Did Amadeus Unfairly Tarnish Salieri's Reputation?

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Salieri's reputation as a composer is largely shaped by the portrayal in the film "Amadeus," which contrasts his music with that of Mozart, leading to a perception of him as a lesser talent. This raises the question of whether having a poor reputation is better than being forgotten entirely. The discussion touches on how negative portrayals in media can impact historical figures' legacies, with some arguing that any publicity, even bad, can be beneficial for recognition. Salieri's association with Mozart has become a significant part of his identity, overshadowing his own contributions to music. While he was once a popular composer in his own right, the enduring narrative of rivalry with Mozart complicates his legacy, leaving many to wonder if he would prefer to be remembered as a hack or not remembered at all. The conversation also suggests that the ingrained mythology surrounding their relationship is difficult to separate, influencing how Salieri is viewed today.
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What I've generally found is that Salieri has a poor reputation as a composer... this seems to be largely a result of the movie Amadeus, and the original play(I forget the name). Salieri's music is contrasted against Mozart's.

On the other hand, without Amadeus, most people probably wouldn't know who Salieri is at all.

Is it better to have a poor reputation, or no reputation at all.

What do you think of Salieri's music?

I just watched Cinderella man, and was reminded of Salieri when I saw how Baer was portrayed. I really don't know anything about the real Baer, and I doubt this movie will have the influence that Amadeus had. But it bothers me a little when movies damage the reputation of those that have passed on.
 
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Interesting question, I'm surprised there are no other responses yet? Well, there is that saying, "I'd rather be praised than punished, but I'd rather be punished than ignored," and I think there is some truth in that. Also, a lot of marketing people would say there is no such thing as bad publicity. With teen movies especially, a lot of studios don't care about getting bad reviews from the critics, because they know the core audience for teen movies doesn't care about what the critics think; they will go see it anyway, and the critics are only giving the movie free publicity. In fact, any kind of controversy usually helps to sell an entertainment product, look at "The Passion of the Christ" for example.

Of course, personal reputation is not the same as product reputation. I wouldn't want to be accused of committing a crime on CNN, even if it would make me "famous". However, I wouldn't mind if a book I wrote got a bad review in the New York Times, rather than no review at all. It's the difference between criticizing a person, and criticizing that person's ideas and creative output. Both are personal, but the latter is a little less personal, and can actually be beneficial.
 
Thanks for responding jma. I too wouldn't mind a little bad press if it meant being able to sell a product of mine. I'm not sure it matters to me how my reputation (personal or professional) turns out after I die though. I wonder how Salieri would have preferred it. Being remembered as a hack, or not being remembered at all. His personal reputation has also taken a beating. Amadeus (and the opera Mozart et Salieri) keep some people thinking that Salieri was responsible for Mozart's death.

Is the association with Mozart the only thing that can keep Salieri's reputation alive? Who knows how his rep would have turned out if he had not been near Mozart or lived during Mozart's lifetime. Maybe he'd be remembered and respected. The Mozart/Salieri mythology is so ingrained now, it's tough not to think of the two in relation to each other.
 
jma2001 said:
Interesting question, I'm surprised there are no other responses yet?
Been busy revising :biggrin:

learningphysics said:
Thanks for responding jma. I too wouldn't mind a little bad press if it meant being able to sell a product of mine. I'm not sure it matters to me how my reputation (personal or professional) turns out after I die though. I wonder how Salieri would have preferred it. Being remembered as a hack, or not being remembered at all. His personal reputation has also taken a beating. Amadeus (and the opera Mozart et Salieri) keep some people thinking that Salieri was responsible for Mozart's death.
I do not think anyone is forgotten. What you need is a specialist who will remember someone (e.g. Ernst von Dohnányi or Philip Wilby or Phillip Sparke are all composers that need special interest or attention).

learningphysics said:
Is the association with Mozart the only thing that can keep Salieri's reputation alive? Who knows how his rep would have turned out if he had not been near Mozart or lived during Mozart's lifetime. Maybe he'd be remembered and respected. The Mozart/Salieri mythology is so ingrained now, it's tough not to think of the two in relation to each other.
At the time, Salieri was very popular. He was in with the King (I think) of Italy and so was popular. Mozart was ment to have (unintentional) destroyed that. Salieri is rememeber for Mozart's death and being in his shadow but he really was the 'Haydn' of Vienna. He would have been remembered but not with a reputation at all. So to be remembered, it might be good be related to something bad. Of course no one wants that.

The Bob (2004 ©)
 
https://www.newsweek.com/robert-redford-dead-hollywood-live-updates-2130559 Apparently Redford was a somewhat poor student, so was headed to Europe to study art and painting, but stopped in New York and studied acting. Notable movies include Barefoot in the Park (1967 with Jane Fonda), Butch Cassidy and the Sundance Kid (1969, with Paul Newma), Jeremiah Johnson, the political drama The Candidate (both 1972), The Sting (1973 with Paul Newman), the romantic dramas The Way We Were (1973), and...

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