big man said:
They were readable, but all in all it was some of the worst writing I've ever come across.
Can you, or anybody claiming it was bad writing, please clarify what you mean by that? Does that mean you didn't like the plot, or it was too outlandish to believe, or it rambled on without a clear plot, or it was riddled with grammatical errors, or it just didn't hold your interest, or as a mystery the ending was too predictable, or it just wasn't original enough, or what? What do you consider an example of good writing, and why? Maybe this is why I was never interested in being an English major, but I've never been offered an explanation of what makes something a bad book, a good book, or a great book, other than the personal preferences/tastes of the reader.
I mean, sure, I can judge textbooks: Is the information presented accurate and fairly up-to-date? Are there sufficient examples and sample problems for the students to practice, and does the solutions manual, if available, present clear explanations of the solutions? Is the order of presentation of the material consistent with my pedagogical needs? Is the level of presentation appropriate to the background of the students in my course?
But when it comes to novels, especially fiction, is it just a matter of personal opinion, in which case one should simply seek the opinions of those with similar tastes when looking for recommendations of reading material, or is there some more objective criterion for what makes a book better or worse written than another? I gave contrasting examples above of a book that folks here are claiming is poorly written (
The DaVinci Code) and one that gets the endorsement of English professors (
The Handmaid's Tale), and to me, the former is the better written of the two, based on grammar, word-choice, plot development and resolution, and sheer entertainment value. I should note that in terms of plots, both books actually have something in common, that they take bits of real events in history or modern society, and stretch them into a conspiracy theory, completely exaggerated level of prediction of future events, particularly revolving around extremist religious views associated with Catholicism/Christianity.
Does a book have to be a chore to read to make it worthy of literary acclaim? I'm really trying to understand how this distinction is made. If it's all chalked up to personal preference, I'd love to know that too, because then it makes it much easier to realize others just have different tastes than me, thus our difference of opinion in books we choose to read, rather than the seemingly more prevalent attitude I've run into that certain books are "must-reads" by anyone who is educated, while others are just the cheap, dimestore novels to be read by the ignorant masses (in which case, I'll join the ignorant masses any day, and keep reading what I enjoy

). Sometimes I wonder if the attitude of elitism (I'm not referring specifically to anyone here, just a general attitude I run into when discussing books in "educated circles") surrounding the reading of certain works of "literature" is more of a badge of honor that you persevered and survived reading the book to the end rather than that the book is really worthy of reading. But, if there really is something that defines the difference other than personal taste, I'd like to know what it is.