, artist Joseph Hautman, plate number 190493.


The artist here was one of my classmates in grad school, a year behind me IIRC. After finishing his PhD, he ended up doing wildlife art, not physics. His two brothers are also wildlife artists. Between them, they've won the duck stamp contest 15 times, of which 6 were by Joe.

http://www.hautman.com/
 
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Yesterday I drove from Hartford to Scranton, Pennsylvania. After passing the fork in the fork in the road I stopped in Port Jervis, New York to take a look at the former Erie Railroad station, built in 1892.

Former Erie Railroad station in Port Jervis, New York, a red brick Victorian building with a steep pointed tower, seen across a grassy lot beside a railroad crossing sign.


It was used as a train station until the 1970s, then was redeveloped into offices and shops.

Red brick former Erie Depot railway station with a steep turret and slate roof, beside a brick building with a Metro Ristorante sign, under a cloudy sky.


Next door is a hotel that was built about the same time as the station, and still operates as a hotel/bar/restaurant.

Street-level view of The Erie Hotel, Food & Spirits, a red brick building with green canvas awnings, wood-paneled storefronts and a hanging sign, with a parked dark SUV and an American flag nearby.


Further west down the tracks, just barely visible at the left in the first picture above, is the current Metro-North station for commuter trains to Hoboken, New Jersey (with connections to New York City).

Port Jervis Station, a modern open-sided platform canopy with a curved roof beside a railway, with a parking pay station and a black bird on the grass in front.
 
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