Would you hear nothing if you struck two tuning forks of the same

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In summary, the two people are discussing whether or not real-world wave cancellation of this type is likely to be a bit messy. They also say that if two speakers are playing a sinus wave, regions of the listener will hear nothing.
  • #1
needingtoknow
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Homework Statement



Would you hear nothing if you struck two tuning forks of the same frequency at the same time or if you struck one some amount of seconds after the other which would result in one fork's sound wave to be exactly pi out of phase of the other?
 
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  • #2
that would depend on where you held them relative to your ear. Even if you got the best cancellation possible I think you'd likely still hear at least something. Real-world wave cancellation of this type is likely to be a bit messy
 
  • #3
Did you ever note interference effects with two speakers at a computer? You can let them play a sinus wave to simulate your experiment. Are there regions where you hear nothing?

Hint: think of reflections
 
  • #4
phinds Oh ok plus because the sound would probably reflect off of other surface and eventually reach your ear. No mfb unfortunately I cannot try that experiment now b/c I'm at a laptop which has a single source of sound. I'll try to do that if I ever gt my hands on a desktop computer though. Thank you both for your replies
 
  • #5
needingtoknow said:
... No mfb unfortunately I cannot try that experiment now b/c I'm at a laptop which has a single source of sound

I think you are missing his point. You only NEED a single source of sound since most browsers will play sound from two different windows at the same time. Since the sounds are mixing electronically, you can get perfect cancellation.
 
  • #6
Oh I thought you meant to play two separate sounds from two separate speakers, but what you're saying makes sense. I tried it with opening this in two separate tabs but I didn't get any cancellation. I heard some beats though or at least I think I did.
 
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  • #7
needingtoknow said:
Oh I thought you meant to play two separate sounds from two separate speakers, but what you're saying makes sense. I tried it with opening this in two separate tabs but I didn't get any cancellation. I heard some beats though or at least I think I did.


The problem seems to be that you can't control where the tone is in its cycle when it starts in the different windows. I guess you could try opening the second window over and over until you got cancellation but it would likely take a boringly long time and wouldn't really prove anything new anyway.
 
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  • #8
phinds said:
that would depend on where you held them relative to your ear. Even if you got the best cancellation possible I think you'd likely still hear at least something. Real-world wave cancellation of this type is likely to be a bit messy
Yes, you'd need the sources to arrive exactly out of phase at each ear, preferably in an anechoic chamber.
 
  • #9
Even if they were exactly out of phase and equal in amplitude at each ear in isolation the ear/brain interface still does the processing so much of what we hear is preconditioned and is a bit of an illusion of reality that can somewhat be changed with practice and concentration. Above 1khz we lose the ability to phase discriminate signals and mainly only sense frequency so full sound cancellation with stereo hearing is limited.

http://www.philomel.com/musical_illusions/
 
  • #10
mfb said:
Did you ever note interference effects with two speakers at a computer? You can let them play a sinus wave to simulate your experiment. Are there regions where you hear nothing?

The cancellation is almost complete if you put your head exactly the right position.
Try playing the attached mp3 (in a zip file) through a device with stereo-speakers,
(not headphones), whilst slowly moving your head , e.g. rocking back and forth , and/or turning your head.
 

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  • 5kHz sine ( loud ), mp3 file in ZIP file.zip
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  • #11
B0b-A said:
The cancellation is almost complete if you put your head exactly the right position.
Try playing the attached mp3 (in a zip file) through a device with stereo-speakers,
(not headphones), whilst slowly moving your head , e.g. rocking back and forth , and/or turning your head.
It works very well, nice. You can even hear the influence of moving a hand around close to the ear or between ears and speakers (yes it can make the sound louder).
 
  • #12
nsaspook said:
Even if they were exactly out of phase and equal in amplitude at each ear in isolation the ear/brain interface still does the processing so much of what we hear is preconditioned and is a bit of an illusion of reality that can somewhat be changed with practice and concentration. Above 1khz we lose the ability to phase discriminate signals and mainly only sense frequency so full sound cancellation with stereo hearing is limited.
I don't see how cancellation can be annulled by perception considerations. If there's no net movement or pressure change of the air molecules, there's nothing to perceive.
 
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  • #15
haruspex said:
You wrote

Doesn't that imply complete cancellation of the waveform at each ear? Nothing to hear?

Why? The separate conversion of acoustic energy in each ear to signals interpreted by the brain as sounds allows us to detect phase and aptitude differences across our head and normally we think of our ears as linked acoustically. Our hearing is not a simple algebraic mixer of two signals. You can be easily trained to listen to a voice in one ear and copy Morse code in the other for example. I often wore two set of headphones with each over only one ear to compare the signal quality of radio comm circuits transmitting the same signal when selecting which one to use. Changes in phasing due to HF skip were detected in my head as direction changes or beats not a null of the signals.
 
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  • #16
nsaspook said:
Why? The separate conversion of acoustic energy in each ear to signals interpreted by the brain as sounds allows us to detect phase and aptitude differences across our head and normally we think of our ears as linked acoustically. Our hearing is not a simple algebraic mixer of two signals. You can be easily trained to listen to a voice in one ear and copy Morse code in the other for example. I often wore two set of headphones with each over only one ear to compare the signal quality of radio comm circuits transmitting the same signal when selecting which one to use. Changes in phasing due to HF skip were detected in my head as direction changes or beats not a null of the signals.
I repeat, you wrote:
exactly out of phase and equal in amplitude at each ear
This means that, at each ear separately, the arriving waves completely cancel. Neither ear gets any signal. This has nothing to do with any subsequent processing by the nervous system.
 

1. Would the tuning forks produce any sound when struck together?

Yes, the tuning forks would produce sound when struck together. This is due to the vibration of the prongs, which creates sound waves that can be heard by the human ear.

2. Would the sound produced be the same for both tuning forks?

Yes, the sound produced by both tuning forks would be the same. This is because they have the same frequency, which determines the pitch of the sound.

3. Would the sound produced be louder than if only one tuning fork was struck?

No, the sound produced would not be louder than if only one tuning fork was struck. In fact, the sound produced would be the same as if only one tuning fork was struck, as the frequency and pitch would remain constant.

4. Would the sound be affected by the distance between the tuning forks?

Yes, the sound may be affected by the distance between the tuning forks. The closer the tuning forks are to each other, the louder the sound may be due to constructive interference. However, if the tuning forks are too close, they may dampen each other's vibrations and the sound may be quieter.

5. Would the sound produced be affected by the material of the tuning forks?

Yes, the sound produced may be affected by the material of the tuning forks. Different materials may produce different sound qualities, such as a higher or lower pitch. Additionally, the material may also affect the resonance and sustain of the sound produced.

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