Cover songs versus the original track, which ones are better?

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SUMMARY

This discussion centers on the comparative analysis of cover songs versus their original versions, highlighting specific examples such as Johnny Cash's cover of "Hurt" and Jimi Hendrix's rendition of "All Along the Watchtower." Participants argue that the quality of a cover is subjective, often depending on personal taste and the context in which the songs are experienced. Notable mentions include The Residents' cover of "(I Can't Get No) Satisfaction" and the contrasting styles of Simon & Garfunkel versus Disturbed. The conversation emphasizes the importance of interpretation and arrangement in determining whether a cover enhances or detracts from the original work.

PREREQUISITES
  • Understanding of music theory and arrangement techniques
  • Familiarity with notable cover songs and their original counterparts
  • Knowledge of subjective versus objective analysis in music critique
  • Awareness of the cultural impact of iconic artists like Johnny Cash and Jimi Hendrix
NEXT STEPS
  • Research the impact of Jimi Hendrix's "All Along the Watchtower" on music history
  • Explore the nuances of music interpretation in cover songs
  • Analyze the critical reception of Johnny Cash's "Hurt" compared to the original by Nine Inch Nails
  • Investigate the role of personal bias in music appreciation and critique
USEFUL FOR

Music enthusiasts, critics, and artists interested in the dynamics of cover songs versus originals, as well as anyone exploring the subjective nature of musical interpretation and performance.

  • #331
 
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Science news on Phys.org
  • #332
 
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  • #333
Frabjous said:
When I go non-canonical, I listen to this Deep Purple Version.


My favourite players of all time. Live no one could touch them.
Totally different band when Gillan and Glover left in 1973.
 
  • #334
Jaco Pastorius' Teen Town on a harpiji that is triggering virtual instruments.

 
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  • #335
Hornbein said:
Jaco Pastorius' Teen Town on a harpiji that is triggering virtual instruments.


I will watch later as this is one of my all time favourite bass lines.
Lots of 13th chords from memory!
 
  • #336
Them virtual orchestras are getting really good.

 
  • #337
 
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  • #338
Hornbein said:

No idea on tuning, she's obviously done this to stick the tune in which she is very skilled at.
When I saw the capo I thought she might sing!
 
  • #339
pinball1970 said:
No idea on tuning, she's obviously done this to stick the tune in which she is very skilled at.
When I saw the capo I thought she might sing!
And Your Bird Can Sing



 
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  • #340
Hornbein said:
And Your Bird Can Sing




That duo were fantastic, not an easy guitar part and they made the 3 part harmony 2 part without sounding empty loved it.
The parrot ha ha! Wonderful!
 
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  • #341
 
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  • #342
Hornbein said:

Ok so I need to investigate their channel don't I? On this he actually sounds like George, freaky. Brilliant again and love the effects the girl is sticking in.
 
  • #343
Hornbein said:

She is doing the LOW part on "Sun sun sun here it comes." Wow. There are just so many talented people out there, that's why I love you tube. For music you cannot beat it.
 
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  • #344
pinball1970 said:
that's why I love you tube. For music you cannot beat it.
It's sort of like going to a speakeasy during Prohibition. You gotta know the right places. Heh heh.

Here's another good one. These men have mastered the falsetto. Also you can see the damper that the bass player uses. Fender basses all used to come with a foam rubber damper in the bridge cover to get a more of a string bass style of attack. In the 1960's bass players almost all removed the bridge and pickup covers and threw them away so eventually Fender gave up and stopped supplying them. Nowadays some damp with their palm, but that's too uncomfortable for me.

Rickenbacker basses have or maybe had a hinged damper that can be enabled and disabled, but I've never heard anyone use them except maybe Paul McCartney. Everybody else wants to be Chris Squire.



Here's another good one. That guitar part sounds a lot better on the real thing.

 
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  • #345
Hornbein said:
It's sort of like going to a speakeasy during Prohibition. You gotta know the right places. Heh heh.

Here's another good one. These men have mastered the falsetto. Also you can see the damper that the bass player uses. Fender basses all used to come with a foam rubber damper in the bridge cover to get a more of a string bass style of attack. In the 1960's bass players almost all removed the bridge and pickup covers and threw them away so eventually Fender gave up and stopped supplying them. Nowadays some damp with their palm, but that's too uncomfortable for me.

Rickenbacker basses have or maybe had a hinged damper that can be enabled and disabled, but I've never heard anyone use them except maybe Paul McCartney. Everybody else wants to be Chris Squire.



Here's another good one. That guitar part sounds a lot better on the real thing.


Mrs Robinson is great
 
  • #346
 
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  • #347
Hornbein said:

I liked her voice, harmonies but you cannot just stop before the solo!
 
  • #348
pinball1970 said:
I liked her voice, harmonies but you cannot just stop before the solo!
OK, you asked for it.

 
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  • #349
The original.

 
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  • #350
Can't Explain covered by Incubus

 
  • #351
 
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  • #352
Van Halen covers Little Feat's Apolitical Blues

 
  • #353
 
  • #354
I mostly listen to music from Japan, but I must say that Caucasians have something the others can't quite duplicate. (Though the Van Halen brothers had an Asian grandmother.)

 
  • #355
These guys are great, thanks again @Hornbein

 
  • #356
I love Holly Cole. Her voice just melts my heart every time. She made a lot of covers, here are a few of my favorites:

Original (I want you):



Cover:



Original (Calling you):



Cover:



Original (If I were a bell):



Cover:



Original (Jersey girl):


Cover:


Original (Falling down):


Cover:


Original (The Tennesee Waltz):


Cover:

 
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  • #357
pinball1970 said:
These guys are great, thanks again @Hornbein


That two-guitar intro is SO cool.
 
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  • #358
jack action said:
I love Holly Cole. Her voice just melts my heart every time. She made a lot of covers, here are a few of my favorites:

Original (I want you):



Cover:



Original (Calling you):



Cover:



Original (If I were a bell):



Cover:



Original (Jersey girl):


Cover:


Original (Falling down):


Cover:


Original (The Tennesee Waltz):


Cover:


My that's a beautiful arrangement. 3K views a year? Tough business, music. Can swing her tushy off too. Can't hate that. It's always a pleasure to welcome such a fine artist into one's musical life.

Tom Waits later became a disciple of Captain Beefheart. I'm not so sure it was an influence beneficial for him. Maybe it unleashed something that had better been kept in confinement.
 
  • #359
Trap drummer Anika Niiles covers the Mahavishnu Orchestra's You Know You Know. It made my hair stand on end. That hardly ever happens.

 
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  • #360
This guy records buskers in Cardiff centre.

 

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