High School [SOLVED] Regarding the Superposition of Two Plane Waves

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The discussion centers on the choice of sine and cosine functions in wave superposition, specifically why the sine function is considered the oscillation part. The reasoning involves the assumption that the differences in wave numbers and frequencies are small, leading to a slower varying cosine factor compared to the sine factor. This results in the sine function oscillating with a wavelength of 2π/k, while the cosine function modulates the amplitude with a much longer wavelength of 4π/Δk. Some participants express discomfort with the professor's derivation methods, suggesting that more precise wave addition techniques exist. The conversation concludes with appreciation for the insights shared.
Slimy0233
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My professor was teaching me about the superposition of two waves and after this derivation, he marked ##2Acos(\frac{dk}{2}x -\frac{d\omega}{2}t)## as the oscillation part and ##sin (Kx-\omega t)## as the oscillation part, I don't understand why? Any answers regarding this would be considered helpful.

My main question would be, why did he choose sin part as the oscillation and why not the cos part and more importantly, why not both? I mean, my bad intuition tells me, that I should include both.
 
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The answer is in the assumption that ##\mathrm{d}k \ll k## and ##\mathrm{d} \omega \ll \omega##. First, think about ##y## as function of ##x## at a fixed time. The cos-factor has a spatial period of ##4 \pi/\mathrm{d} k## and the sin-factor one of ##2 \pi/k\ll 4 \pi/\mathrm{d} k##. So the first cos factor is much slower varying than the sin factor as a function of ##x##. So you can interpret this as something oscillating in space with a wave length ##\lambda=2 \pi/k## and a position dependent amplitude, where the dependence of this amplitude on ##x## is much slower, i.e., the corresponding wave-length of these variations is ##\lambda'=4 \pi/\Delta k \gg \lambda##.

The analogous arguments hold also for the variations of the factors with time at a fixed position in space.
 
vanhees71 said:
The answer is in the assumption that ##\mathrm{d}k \ll k## and ##\mathrm{d} \omega \ll \omega##. First, think about ##y## as function of ##x## at a fixed time. The cos-factor has a spatial period of ##4 \pi/\mathrm{d} k## and the sin-factor one of ##2 \pi/k\ll 4 \pi/\mathrm{d} k##. So the first cos factor is much slower varying than the sin factor as a function of ##x##. So you can interpret this as something oscillating in space with a wave length ##\lambda=2 \pi/k## and a position dependent amplitude, where the dependence of this amplitude on ##x## is much slower, i.e., the corresponding wave-length of these variations is ##\lambda'=4 \pi/\Delta k \gg \lambda##.

The analogous arguments hold also for the variations of the factors with time at a fixed position in space.
beautiful analogy! thank you!
 
[SOLVED]
 
Slimy0233 said:
My main question would be, why did he choose sin part as the oscillation and why not the cos part and more importantly, why not both? I mean, my bad intuition tells me, that I should include both.
I am not very comfortable with the derivation. While I understand what your prof is trying to do, his/her methods seem unnecessarilly capricious. In particular exact derivations can be found for adding waves. Let's add two waves $$f(x,t)=cos(k_1x-\omega_1t)+cos(k_2x-\omega_2t) $$ then using trig identities $$ =2cos\left( \frac {(k_2-k_1)x-(\omega_2-\omega_1)t} 2 \right)cos\left( \frac {(k_2+k_1)x-(\omega_2+\omega_1)t} 2 \right)$$ $$=2f_1(x,t)f_2(x.t)$$
Typically the differences are smaller than the sums and f1 "modulates" f2. For your ear at x=0 this will give sound "beats" at the small difference frequency in the usual way.
 
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hutchphd said:
I am not very comfortable with the derivation. While I understand what your prof is trying to do, his/her methods seem unnecessarilly capricious. In particular exact derivations can be found for adding waves. Let's add two waves $$f(x,t)=cos(k_1x-\omega_1t)+cos(k_2x-\omega_2t) $$ then using trig identities $$ =2cos\left( \frac {(k_2-k_1)x-(\omega_2-\omega_1)t} 2 \right)cos\left( \frac {(k_2+k_1)x-(\omega_2+\omega_1)t} 2 \right)$$ $$=2f_1(x,t)f_2(x.t)$$
Typically the differences are smaller than the sums and f1 "modulates" f2. For your ear at x=0 this will give sound "beats" at the small difference frequency in the usual way.
thank you for this sir!
 
Topic about reference frames, center of rotation, postion of origin etc Comoving ref. frame is frame that is attached to moving object, does that mean, in that frame translation and rotation of object is zero, because origin and axes(x,y,z) are fixed to object? Is it same if you place origin of frame at object center of mass or at object tail? What type of comoving frame exist? What is lab frame? If we talk about center of rotation do we always need to specified from what frame we observe?

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